Preview

How Does Shakespeare Present Richard As A Hero

Better Essays
Open Document
Open Document
1286 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
How Does Shakespeare Present Richard As A Hero
It’s evident that Shakespeare characterizes Richard III as a villain, but it seems that he intends for the audience to construe Richard’s “iniquity” as a consequence of his environment. Across three plays, Richard develops a sort of psychopathy, fueled by his ambition to become England’s king, and all as a result of his reputation as a noble monster, one that’s rumored to be ugly, inside and out. Granted, no audience will excuse every action of Richard’s because of his past, but somehow every time it finds its way into Richard’s list of motivations, which creates a tug of war between sympathy and resentment towards him. It’s not that Richard deserves to be labeled all-out evil, but he appears at times to have reason allowing him to be and to do so. What he is is human; what he is not is a monster. And how Richard acts is the rebound of how he’s been treated his entire life. When the audience first meets Richard, Shakespeare juxtaposes him with his oldest brother, Edward, who in comparison to Richard, shows the audience his royal incompetence. Richard’s presentation of himself as courageous and resolute contribute to this. When the brothers testify on behalf of their father, for …show more content…
And it’s because it reminds me more so of his father, the late York, than the conniving Richard whose actions I’ve grown to approve. “I am determinèd to prove a villain / And hate the idle pleasures of these days” declared Richard, a line that reminds the audience of his father’s madman soliloquy, suggesting that Richard is a re-characterization of York in some respect. All of which I see as uninviting. A comparison of Richard and his father and the suggestion therein that they’re similar devalues Richard as a relatable villain. Shakespeare depicts Richard as conniving, calculated, and witty, but he depicts York as too patient and too compromising, something that results in a weaker outlook on

You May Also Find These Documents Helpful

  • Better Essays

    King Richard’s ability as an actor within a play explores how this type of villainy was entertaining in the era of Shakespeare. Richard’s evil is immediately established as his moral deformities are clearly embodied in his physical deformities. In justifying his premeditated meddling, he personifies war in his first soliloquy. ‘Grim visag’d war hath supported his wrinkled front’ and moved to caper ‘ nimbly in a lady’s chamber!’ Richard’s nature: ‘Deform’d, unfinished’ thus justifies his evil as he cannot participate in the war -lovemaking atmosphere. This was obviously a form of entertainment to the Shakespearean audience who had known of the war of the Roses and Richard’s deformities.…

    • 1018 Words
    • 5 Pages
    Better Essays
  • Good Essays

    Intrinsic to both texts, there is the notion that art is used to directly influence and impact existing historical perceptions. Shakespeare’s “Richard III” explores this idea, using the most influential artistic medium of the time, theatre, to further publicise the ‘Tudor Myth’ perception. On stage, the visual motif of Richard’s appearance as “deformed, unfinished” reflects his moral deficiencies, reinforced by his soliloquys and asides that expose his underlying treachery. He forges a duplicitous role as both director and actor within the play, stating in the opening soliloquy “plots that I have laid, inductions dangerous…” Richard seemingly ‘stage manages’ the entirety of his world, creating a sense of dramatic irony from the juxtaposing of the different “masks” he feigns in contrast to his true intentions; he plays the role of the “grieving” brother, “Christian prince,” etc. As such, Richard’s meta-theatricality engages us on a psychological level that reinforces the perception of the Tudor Myth given not just the heinous nature of his crimes but the “villainous”…

    • 1036 Words
    • 5 Pages
    Good Essays
  • Good Essays

    By analysing the parallels and differences between King Richard III and Looking For Richard, the responder is positioned to appreciate the distinctive contexts from which each text emerged. Whilst an exploration of the moral vices and corruptive consequences of the relentless pursuit of power is explored in both texts, a closer examination of the way power is represented…

    • 1076 Words
    • 35 Pages
    Good Essays
  • Good Essays

    However, this falls when it is realized that while Richard is honest with us, the audience, he is not honest with those around him or the victims of his crimes and manipulation. Additionally, his honesty with the audience typically comes from a place of gloating about his superior intelligence and evil plots. This means that his honesty neither creates any benefit in the world he lives or comes from a place of positive intention. In summation, Richard’s practical actions cause great harm unto others and bring very minimal benefits. The other excuses Richard attempts to pawn up in the play also fall very quickly under examination.…

    • 833 Words
    • 4 Pages
    Good Essays
  • Good Essays

    In KRII, Richard’s evil dual personality was an inconceivable concept to the Elizabethan audience. They viewed Richard as a renowned villain of history during the War of the Roses, and only as a villain within the play. This allowed no room for tragedy, as they did not sympathise with Richard. Richard’s villainy was also further emphasised in his physical deformity, hinting at the corruption of the mind. Richard is seen as the vice of morality plays, and an example of the Christian devil in how he acts and constantly reminds us that he is “…determined to prove a villain” [Act 1, Scene 1] in his soliloquies and asides.…

    • 1761 Words
    • 8 Pages
    Good Essays
  • Good Essays

    the low camera angle focusing up on Pacino's face accompanied by the chiaroscuro lighting conveys the multifaceted nature of individual it to Shakespeare's actor like characterization of Richard. the low camera angle foreshadows Richard's rise to power as he towers over the citizens below him with a sense of arrogant superiority. in contrast the lack of power amongst the citizens highlighted through the distant high camera angle shots looking down upon from the balcony with a mournful non-diegetic music accompanying the utterance of the phrase 'All hail King Richard, England's worthy king'. the smirking glare of Richard in contrast to the naivety of the citizens within this scene is highlighted in looking for Richard with a facial close up of the psychotic look in Pacino's eyes directed at the camera creating an evoking a sense of intimidation amongst the audience. This smirk although cannot be visually represented within the original text due a differences in form as a consequence of contextual influences however the cacodemon nature of Richard is implied through characterization of Richard as 'the vice' p and amoral figure through the animalistic imagery as "thou foul dog". Not only does this serve as political propaganda to support the Tudor myth but also likens the psychological manipulation…

    • 1231 Words
    • 5 Pages
    Good Essays
  • Good Essays

    In Shakespeare's play, it is easily seen that power is central as the whole situation that the characters find themselves in is due to a struggle for power, a fight for the throne. The civil war between the houses of York and Lancasters has been won ‘by this son of York’, King Edward, Richard’s brother. In the opening soliloquy Richard says ‘…since I cannot prove a lover/ To entertain these fair well-spoken days, / I am determined to prove a villain’. It is not only Richard who thirsts for power, but also Buckingham and the Woodvilles. Buckingham chooses to politically align himself with Richard for his gain, apparent when he asks Richard for the promised earldom of Hereford. He ignores Margaret’s warnings about Richard and continues to support him. He also enjoys acting almost as much as Richard, seen in Act 3 scene 5 when he tells Richard he can ‘counterfeit the deep tragedian’, and ‘I will play the orator’…

    • 2201 Words
    • 9 Pages
    Good Essays
  • Good Essays

    Audiences at the time would have been shocked by his character and Shakespeare achieves this by contrasting what Richard…

    • 1399 Words
    • 6 Pages
    Good Essays
  • Satisfactory Essays

    Richard III Fear Quotes

    • 319 Words
    • 2 Pages

    Richard III is a remarkable, if not irregular, rendition of the renowned historical figure, Richard III. In it, Shakespeare poses Richard as a villain with no remorse towards others—without any fear. This is evident when Richard awakes and holds an internal dialogue in which he berates his conscience for giving him bad dreams. "What do I fear? Myself? There's none else by" (5.5.136). He continues in this vein, first blaming and then defending himself for a short while. Ratcliffe enters and gets…

    • 319 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    * Richard III – does conscience, acting and deception shape identity? Is Richard merely a creation of God’s divine will, or is he a cold hearted villain?…

    • 1297 Words
    • 6 Pages
    Good Essays
  • Better Essays

    Shakespeare depicts Richard’s duplicity through his soliloquies and asides as they reveal his multifaceted and deceptive nature. Richard’s oratory skills, whilst they are revealed to be witty, as he is shown to use intelligent word play, irony and stichomythia, he is ultimately cast as the Machiavellian character from the outset of the play “determined to play a villain”. Richard puts the blame on his appearance for the immoral acts he commits “deformed, unfinished, sent before my time” and uses it as an excuse to be power hungry. Richard’s duplicity is highlighted when his brother Clarence is sent to the tower to be murdered. Any sympathy elicited from the audience in the opening soliloquy is undermined immediately by the deeply…

    • 1317 Words
    • 4 Pages
    Better Essays
  • Good Essays

    Crossbow Persuasive Essay

    • 537 Words
    • 3 Pages

    There is no doubt that Richard and Joffrey shared similar personalities: they are both flagitious. In the play Richard III, Richard not only spreads rumors of his own brothers, but also kills them in order to gain more power and obtain the crown. Similarly, Joffrey slaughters every potential threat to his throne, from powerful nobles to innocent civilians. Despite the fact that they are both cruel, their ways of interpreting cruelty are profoundly different. Richard was a subtle, sneaky, deceitful person. In the play, he didn’t simply just stand out and kill people. On the contrary, he manipulated his followers to perform the murders. Consequently, other royalties would never expose his secrets. Joffrey, on the other hand, is a well-known tyrant. He kills people without evidence that they have betrayed the throne. Joffrey and Richard differ in their attitude towards others: while Richard III is shrewd and hides his motives, Joffrey let his emotions overrule his strategic developments. Joffrey’s impulsiveness is a critical factor to his final, though Richard III was able to successfully avoid death thus far in his…

    • 537 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Richard Iii

    • 645 Words
    • 3 Pages

    Shakespeare also gives great insight on Richard’s mind via diction. In Richard’s opening lines he specifically says, “Our dreadful marches to delightful measures” (1,1,8). Instead of fighting the Lancasters Richard (and his family) are in a time of harmony. He intentionally changes the negative word to a positive. Lines like these are all throughout the opening soliloquy. Richard allows the audience to see that he is at peace, that he is relaxed. By his big soliloquy in Act 5, Richard’s attitude is down. He’s worried about all the deeds he’s done. He directly states, “Is there a murderer here? No. Yes, I am:” (5,3,211). Not only does he leave the negative word of “murderer” in the sentence, but he…

    • 645 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Richard Iii Conscience

    • 969 Words
    • 4 Pages

    The attack of "conscience" that King Richard suffers in Act 5, Scene 5 of Shakespeare's Richard III (133-157) can be seen as the psychological climax of the drama, one that is critical to both Richard's development as a character and the play's ultimate success. Richard's struggle to reconcile the many different roles he attempts to play into one unified self, reflected in the tone and composition of his speech, adds depth and humanity to his character; at the same time, his ultimate failure to maintain his "self-made" identity simplifies the play in a way that allows the author to satisfy his audience by punishing the villain and reaffirming the world views that Richard's character appears to challenge (Luxon). While examining his own vision of himself, Richard finds his identity at a breaking point, and is forced to rely on the very ideas he used for his own advantage to judge himself. As the king, who seemed to be above the "afflict[ion] of "coward conscience" (5.5.133) is overwhelmed by the many different conceptions of who he is that are presented in the play, the audience cannot help but feel a mixture of sympathy and relief.…

    • 969 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Throughout King Richard III, the value of kingship is one that is explored greatly. The play’s message about kingship is not only seen through Richard’s deceptive schemes but it is also through the fall of his reign where his conscience begins to show, resulting in the destruction of his power. Not only is Richard’s poor kingship seen through his own realization, but it is also seen through other character’s perception of Richard’s reign. Richard’s poor kingship can be seen through Richmond’s expression of Richard as ‘A base foul stone made precious by the foil of England’s chair, where he is falsely set.’ In this quote, Richmond metaphorically describes Richard as nothing more but a worthless rock only made to appear like a gem because of the throne in which falsely claims. It is through this metaphoric description of Richard as a worthless rock that we are able to comprehend what little skills Richard possesses as a king. The highlighting of Richard’s poor kingship not only helps us to comprehend his devious ways but also understand the importance of the value of kingship throughout one’s reign.…

    • 1382 Words
    • 6 Pages
    Good Essays