Tyler Durden is adamantly against the drive towards self improvement, claims that it strays away from manhood and made them mindless drones of the capitalist society, “working at jobs they hate, just so they can buy shit they don’t need” (Palahniuk, 1996). Fight club allows for liberation from the capitalist mindset, allowing them to become their true selves and split from the bourgeois “Who guys are in fight club is not who they are in the real world. Who I am in fight club is not who I am in the real world” (Palahniuk, 1996). Much like fight club is a vessel for the anti capitalist creed, allowing separation from the bourgeois and allow for them to realize their “true selves”, Tyler Durden acts as the same vessel for the Narrator. Tyler represents the Narrator’s desire to break away from the consumerist, mundane existence, his desire to take back his masculinity and vitality. Fight club takes place “when fight club begins and when fight club ends” (Palahniuk, 1996), and whenever the capitalist serving narrator falls asleep, his true self, Tyler takes over to fortify his goals (Suglia,
Tyler Durden is adamantly against the drive towards self improvement, claims that it strays away from manhood and made them mindless drones of the capitalist society, “working at jobs they hate, just so they can buy shit they don’t need” (Palahniuk, 1996). Fight club allows for liberation from the capitalist mindset, allowing them to become their true selves and split from the bourgeois “Who guys are in fight club is not who they are in the real world. Who I am in fight club is not who I am in the real world” (Palahniuk, 1996). Much like fight club is a vessel for the anti capitalist creed, allowing separation from the bourgeois and allow for them to realize their “true selves”, Tyler Durden acts as the same vessel for the Narrator. Tyler represents the Narrator’s desire to break away from the consumerist, mundane existence, his desire to take back his masculinity and vitality. Fight club takes place “when fight club begins and when fight club ends” (Palahniuk, 1996), and whenever the capitalist serving narrator falls asleep, his true self, Tyler takes over to fortify his goals (Suglia,