Last week we went to the Phoenix Theatre in Leister Square to see Blood Brothers. When we walked into the theatre, I noticed that the proscenium arch stage was slanted which put everything on the stage in perspective. There was no live orchestra, and all the sound travelled easily throughout the room as it was quite a small theatre. Before the play, I had been told that the story was based in Liverpool and I had high expectations as it is one of the longest-running musicals in the West End. Behind the gauze, I could see the backdrop which was mostly grey and had houses and other buildings on it. It looked as if the scene was set in the heart of Liverpool. Due to the artwork on the programs, it was obvious that this production would be about the life of two brothers, and the different ways in which they grow up. The use of the clasping of hands symbolised a forbidden or unlikely friendship between the different classes that there were at this time.
At the beginning of the play we saw some men dressed in black suits putting two bodies into coffins, however the gauze curtain was still not raised. This seemed like the past and present of the story, as this first scene was the inevitable end. I personally did not think it ruined the storyline by showing the end at the beginning, as I forgot this scene, and did not realise how vital it was to the production. I think it gave the whole play a more dramatic effect learning, that you had known the outcome from the very beginning. I think this scene proves that you cannot escape your fate.
All the scenes were set in the same location; and the set design remained the same for the whole performance, even when the backdrop changed however, the insides of houses, occasionally descended from the ceiling to show the insides of each home. One the right side of the stage we saw some white-brown bricks and a window, at the back of the stage was a wall which had graffiti on it. The wall was very dirty and