Building Phonemic Awareness With Phoneme Isolation Case Study

Topic: Building Phonemic Awareness with Phoneme Isolation
Age: 4-6 years old
Duration: 25 minutes
Objective
Student will:
• Chant starting and completion phonemes in words
• Match objects with the same starting or completion sound
• Distinguish whether a key phoneme happens toward the starting or end of a word
• Join phonemes with composed letters
Session 1:
1. Utilizing the sack of articles, haul one item out of the pack. Request that understudies distinguish the item. Ask them what sound they hear toward the end of the word. Have understudies make the sound (e.g., /n/for can).
2. Start a serenade by slapping knees and clapping hands with the item. Case in point, if the item was a can, the serenade would go: can – slap knees, clap hands
Have understudies sit around and let them know that they are going to play a sound diversion.
2. Give the understudies two signs – one for in the event that they hear the sound toward the start of the word, and one in the event that they hear the sound toward the end of the word. For instance, they could jump on one foot if the sound is toward the starting, or two feet if the sound is toward the end.
3. Give understudies a key phoneme to listen for (e.g.,/m/,/s/) Ask understudies, "Where do you hear the/?" Then say a word so anyone might hear and have understudies give the suitable sign if the sound is toward the starting or end of the
Continue the diversion a few times, exchanging in the middle of starting and completion sounds.
5. Display the straightforwardness or augmentation of page four of the lesson pack (the worksheet with the photo of the jeep). Point to the last letter and ask understudies the sound the letter makes (/p/). At that point have understudies say the name of the photo so anyone might hear (jeep). Request that an understudy volunteer compose the letter p toward the starting or end of the word, contingent upon where they hear the key sound.
6. Complete the worksheet together in the same manner.
Session 3:
1. Gather understudies into a circle and let them know that they are going to play another diversion.
2. Get the arrangement of list cards you arranged already. Start with either the starting sound sets or the completion sound sets. It is critical to do one arrangement of cards at once so understudies won't stir up their accomplices or not wind up with an accomplice.

3. Choose a large portion of the understudies and give them each a list card. At the sign, tell understudies that they must discover their accomplice who has the card with the same sound (starting or completion relying upon which set you're