sound lovelier. Josquin also altered textures within a song: not all the singers sang at the same time all the time. Instead, there would be sometimes when there were two singers, while other times, three or even four singers would be singing. Specifically, he modernized the motet with a similar method called imitative polyphony, where the text is reverberated between high-pitched and low-pitched voices. Josquin was considered an expert of church music by many, including Martin Luther, who stated him as 'the master of notes.' Josquin was known for his dazzling use of imitative counterpoint and passionate sacred choral music.
sound lovelier. Josquin also altered textures within a song: not all the singers sang at the same time all the time. Instead, there would be sometimes when there were two singers, while other times, three or even four singers would be singing. Specifically, he modernized the motet with a similar method called imitative polyphony, where the text is reverberated between high-pitched and low-pitched voices. Josquin was considered an expert of church music by many, including Martin Luther, who stated him as 'the master of notes.' Josquin was known for his dazzling use of imitative counterpoint and passionate sacred choral music.