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First, a reader must understand the way gender was understood in Shakespeare’s time. “If we are going to insist in understanding the Elizabethan dramatic artifice, let us also insist in examining Othello according to the traditional values which Shakespeare has injected implicitly and explicitly into the play (Kirschbaum, 284).” This quote given by another author shows the importance of understanding the original texts. The original text, while maybe outdated, is still vital in understanding the culture and history behind the play. A student must understand the implications that Shakespeare originally intended to be understood by the audience. There are three main characters in the play. These women are Desdemona, Emilia, and Bianca. These women all show true, strong affection to the main men in their lives.…
Even though people have lived in different eras or different places, some things never change and continue to stay the same, such as qualities of people. Women in completely different time periods have displayed the same character traits when faced with similar situations. These situations are similar because of the reaction they trigger from these independent women. In Shakespeare’s Romeo and Juliet, Juliet reflected qualities of leadership when faced with a difficult situation and in Homer’s The Odyssey, Penelope also showed similar qualities when in hardship. These stories are not related in any way, nor were they written closely together within the same era. This proves that emotions and character traits will always be the same, because people teach their children right and wrong and what is deemed by society as the correct moral values. It doesn’t matter where you are in the world, or what time you lived; morals are still morals a million miles away. Penelope and Juliet, though both characters are from completely different stories and eras, they are similar because they both displayed qualities of strength and courage during times of despair.…
Regardless of Emilia being the voice of reason in Othello, even she succumbs to Iago’s deceptions. In Act 3: Scene 3 Emilia finds Desdemona’s handkerchief, “I am glad I have found this napkin/This was her first remembrance from the Moor” yet despite knowing its importance, she gives it to her husband (Iago). Emilia doesn’t know what Iago will do with Desdemona’s precious handkerchief nonetheless she yields, “I nothing but to please his fantasy”. Upon receiving it from his wife he dismisses her and her questions with, “Be not acknown on’t; I have use for it. Go, leave me,” he uses high…
In Othello, the two main women, Desdemona and her friend Emilia, are foils of one another. Desdemona is Othello’s wife and acts exactly as a woman was believed to in their era, a devoted and subservient wife who would die if that is what her husband requested, whereas Emilia was loyal to her husband only until it contradicted her moral code. Emilia stood up for her friend when she was threatened, “Good gentlemen, let me have leave to speak: / Tis proper I obey him, but not now. / -Perchance, Iago, I will ne’er go home”(Othello V.ii.195-197). Throughout the play, Emilia makes references to her independent nature, but it is not until this scene at the end of the play that she openly defies her husband in order to protect her closest friend. It is a total girl power moment for her and led to many discussions about her as a character, “[she] achieved psychological freedom and freed herself from societal domination and self-imposed restraints by speaking and acting as she thinks and feels”(Iyasere). Emilia also has a powerful monologue comparing women to men in this play. Her outcry to the men is a strikingly radical speech in a play that had repeatedly displayed patriarchal dominance. Her tone is powerful and progressive throughout the final scene, contributing to the impact the…
She assists Cassio (who does not exist in Cinthio’s story) in receiving and audience with Desdemona after his fight with Montano (another character who only exists in Othello), in hopes that she could convince Othello to reinstate Cassio as his lieutenant. While Emilia did care about Iago and was loyal to him to an extent, she was ignorant of his plans until the very end. Emilia had more loyalty to Desdemona than the Ensign’s Wife did for Disdemona. When Emilia went to inform Othello of Roderigo’s death and Cassio’s injury, upon hearing Desdemona’s cries, she stopped everything and rushed to her aid, not waiting for Othello. After Desdemona’s death and Othello confessed to murdering her, Emilia did not hesitate to tell him what a horrible person he was. “Oh, the more angel she, and you the blacker devil!” (Shakespeare. Act 5, scene 2, lines 145-146). She defended Desdemona when Othello insulted her by saying that she was a whore. “Thou dost belie her, and thou art a devil.” (Shakespeare. Act 5, scene 2, line 148). Once all of the pieces fall into place, Iago’s suspicious behavior and Othello’s belief that Desdemona had an affair with Cassio, she ensures that the truth in made known. Iago orders her to go home after she tells him, Gratiano, and Montano what had happened, but she refuses to follow her husband’s orders. She continues to speak of what Iago had caused. Her actions get her killed by Iago. These actions show that Emilia was a much more outspoken and confident woman than her counterpart in Un Capitano Moro judging by what information is given in both texts. The Ensign’s Wife feared her husband. She hardly did anything to help Disdemona because of her fear. Emilia did not show any fear of her husband. What fear she may have had was overruled by her loyalty and care for…
In "Othello", the expectations for women are one the most important theme that runs throughout the play. Even though, "Othello" is a play that revolves majorly around men, the way female characters in the play like Desdemona and Emilia behave, perceived…
When a person thinks of a devoted female character, Desdemona from Othello is the first that should pop into mind. While Desdemona is perceived as a one of Shakespeare’s brightest and most loyal female characters, she is also a clear victim of the gender stereotypes of the time. One of the first things that we know about Desdemona and Othello’s relationship was that they were not brought together necessarily her sexuality, but by Othello’s interest in her mind. In fact, the first time that Desdemona is introduced in Act 1, scene 3, she is presented as strong, independent, and capable of making her own decisions. In her first lines of the play, she says;…
Women during the Renaissance where told that they must be obedient and submissive to men. Desdemona is obedient to her father Brabantio, as she is still his daughter and tells her father that she has not done anything to anger him. Also, she is extremely obedient and submissive to her husband Othello. Othello hits her and accuses her of cheating on him with Cassio, even then Desdemona doesn’t argue or try to deny any of it. All that she does is try to find out what she did to ager her husband. Women were not considered people, but rather property to either their husbands or to their fathers if they weren’t married. Women had no right except what was given to them through status of the men in their life. In the Renaissance this wasn’t a social…
Ruth Vanita, the author of “Proper” Men and “Fallen” Women: The Unprotectedness of Wives in Othello, explains how Elizabethan and Jacobean writers included the murder of an adulterous wife by her husband in a majority of their plays. She attempts to prove that Desdemona and Emilia both died as victims of spousal abuse due to their alleged infidelity. According to the accepted social norms, both Desdemona and Emilia deserved their murders because of their infidelity to their husbands. Emilia betrayed Iago by blatantly defying him in order to prove Desdemona’s innocence; while Desdemona, although always faithful, betrayed Othello through her supposed infidelity with Cassio. Since men regarded their wives as property, they had to discipline them and could resort to violence in order to teach them a lesson.…
Characters lie to cover up something, but when one doesn't say anything to tell the truth, it still counts as lying. Emilia finds the handkerchief that the protagonist, Othello had given to his wife, Desdemona, but instead of giving it back; she gives it to her husband Iago. Othello has been convinced by Iago that Desdemona is cheating on him with Cassio. When Desdemona looses the handkerchief she asks Emilia, "Where should I lose that handkerchief, Emilia?" she simply replies, "I know not, madam" (III.iv.23-24). Even though she gives it to Iago, she does not say so. Othello is further convinced that Desdemona is cheating on him and yells at her. Emilia just stands in the room saying nothing. This silence costed the faith in Othello to diminish and therefore is as bad as the things that her husband does.…
What is the constitution? The very thing that gave us freedom from Britain. Which is why it is so important. It was written and signed by representatives of rebel colonies defying the king in hopes of making a new nation one where they will be able to have freedom to speak their mind and write whatever they want. It has lasted thousands of years still letting us have freedom of speech and write what we want.…
One of the main stereotypes seen is submission. Women are still submissive to their husbands then and now. At the beginning, Desdemona appears to be a strong, free willed, independent woman. Iago calls Desdemona out on her unusual female behavior, and Othello starts to notice it as well .Desdemona’s un-lady like behavior affects her, her relationship with Othello, and Cassio. At first Othello admired the way Desdemona behaved. Othello was reading the letter from the duke telling him to return home. Lodovico ask Desdemona how Cassio has been doing. Desdemona explains how Othello and Cassio had an argument, and she hopes they can work things out because she…
Othello by William Shakespeare depicts a contrasting ideology to A Doll’s House. In Othello, women are all victims of male dominance. They had to do everything they were told or risk being punished and sometimes even killed. In the play, Desdemona disobeys her father and marries Othello. In that time period, women were not able to choose their partners. Therefore she redefines her role as a woman. Although Desdemona was independent in her actions, her outcome was much…
Alternatively Desdemona is revealed to be the ideal woman, Cassio even admits“She is indeed perfection.” Othello often makes remarks on her beauty and her wit. Even when he thinks she has betrayed him, he cannot help himself from looking upon her fondly even stating that she is “so delicate with her needle: an admirable musician: O! she will sing the savageness out of a bear: of so high and plenteous wit and invention:—“ despite Desdemona’s perfection Othello lets himself be manipulated into thinking she is unfaithful to him, and he kills her. Emilia, while not as perfect as Desdemona appears to be an obedient wife to Iago. She even gives him Desdemona’s handkerchief without knowing the reason he wants it, when stealing the handkerchief she says “what he will do with it Heaven knows, not I; I nothing but to please his fantasy.” In the end of the play however, she chooses to honour Desdemona and she exposes her husband's treachery as opposed to supporting it. Iago kills her due to this one moment of disobedience. Through the killing of Emilia and Desdemona at the hands of their husbands and the fact that Bianca lives, Shakespeare reveals what he thinks of the relationships husbands have with their wives. He is exhibiting how women are never good enough for their husbands. Desdemona and Emilia are honest women, but in Desdemona’s case Othello believes she is having an affair and to him this is inexcusable. Emilia is killed because Iago sees it as a fit punishment for her disobedience and her lack of support of his dishonesty. Bianca on the other hand has no husband and thus she appears to follow no rules but her own and suffers no dire consequences because she has no one ruling over her. Shakespeare is showcasing the oppression that husbands had over their wives. On top of that Shakespeare is suggesting…
In the extract, Shakespeare also presents Iago as having a misogynistic mind-set, in which he objectifies his wife – Emilia - by stating that he “[thinks]..the..Moor hath leaped into [his] seat”, in which the seat is a reference to his wife. By implying that his wife is usable only when he is tired, Iago’s arrogance and superiority complex towards women is revealed, which - sadly - was a common practice in the Jacobean era and thus most audiences, theoretically, of that particular era might have turned a blind eye towards Iago’s sexist views towards women. On the other hand, a modern-day audience will find Iago’s views towards women as being shocking and unfavourable, due to the feminist movement – a group which advocates the equality of the…