Espada also says the fat boy wandered, table to table, with mouth open. He was looking for heritage, culture, and identity instead he found what he had in Brooklyn witch was Coco-Cola. In the text he keeps on referring to himself as the fat boy that is on the island, like and out sider that doesn’t fit anywhere. The fat boy sees himself going to every table where he sees a “great-aunt” giving him a cold glass of Coco-Cola. Witch in his mind he is thinking to his self why Coco-Cola is such a great thing here.
Espada makes it clear that the fat boy is lost in his own identity. In the second stanza he still refers to himself as the fat boy when he gets to the roadside stand off the beach. That first sentence he says “opened his mouth to Coco Frio”. That means he finally opened his mind to a new feeling in his identity, Culture. Once the fat bot tried the Coco-Frio he was no longer the fat bot he was the boy now. As the green shell overhead, drooled coconut milk down his chin. He finally got to know how his family culture is. The last sentence in the second stanza Espada says “suddenly, Puerto Rico was not Coco-Cola or Brooklyn, and neither was he”. He was explaining how Puerto Rico and Brooklyn weren’t all about Coco-Cola anymore. He finally connects to his culture and he knows his identity. Time went by and the boy thought back of how people on the island would drink Coco-Cola and sing songs from WW2. To