As illustrated by Maggie in “Everyday Use”, when proclaimed authority by Dee over the quilts owned by Dee’s…
This form of redemption takes place as an epiphany: You realize that what can save you isn't out there, but has been nearby all along, beside you, even in you, but never noticed, never heard, or never given a second thought” (Whitsitt 43). One instance of Dee’s attitude and loss of heritage is when they are all about to eat and she notices the hand-stitched quilts, which belong to Maggie, and demands that they be given to her. The attitude she has about wanting the quilts shows that she is a selfish person, and she obviously has no respect for her sister or mother or she wouldn’t have caused such an altercation. The quilts can symbolize many different events, but the true meaning of the quilts can only be decided from the readers’ past experiences. “The story shifts abruptly to the past tense immediately after Dee declares that she has changed her name. Up until now, Mama has been caught in the tension between her annoyance with Dee and her instinctive desire to be "the way my daughter would want me to be." Yet when Dee goes so far as to disown her family identity, Mama reaches a watershed”(Tuten…
In life you’re close to your family and want to make them proud with what you do in your life. Your views and decisions revolve around your family because they are important in your everyday world. In “Everyday Use” the daughter Dee wants the family quilt to hang it and show it like a prize while Maggie,…
Family heritage is very important to many people. Heritage can take the form of photographs, paintings, families sitting around telling stories, and even songs. Quilting is one of many ways the African-American culture used to retain its heritage. African-American quilting is almost as old as the history of America. As slaves, and also their textiles, were traded heavily throughout the Caribbean, Central America, and the Southern United States, the traditions of each distinct region became intermingled. In time, African-American quilting became a tradition in itself. This strong tradition continues today. In Alice Walker’s short story “Everyday Use”, although Maggie and Dee/Wangero differ in point of view regarding the heritage of the quilts and how to honor them; the quilts symbolized something significant…
Dee mostly doesn’t want Maggie to get the quilts because she thinks that Maggie will be “dumb” enough to use them in everyday use. Mama protests the idea by stating that she would at least see enjoyment out of them because Maggie also knows how to quilt, which means she knows how to recreate them or create new ones if she wanted too. Dee only wants to hang up the quilts and use them for decorations even though she told Mama that the quilts were old and out of fashion when Dee went to…
The family heirlooms are the true tokens of Dee’s (Wangero Leewamika Kemanjo) identity and origins, knows little about the past and the essential facts about how the quilts were made and what fabrics were used to make them, she pretends to be deeply connected to this folk tradition. Her desire to hang the quilts, in a museum like exhibit, suggests that she feels reverence for them but that to her they are essentially foreign, impersonal objects. Mama believe that Maggie should have these quilt not Dee because Maggie will have better use for them. At the end of the story Dee stated that Mama and Maggie do not understand their heritage (page 429, 75), the turn of event it’s actually Dee herself who does not understand her heritage.…
Dee asks Mama Johnson if she could take the butter churn with the butter still intact as the style has become fashionable to decorate with heritage pieces. She also demands two quilts, made by her grandmother from scraps of fabric that were once memorable articles of clothing. However, Mama Johnson has already promised these quilts to Maggie for her impending marriage. Mama Johnson now has to decide whether to yield to Dee’s demands or keeping her promise to Maggie. This is the pivotal point in the story when Mama Johnson rises against Dee and tells her no, and Dee “gasped like a bee had stung her” (Welty 556). Mama Johnson thinks, “I didn’t want to bring up how I had offered Dee (Wangero) a quilt when she went away to college” (Welty 556). Those quilts were insignificant when she went to college; however, she has now become worldlier and realizes their value. Dee’s dissatisfaction with her name is another illustration where she doesn’t accept her heritage. She had never been denied anything in her past, and when Mama Johnson denies Dee the quilts, Mama Johnson has shown how Maggie is just as vital to her and puts up a boundary with Dee. Her visit illustrates how Dee still suffers from being self-important, and that her family…
In “Everyday Use”, Alice Walker depicts many differences between culture and present day life by using Dee and Mama. Dee is a materialistic girl that lives for a modern and innovative way of life. She only sees her African roots and culture as an appeal. Mama is Dee’s mother, who is an African woman that knows the significance of their heritage and appreciates the importanc of what it means to them. These two characters consistently have conflicting ideas on how they should incorperate their heritage in modern life. This was shown when Dee asked for the quilts that were made from generation to generation from Mama. Those quilts even dated back to the Civil War. The quilts are important because they are one of Mama and their family’s few treasures and Dee wanted to hang them up on the wall like a museum piece. At the same time Mama actually promisesd Maggie, Dee’s sister, the quilts. Maggie gives the quilts to Dee but Mama snatches the quilts from Dee’s hands to prevent her from taking them and hangs them. Mama and Maggie value the quits because they remind of family while Dee only cares for its artistic value. At the end of the story, Dee leaves with her boyfriend to college while Mama and Maggie simply cannot stop her and watch her depart. This scene shows just how much Mama wants Dee to appreciate her heritage but just cannot stop Dee’s…
Have you ever not seen eye to eye with your mother? In Alice Walker’s short story “Everyday Use”, we are shown how many of the choices we make and the things we value create our identity. This story focuses on two characters, mama and her daughter Dee (Wangero), who struggle to see the same way about their heritage. Dee wants the things made by her grandmother, to not admire it as an artifact, but rather to remake it. She wants to take them, and change them to match her lifestyle as it is today. She loves them for the way they look. Mama, on the other hand, views the things from her mother as artifacts. She loves the items more than how they look. She admires the quilts because of their everyday use. Transformations take place between these characters. Dee’s transformation is more external than it is internal. She shows her transformation in the way she speaks, the clothes she wears, and her judgement. Mama’s transformation is more internal. She begins to see Dee’s real thoughts, and she stands up against her. When she takes the quilts away from Dee, she doesn’t only stand up for herself, but Maggie, as…
She was always concerned with the way that people perceived her. As she was looking around she spotted two handmade quilts that contained scraps of clothe that date back to the Civil War. Dee envisioned these quilts hanging on her walls for people to look at and see. To her surprise, Mama has already promised them to Maggie when she came of age. At this point, Dee becomes very upset and says, “Maggie would be backwards enough to put them to everyday use” (Walker p.1,536). Dee puts value on these quilts and cannot imagine the deeper meaning of them rather than a family heirloom with an emotional attachment, which is the way that Maggie views them and would treat them in the…
Walker makes this point clear through her repetition of how objects are connected to the family. However, through repetition Walker also emphasizes that Dee is interested in the heirlooms (the churn top, dasher and quilts) as artistic or decorative pieces, rather than in terms of their everyday usefulness. Finally, the passage takes on a greater meaning within the context of the whole story when it is understood that Dee now desires these family heirlooms in order to be fashionable. Her carelessness in this regard, however, is evident from how she wants these heirlooms, but yet she changed her name, which connected her to her family. Overall, considering Dee’s selfishness and focus on fashion rather than family, it is good that Dee’s mother refuses to give Dee the old quilts at the story’s end (Walker…
I got to hear about the story of the quilt, by the way, very interesting. Your mom told me all about it. From what I heard, you went to visit your mom and your sister, and when you got there you saw some old quilts and you wanted them for you. Interestingly, your mom had separated the quilts for your sister, and according to your mom you said, “Maggie can’t appreciate these quilts! She’d probably be backward enough to put them for everyday use” (448). Wangero, your family values the thing they have in a different way. You learned to appreciate those quilts because you learned about your heritage. Your mom and your sister they did not have the chance to learn about their heritage, neither to learn how to appreciate it. They simply appreciate it. They value their clothing, their objects, their quilts by simply using them. They do not intend to frame their quilts, neither the objects they have at home. They simply use…
While the Johnson's sit down to lunch, Dee begins to admire the butter churn and the dasher. Although she has a brief recollection of Uncle Buddy whittling the churn, she is much more interested in the churn top as a centerpiece for her alcove table. Following lunch Dee re-discovers the quilts. The quilts were composed of an eclectic array of material including, " scraps of dresses Grandma Dee had worn fifty years ago. Bits and pieces of Grandpa Jarrell's Paisley shirts. And one teeny faded blue piece that was from Great Grandpa Ezra's uniform he wore in the Civil War." (489) Dee decides she wants the quilts to hang on the wall and deems the priceless. However, Mrs. Johnson clearly remembers offering Dee a quilt to take away for university and Dee proclaiming they were old fashioned and out of style. The argument over the quilts symbolizes the black woman's dilemma in confronting the future. After Mrs. Johnson confirms she is giving the quilts to Maggie, Dee states, " You just don't understand Your heritage". (491) Dee believes heritage to be as tangible as a quilt on the wall or a quaint butter churn in the…
In the story “Everyday Use”, Dee is portrayed as a girl who “made it”. She was seen by her mother and Maggie as a talented girl. Her only flaw was her selfishness towards her younger sister Maggie. In the story, she pays a visit to Maggie and her mother and have dinner. After dinner, Dee goes rifling through a trunk and two quilts catch her eye. She demands her mother to hand them to her. Although they were to be passed onto Maggie, she allows Dee to keep the quilts. In the end, Dee gives the quilts back.…
In the short story “Everyday Use” by Alice Walker, the author spends a lot of time on symbolism, imagery, conflict, and characters. The point she is trying to make in this story is that family heritage is not the materials we posses but the people we share our lives with. In “Everyday Use” the quilt is the main symbol. However it is not the actual quilt that represents the heritage but the people who created it.…