Non-confrontational, Juror #1 serves as the foreman of the jury. He is serious about his authoritative role, and wants to be as fair as possible.
Juror #2:
He is the most timid of the group. Just how timid? Well, this will give you an idea: For the 1957 adaptation of 12 Angry Men, director Sidney Lumet cast John Fielder as Juror #2. (Fielder is best known as the voice of “Piglet” from Disney’s Winnie the Pooh cartoons). Juror #2 is easily persuaded by the opinions of others, and cannot explain the roots of his opinions.
Juror #3:
In many ways, he is the antagonist to the constantly calm Juror #8. Juror #3 is immediately vocal about the supposed simplicity of the case, and the obvious guilt of the defendant. He is quick to lose his temper, and often infuriated when Juror #8 and other members disagree with his opinions. He believes that the defendant is absolutely guilty, until the very end of the play. During Act Three, Juror #3’s emotional baggage is revealed. His poor relationship with his own son may have biased his views. Only when he comes to terms with this can he finally vote “not guilty.”
Juror #4:
A logical, well-spoken stock-broker, Juror #4 urges fellow jurors to avoid emotional arguments and engage in rational discussion. He does not change his vote until a witness’s testimony is discredited (due to the witness’s apparently poor vision).
Juror #5:
This young man is nervous about expressing his opinion, especially in front of the elder members of the group. He grew up in the slums. He has witnessed knife-fights, an experience that will later help other jurors form an opinion of “not guilty.”
Juror #6:
Described as an “honest but dull-witted man,” Juror #6 is a house painter by trade. He is slow to see the good in others, but eventually agrees with Juror #8.
Juror #7:
A slick and sometimes obnoxious salesman, Juror #7 admits during Act One that he would have done anything to miss jury duty. He represents the many real-life