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Good And Evil In Beetlejuice

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Good And Evil In Beetlejuice
The Good, the Evil, and the Tale of Beetlejuice
Romance narrative stories are compiled of a number of different key elements that create a unique and dynamic plot for readers to enjoy. These elements include; the childhood, initiation, threshold, temptation, underworld, and good vs. evil. Included in the romance narrative circle, the use of good vs. evil is a fundamental element to why the story of Beetlejuice has been defined as a brilliant alternative classic. The gothic tale is one of the most acknowledged romance narrative movies because of its unique method of defining the roles of good and evil, and switching the roles as the story changes shape.
Corresponding with most romance narratives, the plot within Beetlejuice begins with simplistic, jovial scenes then switches to an action of separation. In the opening cuts of the movie, the audience is able to see appealing newlyweds Barbara and Adam Maitland spend
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They are tossed between settings, characters, and eventually motives. The final source of evil in the story of Beetlejuice is temptation, the driving force behind the conflict. The first sign of temptation is when the adult Deetzes are tempted to recreate their life in the big city within their new house, and begin to unknowingly demolish the hopes and dreams of the Maitlands. This form of temptation gradually shifts to the Maitlands, who are tempted to remain alone in their country home, and attempt to act like terrifying beings to scare away the living. However, although both the Deetzes and the Maitlands show evil attributes in different phases in the story, they are working towards a common goal: to find happiness in their new surroundings. This differs greatly from the goal of Beetlejuice, who wishes to cause chaos in the living world and marry the underage Lydia. Beetlejuice is where the evil in temptation is most visibly seen, and is the final antagonist in the

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