Back To The Future Analysis

Both films, Back to the Future by Robert Zemeckis and Stephen Spielberg Indiana Jones and the Temple of Doom demonstrate high are some of the best classical movies in the 20th century. The two classics have unique approaches on how they represent on society issues such as race, gender, and class. Back to the Future is an action packed and adventure science fiction and fantasy comedy film focusing on time travellers. Indiana Jones and the Temple of Doom is a classic American adventure film with a high entertainment value. The way ideologies have been produced and transmitted in Indiana Jones and the Temple of Doom confirms a high level of critical thinking in effort to bring on ideas on how to avert life’s complexities through heroism. Both movies seem to resolve these complexities by heroic approach, while operating within society using life’s ordinary and
As much as Back to the future uses strong language on racial issues in the 1950’s set up, Indiana Jones and the Temple of Dom is characterized by high racism content as throughout the scenes. This is however carefully demonstrated by the double plotlines on adventure and love story that unfold to demonstrate the in-depth realities in of the old fashioned sexism and racism depicting on the forces of darkness. Indiana Jones and the Temple of Doom has carefully divided race differences alongside gender roles. In Back to the Future, race has been used vocally to express emotions, but in great depth also brings out cultural differences especially where the white boy reclaims the origins of rock, a main white musical genre. The role of the white society has been placed higher in the movies context where by Goldie Wilson and Chuck Berry managed to succeed in life because of the help from white boy, demonstrating a hidden insidious kind of racism reducing a race to