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Critical Analysis of Ode to Autumn

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Critical Analysis of Ode to Autumn
Keats was inspired to write “Ode to Autumn” after walking through the water meadows of Winchester, England, in an early autumn evening of 1819. The poem has three stanzas of eleven lines describing the taste, sights and sounds of autumn. Much of the third stanza, however, is dedicated to diction, symbolism, and literary devices with decisively negative connotations, as it describes the end of the day and the end of autumn. The author makes an intense description of autumn at least at first sight.
The first stanza begins showing this season as misty and fruitful, which, with the help of a ‘maturing sun’, ripens the fruit of the vines. Next, we can see clearly a hyperbole. Keats writes that a tree has so many apples that it bends, while the gourds swell and the hazel shells plumps. The poem widely has been considered a masterpiece of Romantic English poetry. Harold Bloom described it as: "the most perfect shorter poem in the English language." Conciseness is reflected as follows:

“And still more, later flowers for the bees, Until they think warm days will never cease?”

Keats suggests that the bees have a large amount of flowers. And these flowers did not bud in summer but now, in autumn. As a consequence, the bees are incessantly working and their honeycombs are overflowing since summer. In both its form and descriptive surface, "To Autumn" is one of the simplest of Keats's odes. There is nothing confusing or complex in Keats's paean to the season of autumn, with its fruitfulness, its flowers, and the song of its swallows gathering for migration. The extraordinary achievement of this poem lies in its ability to suggest, explore, and develop a rich abundance of themes without ever ruffling its calm, gentle, and lovely description of autumn. Where "Ode on Melancholy" presents itself as a strenuous heroic quest, "To Autumn" is concerned with the much quieter activity of daily observation and appreciation. In this quietude, the gathered

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