Franz Kafka’s “The Metamorphosis” is a nightmarish tale with a very straightforward, matter-of-fact style, and this style enhances its nightmarish quality. An example of this is found in paragraph, which states, “His many legs, pitifully thin when compared with the size of the rest of him, waved about helplessly as he looked.” When describing this scene, the narrator definitely uses illustrative words, but does not have the disgusted tone one would expect from a story like this. The narrator speaks in an emptier way, which helps magnify the eerie feeling of the work. Both it and Gregor act very removed from the events, not how a normal human would react. Another instance of this is, “So then he tried to get the top part of his body out of bed…
his room, Gregor panics when they started taking out furniture, like the writing desk he…
In the Metamorphosis,Gregor must work to support his family after they lost the company and lost all their money. One morning he wakes up and discovers he is a vermin. The first thing that occurs to him when he discovers this is how will he get to work and that his boss will come to his house and demand that Gregor come to work, meanwhile Gregor is locked in his room unable to get out of bed because he is a bug. Finally he is able to get out of bed, but the boss is gone the time he gets up. His family sees him and is disgusted and shocked by his transformatio. His sister brings him food and cares for him like no one in his family ever has, but even she becomes disgusted with him after a while. They all ignore Gregor. At one point Gregor is…
Though at first, Gregor’s parents are highly thankful to him for supporting them, but as soon as Gregor begins to transform and is no longer able to provide for his family and is completely isolated. Over the years of Gregor supporting the family, it was something the families can to expect of him rather than a sacrifice he was willing making for them. Very soon after Gregor has isolated himself, his father does not even really try to reach out to his son, seemingly because of his shame in Gregor for no longer supporting the family. At the end of Part II, Gregor has also reached the point of making sure to keep himself from his mother. By the end of this part of Metamorphosis, his family is slowly starting to reject him and his father already…
In “The Metamorphosis” by Franz Kafka, the style enhances the nightmarish quality of the work. The text states, “It took just as much effort to get back to where he had been earlier, but when he lay there sighing, and was once more watching his legs as they struggled against each other even harder than before, it that was possible, he could think of no way of bringing peace and order to this chaos,” (Kafka 12). This is interesting because the situation that Gregor is in is extremely scary and unusual, and the calm language used makes the event seem like a normal occurrence. Although one would think that Kafka would use chilling and disturbing language to describe these events, that is not what he did. The emotionless tone of the story confuses…
In “The Metamorphosis” By Franz Kafka, the style enhances the nightmarish quality of the work in many ways. This quote from line 304-306 can be used to illustrate this when Gregor says, “I’ll open up immediately, just a moment. I’m slightly unwell, an attack of dizziness. I haven’t been able to get up.” These lines from the text show that Kafka describes this nightmare in a simple style. Gregor has completely transformed from a human into a vermin yet he treats the situation as if it could happen to anyone, and he still attempts to complete his normal responsibilities. Gregor thinks his transformation is simply a cold, and Kafka describes it very blankly, leaving it open to interpretation by the reader which in turn shows how horrifying the…
The nightmarish quality of “The Metamorphosis,” by Franz Kafka, is enhanced by the straight forward -almost academic- nature of the writing. One such example of this occurs on page 93, reading, ““What’s happened to me?” [Gregor] thought. It wasn’t a dream. His room, a proper human room, although a little too small, lay peacefully between its four familiar walls.”(Kafka) From thereon, he abandons the description of his transformation to describe the room and previous night. As the audience reads this, they are thrown by the sudden shift of topic, still wondering what has happened. The fact that most works put an emphasis on the “why?” makes the reader expect an answer, developing their panic as it becomes less and less likely that there will…
As with any great literary work, there must be a purpose behind the story. Kafka’s short story was written for a few main reasons. He wanted to exemplify the absurdity of life, show that there is often a disconnect between the mind and body, and that there are limits to society’s affection for its servants. I found that all points appeared to be both relevant and accurate while maintaining the fantastical appeal of the strangeness of Gregor’s sudden transformation. I believe this contributes to why “The Metamorphosis” has made a lasting impact across the globe.…
Statistics show that 1 in 10 Americans have suffered depression, depression often being a result of isolation and alienation from society. In the short story “Metamorphosis”, Franz Kafka utilizes point of view and anthropomorphism to develop the theme of alienation.…
In The Metamorphasis, Kafka’s treatment of Gregor’s transformation demonstrates how beyond human control the natural world is. The human turning back into nature demonstrates a relationship between man and the environment. Throughout the novel there is, however, much talk of the cure and of acceptance, yet nature goes on unrelated to all talk of ways to change the situation.…
Leaving behind his desires as a human being all he will think about was his father’s debt and how much he will have to work to help his family. Gregor had earned so much money that he was able to meet the whole family expenses. We can see evidence in the…
He is often worried how his family would take him in his hideous state, he often wondered, would they accept him? “They were cleaning out his room, taking away from him everything he cherished; they had already dragged out the chest of drawers in which the fret saw and other tools were kept, and they were now loosening the writing desk which was fixed tight to the floor, the desk on which he, as a business student, a school student, indeed even as an elementary school student, had written out his assignments… He squatted on his picture and did not hand it over.” (Kafka 57, 58) As a result, even though he knows he would feel more physically comfortable if his room were emptied of furniture, allowing him to crawl anywhere he pleased, Gregor panics when Grete and his mother are taking out the furniture, such as the writing desk he remembers doing all his assignments at as a boy. In a desperate attempt to hold onto the few reminders he has of his humanity, he clings to the picture of the woman muffled in fur so that no one will take it away.…
The last paragraph of Kafka’s reading metamorphosis discreetly suggests that the family’s emotions aren’t as they read, but they will travel to the edge to find a successful prospect to lead for the future. The opening sentence reads “then the three of them altogether left the flat,” pg. 241 this section of the sentence has a deeper meaning than the Samsa’s just taking off from their home and going to the park as the sentence follows up . As I read this opening sentence the word “flat” stands out to me. Flat stands out in sentence because it is used in a very untraditional way that makes me believe it has another meaning besides the description of the flat land they are on. When defining the word flat I think of a smooth, even surface without any lumps or indentations. When defining flat in an emotional context, I would define it as a lacking of interest or emotion, perhaps dull and lifeless. The context of “flat” in this first sentence of the last paragraph I would say speaks to Gregory family’s emotions after him not being present. I envision an insect or a cockroach, I always see them crawling up a wall perhaps a flat surface. Which becomes ironic to this situation as Gregor is an insect and has struggle being mobile on the flat surface which they refer to as home. In this opening sentence flat may speak of the family's emotions not just a state of the land. This word…
The straightforward style of The Metamorphosis gives the story a nightmarish quality. Throughout the chapter, he struggles with the task of getting out of bed as an unidentified bug. In chapter 1 paragraph 14, it reads, “Should he really call for help though, even apart from the fact that all the doors were locked? Despite all the difficulty he was in, he could not suppress a smile at this thought” (ch1 paragraph 14). Gregor is in a serious situation, but his alarming new appearance doesn’t seem to faze him at all. His startlingly calm reaction to this bizarre situation gives the reader the sense that Gregor is emotionally detached. Gregor’s reaction is opposite of how we think he should reacted, he smiles instead of panicking. The strangeness…
The first person to encounter Gregor as a bug is boss whose response is fear. Gregor tries to assure his boss that he should not worry because '"a man might find for a moment that he is unable to work, but that's exactly the right time to remember his past accomplishments'"(15). Gregor's desire to be remembered as he was, instead of as he is, reveals his, and Kafka's, discomfort with their new conditions. The security of Gregor's family is threatened by his inability to work; this factor motivates his family's members reactions to him. Throughout the novel, each time Gregor's father encounters him, he responds with hostile actions. For example, when his father first sees him out of his room, he is eager to push him back in, shoving Gregor so hard that he "[bleeds profusely and flies in]"(19). In another scene, Gregor's father becomes enraged to the point that he throws an apple at Gregor and it stays lodged in his back. Gregor's father's hostility signifies his unwillingness to accept Gregor as a bug and the changes brought with it. Gregor's father's characteristics are shared with Kafka's father, who was insistent on controlling him. Gregor's sister, contrastingly, is initially compassionate towards her brother. It is worth noting that Gregor's sister, Grete, is the only other character in the novel who receives a name; the other…