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Pride factors strongly into the division between Raskolnikov and society and his resulting alienation. For example, Raskolnikov asks…
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Raskolnikov's name means “divided,” which is appropriate since his fundamental character trait is his alienation from human society. His pride and intellectualism lead him to disdain humanity. Raskolnikov is split between an emotion ego and a logic ego. The conflict between these two sides of his character drives him insane and causes him to sink into apathy until one personality wins out over the other.…
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While Dunya agrees to marry him in hope to help rasconikov with work. Rasconikov shortly after tells her to marry whoever she wants to marry. This is an example of the compassionate side of Rascolnikolv not wanting his sister to burden herself just to help him out, and the intellectual side showing that he shouldn’t have any concern with others and their insignificant…
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Lizaveta was enslaved by her half sister and she acted like a dealer for poor families which need to sell things to make money. Lizaveta walks in while Ivanovna is getting robbed and murdered and he decides to murder her too. Later he finds out that she had been a friend of Sonya’s. The bible give to Sonya was a gift from Lizaveta which Sonya treasured.…
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Sonya knows that it is right to help Raskolnikov in her life because he could be lost and go even deeper into his madness. However, Sonya knows that Raskolnikov is a killer and it would be wrong to be associated with somebody who knowingly commits sins as extravagant as murder. Sonya is also aware that Raskolnikov has issues and his madness could drive him to do other things that could lead to even worse consequences. Sonya believes that it is equally as wrong to not help Raskolnikov and forgive him for his sins, than it is wrong to be acquaintances with a killer. This decision Sony makes to stay and help Raskolnikov is significant because it had an effect on the whole novel. If she chose to leave Raskolnikov and let him sort out his own problems, he probably wouldn’t have confessed to the…
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Before the dream is analyzed, it is important to briefly discuss the dream itself and the context in which it occurs. Before he kills Aliona and Lizaveta, Raskolnikov is a nervous wreck; He is distracted and feverish. These emotions are normal for Raskolnikov in this scenario however because he is planning on killing somebody in cold blood. While walking down a street in St. Petersburg, Raskolnikov passes “luxurious carriages and men and women on horseback” which is a crucial aspect of the dream (52). He also walks into a tavern for a glass of vodka and a meat pie. After drinking the one glass of vodka, Raskolnikov, currently an extreme lightweight,…
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Law is good. Man, in his needs, has different motivations for law in society. His secular needs require striving for justice, social stability, and punishment. However, in the area of religious influence, law should promote morality so that believers can get close to God or be separated and condemned by God. As man and society evolves, the purpose of law has remained the same – to punish and deter.…
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Raskolnikov is passing by a police officer and a student when he first hears the idea of murder for the unjustified reason of giving all to the poor. The student remarks, “Kill her take her money and with the help of it devote yourself to the service of humanity and the common good…of course she doesn’t deserve to live”(130;pt I;Ch.4). The people of higher knowledge plant a seed in Raskolnikov, if they believe this is true whats stoping him to not. They are respectable higher class and they have an influence on Raskolnikov's mind and his eventual murders. He respects their position and ideal based on first impressions which convince him to eventually make his…
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Raskolnikov is reticent to accept Sonya’s forgiveness because he is unwilling to humble himself, but she constantly encourages him to repent and accept the forgiveness that is offered. Sonya firmly tells Raskolnikov, “‘Go now, this minute, stand in the crossroads, bow down, and first kiss the earth you’ve defiled, then bow to the whole world, on all four sides, and say aloud to everyone: ‘I have killed!’ Then God will send you life again’” (Dostoyevsky 420). The idea of falling to the earth is something that indicates humility throughout the novel. Sonya’s forgiveness is unconditional in regards to Raskolnikov’s sin, but there is a condition for him to be able to accept it; he must humble himself. Sonya wants Raskolnikov to accept forgiveness because God’s forgiveness, once she accepted it, changed her life. Her love for him compels her to encourage him constantly, even when he is unreceptive. Raskolnikov begins to recognize this, when “He looked at Sonya and felt how much of her love was on him, and strangely, he suddenly felt it heavy and painful to be loved like that” (Dostoyevsky 422). Raskolnikov does not accept love easily, and generally pushes away those who help him out of love. He still struggles with Sonya’s love, but he identifies its power and recognizes that forgiveness is borne out of love. He does not reject Sonya when she…
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“Nobody, but he who has felt it, can conceive what a plaguing thing it is to have a man’s mind torn asunder by two projects of equal strength, both obstinately pulling in contrary direction at the time.” (Laurence Sterne) In Dostoyevsky’s Crime and Punishment, it is this exact miscalculation that leads the protagonist Raskolnikov (Rodya) to his ultimate mental, physical and social demise. Similarly, the theme of the novel directly correlates to Sterne’s quote, as Dostoyevsky delves into the psychology of a criminal, centering the novel on a murder and its after-affects on the transgressor.…
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For instance, Sonya serves as Raskolnikov's link to humanity. She provides him contact with the outside world through letters and visits. Despite Raskolnikov’s attitude and mistreatment, she does not give up on him and continues to persistently wedge her way into his heart. Eventually, he understands how amazing Sonya is. He finally understands why all the prisoners and other people love her to the point in which his feelings start to change from resentment to longing and love.…
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Raskolinikov is able to forgive himself easier once he has the time to reflect and serve his punishment. After committing the crime Raskolinikov eventually accepts that he must suffer the consequences, by law or by his own mental prowess; "If he has a conscience he will suffer for his mistake. That will be punishment - as well as the prison" (Dostoyevsky 230). The human brain dictates that all actions should have either a logical or emotional purpose, Raskolinikov struggles to find a good enough reason and his mind endures the penalty, until he is properly punished and serves out his sentence in Siberia with a quiet mind and a happy ending with Sonya to look forward…
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Most of the characters in Crime and Punishment were consumed by opposing feelings; they faced inner confusion. Dunya didn't know whether to choose Luzhin or her brother. Pulcheria Alexanrovna didn't know what side to assert herself on in the aforementioned situation. Sonya was torn between her best interests or that of her step-siblings and Luzhin couldn't decide whether to put aside his pride and apologize to Dunya, or stand tall like an erect peacock. The character that faced the utmost inner turmoil was Raskolnikov. His conscious told him to confess the murder, while his heart was unsure if he was ready to give himself up. Raskolnikov's indecisiveness and guilt caused him illness: paranoia, depression, and slight delirium. They became his character. Rodya's ambiguity about his actions after he killed Alyona Ivanovna and her sister, Lizaveta, was what made his character so alluring and intriguing.…
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Raskolnikov’s self-imposed isolation represents one of the main principles of nihilism, the idea that nothing truly exists causes relationships of any kind to seem futile and meaningless. Because of this, Raskolnikov avoids human interaction of any kind as much as possible. His exile from the rest of society only serves to perpetuate his nihilistic tendencies, as he is able to distance himself from all other humans mentally as well as physically. This results in his adoption of Nietzsche’s concept of the “superman”, an inherently nihilistic idea that separates humanity into the weak (the majority) and the strong (the minority). Raskolnikov characterizes himself as a superman, above the laws of his society. In this way he is able to justify his murder of Alyona Ivanovna, which gives him confidence in his capacity to commit the crime without error or remorse. He considers himself an intellectual, capable of higher thought processes than the rest of the world, which in turn gives him a boosted ego and a superiority complex.…
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Stemming from his monomania, this dream reveals Raskolnikov’s view of himself as a Napoleonic figure, or as he calls it, the “extraordinary man.” In the dream, Raskolnikov is back at the pawnbroker’s apartment where the pawnbroker is alive and well. He goes through the motions of murdering the woman once again, but when he steps back after hitting her over the head, he sees her sitting on the floor laughing. Deeply unsettled, he frantically tries to strike the woman on the head over and over again but each blow only produces more laughter. Unlike the dream about the horse, this dream does not emphasize who or what Raskolnikov is. Rather, this dream forces him to confront the faults of his belief by completely doing away with his hopes of surpassing mortal mediocrity. All of the assumptions he had regarding his ability to transcend humanity and avoid responsibility are thrown to the wayside by the events in the dream. The old woman derogates and derides Raskolnikov to the point where he cannot successfully assert his will, which is the hallmark of the extraordinary man. Rather than exuding total power and control, Raskolnikov demonstrates a weakness that is intrinsically human. The dream’s deconstruction of Raskolnikov’s self-perception is what enables him to eventually confess to his crime and open up to love at the prison. By essentially destroying his inflated ego, the…
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