Baroque Time Essay

The Baroque time frame was from the 1600AD-1750AD and was the first occasion when that instrumental music turned out to be essentially equivalent, both in amount and quality, with vocal music. “Composers also developed a new way of handling the chords as that their interrelation was felt to be more logical or coherent.” (Kerman pg., 83) There are four musical attributes of the Baroque time frame. These four are Homophony- Monody, Recitative-Act, or imitate while singing strict metrical rhythm which is the systematic use of harmony. “Part of the importance of the Baroque era was that for the first time, listeners and musicians began to take instrumental music much more seriously.” (Kerman pg., 114) During the Baroque period, the Renaissance
“In any case, the rise of the instrumental music meant that there had to be a basic understanding between composers and audiences about instrumental forms and genres.” (Kerman Pg., 114) Baroque composers concentrated vigorously on upper and lower tones. This particular arrangement of tonality, all of the pitches of a major or minor scale was particularly identified with the main note of the scale, or the
The Opera, Concerto, and Oratorio were just a few genres of this era. Opera was intended to reproduce Greek dramatization, and is like musical theater. It is a workmanship from in which singers and artists play out an emotional work joining content and musical scores in a showy setting. One of Claudio Monteverdi most perfect work was called “The Coronation of Poppea" from 1642. One of Claudio Monteverdi perfect works of art was called "The Coronation of Poppea" from 1642. This Opera was an exceptionally emotional. The opera is about "Poppea, mistress of a famous Roman emperor Nero, who plans to get his better half, Ottavia, ousted and his prominent counselor, Seneca, put to death and succeeds in both. In a counter plot, Ottavia extorts ottone, Poppea's rejected lover, into an attempt on Poppea's life. Ottone tries but fails." (Kerman, pg. 86) The Oratorio is an extended composition for vocal soloists, chorus and orchestra; the narrative text is usually based on scripture or biblical stories. One of the famous composers was Georg Handel whom likewise concocted the English Oratorio. One example of his work was Messiah (1742). The oratorios are not to be viewed as church music. They are proposed for the concert hall, and are much closer to the