Compare Labille-Guiard's Self-Portrait With Two Pupils '

Contrastingly, Labille-Guiard also uses naturalism in her portrait with the Rocco style. In the Self-Portrait with Two Pupils, Labille-Guiard has painted herself in a very vibrant posh blue dress that immediately catches the eye of the viewer and makes her the focal point of the painting. In comparison to her two pupils, Mademoiselle Marie Gabrielle Capet and Mademoiselle Carreaux de Rosemond, Labille-Guiard is in the foreground and in a more extravagant and intricate outfit compared to their dull clothing. Similar to Leyster, Labille-Guiard has painted herself wearing a dress and a hat that someone would not typically associate with the attire of a painter. Leyster was from the Protestant Netherlands era, whilst Labille-Guiard was from the French era. Although the paintings are from different eras and countries, by painting themselves wearing extravagant and feminine clothing that was popular during their particular time periods, both women have made their femininity apparent in the paintings.
In Judith Leyster’s Self-Portrait, the painting of the male violinist holding the bow imitates Judith holding her paintbrush in her hand. Leyster is implying that whilst playing the violin and painting are typically associated as hobbies, they should be seen as talents and possible career endeavours. Leyster is to normalize painting as a profession and holds her paint brush and tools in her hands. In comparison to the fiddler, both the artist and the fiddler hold their tools in a similar