Based on the information from above , the North should win the war due to their advantages in the number of railroads in the North and a greater amount of soldiers fighting in war. In the Civil War, the North had a far greater amount of soldiers fighting for them than in the South. While the South only had 750,000 to 1,000,000 soldiers fighting for the Confederate Army, the North had, “2 million soldiers fighting for the Union. ”(Society Infographic) Not only did the Union have more soldiers, but 179,000 slaves fought for the South.…
Hamlet has just fought with Gertrude and Claudius, and has decided to stay home, as opposed to going to college. Claudius told Hamlet he was not allowed to go, and Hamlet decided to stay for his mother. The, “O, that this too too solid flesh would melt…” soliloquy reveals the first thoughts of death that Hamlet has within the play. Not much has happened, but the King and Queen are married, and the ghost has been seen. As the first soliloquy, this is the first insight into Hamlet’s state of mind that the audience has.…
Throughout the scene Claudius depicts a personality that evaluates situations and makes choices out of desire without much concern for consequence. Although Claudius does show a little bit of concern for consequence, he generally acts from an “inner-child” psyche. In the scene, Claudius plots with Laertes and acts quickly out of a sense of DESIRE and makes a plan to kill Hamlet. Demonstrated in the lines; “A sword unbated, and in a pass of practice, Requite him for your father.” (4.7.137 - 140) And “I will do’t. And for that purpose I’ll anoint my sword. I bought unction of a mountebank, So mortal that, but dip a knife in it, Where it draws blood no cataplasm so rare, Collected from all simples that have virtue Under the moon, can save the thing from death That is but scratched withal. I’ll touch my point With this contagion, that if I gall him slightly It may be death.” (4.7. 140 - 145). In these lines, Claudius and Laertes plan to kill hamlet by sharpening a fencing blade and dousing it with a poison that will cripple upon contact. This is clearly a representation of a psyche that acts rapidly out of an intense sense of desire.…
4.) During act III, scene IV, line 30, Hamlet, in order to see Gertrude’s reaction, indirectly accuses her of being a part of Claudius’ atrocity by saying that what he has done (killed Polonius) is as bad as killing a king and marrying his brother. Once Gertrude hears this, confused, she repeats “as kill a king?” and asks him what she has done to cause him to be so rude to her, assuring that, like his father’s ghost had said, she was only weak and she had nothing to do with his assassination.…
For the most part, this Hamlet's soliloquy is the crisis of the play. It is when Hamlet fail to kill Claudius at prayer although he has the inner certitude that he is the murderer of his father. And this is obviously due to his consciousness. This soliloquy emphasizes in one way or another the universal human thought: to act or not to act in front of a situation requiring immediate action, always ask inner questions, make difficult choices and sometimes be tugged by his or her choice. Shakespeare uses, thereby, Hamlet to reflect on situations in the current life on which people are unable to have control, or difficult events to overcome, just because consciousness pushes them to understand that every action has its consequences and leads them…
In Hamlet, Shakespeare reveals dynamics and statics in character traits mainly through soliloquies. In Soliloquy #2, Hamlet takes an adventure of self-awareness with a static, violent and depressing tone.…
What is the role of the citric acid cycle? Include the reactants and the products. Where does it occur?…
Through the symbol of the wind as a microcosm for the natural world and Ahab’s interaction with the wind, Herman Melville argues that human will will never been able to subvert the natural world long term, and short term attempts will be at the cost of the individual. Throughout Moby Dick, Melville characterizes Ahab as ambitious and charismatic, a leader who constantly internally and externally compares himself to a god. The wind acts as a symbol, an object that represents a greater intangible motif, for the natural world. Through Ahab’s monologue about his interactions with the wind, his own helplessness within the natural world becomes evident. Ahab begins by stating “Were [he] the wind, [he]’d blow no more on such a wicked, miserable world” (Melville, 337),…
Hello Garth Webb,s first full graduating class of 2016 I’m Sebastian in case any of you forgot or still just didn't know.…
At the end of Act III of Hamlet, Claudius has been sent reeling with guilt after seeing his own act of murder carried out on stage. The King begins to pray as his own repentance for his sins all the while he is being spied on by Hamlet who decides that rather than use this opportunity to fulfill his revenge, he should postpone it so that Claudius would not be able to enter heaven.…
And he does not have mere ‘a straw’ to find quarrel but ‘a father killed, a mother stained’. In this perspective, he compares and contrasts himself with the young Fortinbras. He sets him as an example for finding quarrels for the sake of name and honour. And then comes the resolution…
In the prayer scene, Hamlet misses his best opportunity to kill Claudius and avenge his father's death. With no guards around, Claudius is alone and he is unaware that Hamlet is lurking in the shadows. The scene is set for Hamlet to take vengeance for his father's unsettled spirit. However, Hamlet does not kill him, because Claudius is repenting for his sins, allowing him to go to heaven when he is to die. As one's religion often…
This shows that Claudius caused his brother's death by pouring poison in his ear. The weight is linked to this. Claudius is being weighed down by the regrets he has and how guilty he is for killing King Hamlet. He knows he can’t give in though and continues to hide this secret. The squinted face shows that Claudius is the antagonist of the play, not only did he kill his brother but he also married his wife. By doing this, many people become suspicious and begin to wonder if he had something to do with his brothers death. Although Claudius is mostly bad, he can be nice at times. The small heart represents the small amount of remorse he has. Not only does he show his love to Gertrude, but he also asks for forgiveness by saying “My fault is past. But O, what form of prayer Can serve my turn? ‘Forgive me my foul murder’?" (III.iii.51-52). He says that his mistakes are in the past, but now he is asking for forgiveness. God is the only figure he will confess to. This proves that although he may have lost his connection with God at some point, he still…
HAMLET: To be, or not to be--that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles And by opposing end them. To die, to sleep-- No more--and by a sleep to say we end…
With Claudius’s reaction to his play The Mousetrap, Hamlet believes the ghost was telling the truth, and Claudius is the murderer. Later Hamlet notices Claudius kneeling to pray, draws his sword, approaches the king, and does…nothing. Once again, Hamlet has an opportunity to kill Claudius, but chooses to delay his revenge after thinking about what he is about to do. As Hamlet is thinking, he realizes that Claudius would go to heaven if he was killed while praying, whereas Claudius “took [his] father grossly, full of bread, / With all his crimes broad blown, as flush as May” (III.iii.81-82). Hamlet’s contemplative nature leads him to realize that he wants to send Claudius to hell as well, allowing for the ultimate revenge. Always the philosopher, Hamlet stops to think about what would happen if he killed Claudius at that moment in time, resulting in another delay and no action. Hamlet is given the perfect opportunity for revenge, but chooses to wait for the right moment, proving his indecision and contemplative…