The CRTC (Canadian Radio-television and Telecommunication Commission) is a public organization for telecommunications and broadcasting whereas CanCon is a regulatory mandate from CRTC which requires Canadian broadcasters to dedicate 50% of content between 6 pm to midnight for Canadian content. The issue is that to what extent should CRTC and specifically, CANCON, should have influence in the global world. This issue focuses on negative impact globalization and foreign transnationals are having on Canadian culture., Canadian content is being played less and less often and is increasingly replaced imported content; as a result, the CRTC enacted CANCON, a legislation which protects Canadian culture and identity. Some people support this, voicing that it supports Canadian content whereas others say it is discriminatory to external content and it even demonstrates that Canadian content simply cannot compete…
Curtin, Michael, and Jane Shattuc. The American television industry. Basingstoke: Palgrave Macmillan on behalf of the British Film Institute, 2009. Print.…
In twentieth Century, the Canadian government found out the importance to be got rid of American culture. It used three methods to achieve this goal. First, is put their hands on culture protection, use legislations to protect its media, which was known as Broadcasting Act in 1932. In 1968, it took one step further, the media in Canada must be owned by Canadians and the CRTC(Canadian Radio-Television Telecommunication Commission) ruled that during Prime Time(6 Pm to 12 Pm), at lest 50% of programming must be ‘Canadian Content’. The main well, Canadian government put a lot of efforts onto culture study. The Massey Commission in 1951 was the first time that Canadian government took an eye on culture industry and have a conclusion that Government should took actions on to it. Another important study that Canadian government did is the Fowler Committee; it showed Canada’s TV programs were too American. If Canada wants to less American, the government must do something. As results of those studies, Canada put huge budget into culture industry. In 1936 the government started Canadian Broadcasting Corporation, which is founded by the government but not owned by it. The National Film Board aim to help Canadians to make films about Canada financially was formed in 1939. It gives money to anybody who has an idea to make a movie about Canada. The same functional organization was also formed for other type of arts in 1957, the Canada Council for the Arts. Canadian government to protect Canada’s own culture in the twentieth century used those three methods; they work together and did have protected the culture…
The purpose of this research paper is to investigate what people think about a show that…
Sitcoms – situation comedies – are probably the most “American” of all TV formats. They convey a high degree of viewer identification, as they show scenes of everyday American life. If the viewer identifies with the series, is the series representative to the viewing society? I will try to elaborate on that question by comparing to sitcoms of the 1950s and 60s and the image of women that they carry.…
In 2003, CBC created a ‘Current Affairs Redevelopment Group’ that would incorporate reality type ideas emphasizing that it would create a “better brand of reality television” (Foster, 2009, p.61). The network then continued to produce reality-type shows that also reflects Canadian ideals and culture. Two examples of this are Dragons Den; a reality show with contestants competing to have their product ideas patented and produced while being reviewed by a panel of judges, and Battle of the Blades; which brings both hockey players and figure skaters together to compete in figure skating competitions. Both of these new series in the reality genre embody both Canadian culture displaying economic and entrepreneurial talents and athletic talents…
Thesis: The author shows how the producers of the television show Startrek changed American view of mulattos, but otherwise tried to reify racial stereotypes by typecasting…
America’s system of capitalism ensures that trade and industry are controlled by private owners for profit. Because major profits depend greatly on media for their exposure in advertising, it is not surprising that American media companies are some of the most profitable and powerful in the world. As introduced in this project, the four media giants that own most of America’s media are Viacom, Comcast, Time Warner, and Disney. From these four companies comes a sort of illusion of separation throughout all familiar brands of media. This is an unfortunate reality that can be recognized in all of our nation’s trade and industry. When we investigate an array of products on any Walmart shelf, we will find that many of the different brands are produced by the same major brand. One interesting example of this in media is Viacom owning B.E.T. and C.M.T., two extremely different television networks. Each of these networks are designed to appeal to audiences that want a very culturally authentic form of entertainment and yet they are both owned by the same company. I found this particular example to be very entertaining because, the idea of authentic culture in our current time and place is almost comical in my opinion. Comical like DC Comics vs Marvel Studios or even more so like Democrats…
Yosso, T. J. (2002). Critical Race Media Literacy: Challenging Deficit Discourse about Chicanas/os. Journal Of Popular Film & Television, 30(1), 52.…
The ideology of racism rapidly increased in correlation to slavery and slave trade, which is also related to Euro centrism and the early European culture. By defining themselves against the orient or the “other”, a sense of strength and identity was gained. By examining ‘race’, racism, and representation, Master Of None: “Indians on TV” (season 1, episode 4) undertakes racial issues in the Hollywood film industry. In analyzing narrative practices and racial discourses, this episode brings attention to the representational codes and politics presented in “Indians on TV” as well as the ways in which Hollywood cinema represent minorities in popular culture. A commitment to deconstructing Hollywood’s hegemonic casting and highly racial depictions of the “other” will be studied, putting an emphasis on the discourses of race and history, along with the inclusion and exclusion of underrepresented stereotypes in Hollywood…
Although it was a novelty in the United States at the end of World War II, television became an important part of American life during the first postwar decade. Fewer than one out of ten American homes had television in 1950. Five years later the proportion had grown to two-thirds. New stations quickly took to the air and such networks. For the First time in history, political debates, issues, and other such important issues were capable of being broadcasted nationwide for the American people to view.…
In this excerpt, Steven Johnson takes a look at the development of television narratives over the past few decades. In this, he argues that many of the shows that our population deems bad TV, are relatively healthy for our brains to watch.…
A large part of Canada’s identity specifically is diversity, it is so important for a country and communities to be diverse and culturally accepting. Seeing diversity portrayed in media encourage people and small and large communities of people to welcome new cultures and to shares theirs passions, religions, symbols, and foods. This is something that in Canada should be shown and demonstrated more frequently TV shows, ads, commercials, and movies. By showing it in media is making a statement that it is good and it is okay to be diverse; it is alright for different cultures to collaborate and share what they like. Unfortunately this isn’t necessarily shown as much as should be in our Western Culture.…
This film is a documentary focusing on 7 Canadians who are of mixed-race, where one parent is a white-European and the other is a visible minority. These participants gave their perspectives on their bi-racial identity, acceptance in the society and how their lives have been affected. Anne attempts to get at the root of what it means to be multi-ethnic in a world that wants each person to fit into a single category.…
Canada. Often, when people think of this country, an image of a smaller, weaker, and idealised United States comes into their mind. The truth is that this generalisation is not entirely false. Canada is closely interdependent with the United States economically, militarily, socially, politically, and of course geographically. This often leads American directors, singers, and actors to overshadow their Canadian counterparts, causing Canadians to shy away from this type of business in fear of failure. Instead, Canadians are watching American movies and listening to American music while they are completely oblivious to the possibilities of what Canadians could have achieved in this industry. In order to change this system so that Canadians can…