In my ethnographic study, I apply theoretical concepts developed by Erving Goffman in The Presentation of Self in Everyday Life to the behavior of employees in the retail department store, Macy’s. Goffman (1959) argues that social interactions in everyday life can be understood as presentations between performers and audiences. Within social establishments, he suggests four analytical frameworks may govern how performers stage their “characters” including the technical, political, structural and cultural; he also argues that the aforementioned perspectives are situation-specific and thus can also be analyzed within a broader dramaturgical framework (Goffman 1959). The task of this…
Goffman’s theory says that Impression Management is the effort to control or influence the perceptions of other people. Based on what I watched in the film, I can conclude that this theory is reflected in most of the characters of the film because people can see how each of them try to control or influence other people. A clear example of this was when The Plastics had a three way conversation on the phone with Cady and they all started talking behind their backs being influenced by each another.…
Erving Goffman’s ideas focus on the ‘micro’, and the patterns of everyday life. He analyzed the social rules governing the interactions of individuals to develop his theories. Goffman demonstrated that the most casual actions of an individual, such as a glance or bodily gesture, are in effect a performance aimed toward communicating a positive impression for an audience. ‘Often these ways of acting and interacting are unnoticed and only become apparent when they are breached’ (staples et al.,2009, p.?) Goffman focused on the self and self-presentation. He preferred to study individuals, and the minutiae of a person’s face-to-face…
* Goffman’s front stage behavior mean simply pretend to have a role that we do not. Back stage behavior is you around you buddies. My back stage behavior is joking around my friends but I also do it with my family I know my limits and I know which family members to do it around.…
Having seen Frantic Assembly's 'Lovesong' last year for DRAM 1, our group decided it would be interesting to do our devised piece in the style of physical theatre.…
Goffman analyzes society as if it were a stage in which everyone performs on. My…
The short story “Plow Man” (2004), written by Jessica Grant, is included in the collection “Making Light of Tragedy”. This collection’s title is significant for Grant’s story because the narrator gravitates to comedy to deal with both the guilt and sadness he is feeling. This essay will take a deeper look into the situations where comedy is used as a coping mechanism to deal with the narrator’s guilty conscience including how he deals with the conflict of the wind and snow, the projection of his negative attitude onto others and his inability to let go of the material things still tying him to Jenny. The narrator uses comedy as a coping mechanism to help alleviate the guilt felt since losing his wife.…
Erving Goffman believed that when an individual comes in contact with other people, that individual will attempt to control or guide the impression that others might make of him. The way they might do that is by changing or fixing his or her setting, appearance and manner. (The Presentation of Self in Everyday Life." Wikipedia. Wikimedia Foundation, 13 July 2014. Web. 21 July 2014) Ways we do that is cut and color our hair, wear makeup, dress appropriate for where we are, and wear accessories.…
Theatre was not something that came naturally to me. When I came to Gautier High School, I was a quiet, reserved middle schooler just as ready to piss his pants as any other in his grade with the exception that I had the knowledge to not show it. I had yet to speak above a whisper and my yell was akin to a mouse’s yawn. In the words of a few teachers, I was “the most socially maladjusted child they had ever seen.” I was not a hot-shot and I most certainly didn’t crave to be the center of attention. So, in the moment of insanity that was my ninth grade year, I decided to audition for a school play. In the process of destroying preconceived notions, I met the singular most influential person, the director and theatre teacher, Amanda Brown.…
The concepts of “front stage” and “back stage” are very important aspects in our lives. In certain situations these roles come into play, categorizing certain behaviors into the “front stage” and others in the “back stage”. These concepts were developed by Erving Goffman and they can really help in a lot of scenarios. Front and back stages are basically roles and behaviors, stages or regions. Goffman describes that we give a “performance” every day to the people we interact with. He describes this performance as the presentation of self, a person’s efforts to create specific impressions in the minds of others. This process is sometimes called "impression management". There is a distinction between the” front “and “back stage” behavior. As the term applies, “front stage” actions are visible to the audience and are part of the performance. In other words, it’s what is presented to the individuals we interact with. “Back stage” behaviors are set off when no audience is present. It is usually in an area not visible to the audience and where the individual acts completely different from how they would act in front of the audience. Behaviors that wouldn’t be acceptable in front of the audience are carried out in the “back stage”. Before these interactions an individual typically prepares a role, or impression, that he or she wants to make on the other. These roles vary and depend on the term “breaking character”. This is basically when an unexpected intrusion occurs; a backstage performance is interrupted by someone who is not meant to see it. This makes a big problem, where the front stage and back stage behaviors are mixed up and the roles are confused. In addition to this, the way the audience for a personal performance plays a part in determining the course it takes. For…
What do the characters reveal about themselves by what they think, say and do, i.e. the ‘dramatic’ presentation?…
We are thrust onto the stage of everyday life the moment we are born, and our socialization into society consists of learning how to understand and then be able to play assigned roles based on what is expected of us. We act out our roles in the company of others, who are in turn acting their roles in interaction with us. Goffman believed that whatever we do, we are playing out some role on the stage of life, competing for attention from the audience, attempting to get them to view us in the best possible light.…
Sociologist Erving Goffman’s term “dramaturgy” is one used to describe everyday life with interactions with others, and how our lives compare to a theatrical performance. Most individuals put on a performance in front of others and never notice. When we find, ourselves delivering a performance to others this is known as “frontstage”. While the time we spend alone, relaxed, and honest is called “backstage. There even times that the backstage is when we prepare for those frontstage performances to others. As the oldest daughter, granddaughter, and great-granddaughter, my role in my family is not only an important one but influential as well. With my family, there are times when I should allow only “backstage” access to certain members. Then there…
The creation of distance, of space, between the performer and performance, what Goffman calls Role Distance is one of the most important aspects of his conceptual framework. By noticing the importance of Role Distance Goffman is able to situate the concept of Identity within a single coherent structure. In this structure identity is not preconceived or presupposed but constructed. Identity becomes a product of the performance. Identity here is not defined by the role alone, allowing in this way for manipulation and detachment to be part of the field of analysis. In doing so he uses the concept of role distance which enables him to account for behavior that may, at first sight, seem contrary to the role perspective. In Goffman’s words: “role distance is almost as much subject to role analysis as are the core tasks of the role themselves” (TGR; p 41)[1].…
Theatre imitating life. Naturalism brought science into the game, with more electricity in theatres, removal of audience, putting them in the dark as if they were eavesdropping. Importance of everyday and ordinary. Potential tool for improving humanity by showing the wrongs. Brought in the fourth wall, analytical distance. extending the idea to the imaginary boundary between the audience and the stage. Character is more important than plot/action. The model of theatre as scientific ideas and the idea that human beings are distinguished by society, like showing the subject as a product of social forces. Playing around with that idea, like Emile Zola did in his play “Miss Julie” dropping a high class girl into a test tube with a servant (lower class) of particular type/ character and see what happens.…