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Beethoven 9th Symphony Analysis

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Beethoven 9th Symphony Analysis
One of the most popular Beethoven’s works is the ninth symphony. An interesting performance with the philharmonic orchestra & oratorio chorus for Beethoven. The performance was at the musical art center, Wednesday, April 20 at 8 pm.in additional, the performance was by the conductor Carl St. Clair, Betsy Burleigh the Chorus Master and more. It was a very huge performance that a person must get a ticket whether he is a student or not.
Going into details about the music, the performance has only one Symphony, which is Symphony No. 9 in D Minor, Op. 125. The symphony divided into 4 parts or pieces. Allegro ma non troppo, un poco maestoso, Molto vivace, Adagio molto e cantabile and Presto – Allegro assai – Recitativo – Allegro assai. Each part has a small different style.
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It goes from high to low and the opposite. This piece is also fast and it has more drums. The piece has more like of repeating the notes from high to low. One times its calm and smooth and another time it’s completely the opposite, which makes it unique. The second moment of the symphony has a similar style like the first one but with different notes. However, in this piece I hear more of clear violin than drums. In additional, the first moment I heard this piece I felt that I know it somehow, then I remembered the Disney cartoons when they used these kinds of music in their movies. Sometimes visual media could help your memorizing the song without paying attention to the song itself.
The third part was Adagio molto e cantabile, this piece started very smoothly and calm like a beginning of a romantic movie or a history movie. The piece has a same level of notes, for most of the time. They used less violin, not many drums or other interments. It was slow and low and no repeating notes. I have notes that many people has been in a relax mode by listening to this

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