Festivals Essay
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Jacqueline Calvo, BBus, CQU.
ABSTRACT:
Cultural industries implies a ‘massification’ of culture and entertainment, as such, festivals are found to be a cultural industry, involving large numbers of people working in organisation, administration, promotion, marketing, and the creative and performing arts. Festivals come in different forms including agricultural, cultural, historical, horticultural, and arts festivals to specific audiences and sub-cultures (fringe festivals). Culture is about, and has been used to shape and to govern, identity; therefore as Australia is a multicultural country rich with a complex migrant history. Australia’s identity, as such, is demonstrated as festivals are perceived to be a vehicle for ‘re-imaging’ cities, playing a major role in the contemporary marketing of Australian cities as national and global destination. This also points out that festivals form part of the cultural tourism industry, as the Government believes that festivals give communities a creative focus, help celebrate achievements and forge community identity, and are of significant assistance in generating increased tourism.
Despite this, cultural imports outweigh exports, and this imbalance has raised concerns about a potential influence or loss of national cultural identity. Also despite a seeming desire to promote local culture, Australian governments appear to be selective as to which aspects of that culture will be supported and advanced. However this can be counteracted upon as festivals are often financed by private companies and can give employment opportunities, and help to dissolve the disunity assimilation or racism in the communities and Australia as a whole as evidenced in the Greek Festival of Sydney.
The most important advantages found for social workers were found to be employment opportunities, while for community, tourism development presented a large opportunity. Disadvantages though important do not seem to outweigh the advantages
[pic]
Jacqueline Calvo, BBus, CQU.
ABSTRACT:
Cultural industries implies a ‘massification’ of culture and entertainment, as such, festivals are found to be a cultural industry, involving large numbers of people working in organisation, administration, promotion, marketing, and the creative and performing arts. Festivals come in different forms including agricultural, cultural, historical, horticultural, and arts festivals to specific audiences and sub-cultures (fringe festivals). Culture is about, and has been used to shape and to govern, identity; therefore as Australia is a multicultural country rich with a complex migrant history. Australia’s identity, as such, is demonstrated as festivals are perceived to be a vehicle for ‘re-imaging’ cities, playing a major role in the contemporary marketing of Australian cities as national and global destination. This also points out that festivals form part of the cultural tourism industry, as the Government believes that festivals give communities a creative focus, help celebrate achievements and forge community identity, and are of significant assistance in generating increased tourism.
Despite this, cultural imports outweigh exports, and this imbalance has raised concerns about a potential influence or loss of national cultural identity. Also despite a seeming desire to promote local culture, Australian governments appear to be selective as to which aspects of that culture will be supported and advanced. However this can be counteracted upon as festivals are often financed by private companies and can give employment opportunities, and help to dissolve the disunity assimilation or racism in the communities and Australia as a whole as evidenced in the Greek Festival of Sydney.
The most important advantages found for social workers were found to be employment opportunities, while for community, tourism development presented a large opportunity. Disadvantages though important do not seem to outweigh the advantages
Links: Table 4.1 Advantages and Disadvantages of the Rise of Festivals: (Cryle n.d.; Aussie Diary 2006; Bennett and Carter (eds) 2001)