Preview

Leni Riefenstahl

Powerful Essays
Open Document
Open Document
3692 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Leni Riefenstahl
Research Assessment on a Personality in the Twentieth Century: Leni Riefenstahl a) Describe the major influences that led to the rise to prominence of your chosen personality in her nation’s history.
The major influences that led to Leni Riefenstahl’s rise to prominence includes a fateful event that kindles her fascination with film, the continual influence of mountain (Berg) films and acclaimed director Dr Arnold Fanck as well as her first début as a director and producer.
In 1925 Leni Riefenstahl injured her knee whilst dancing in Prague which threatened to end her dancing career. Fatefully, it was this injury that introduced her to mountain films as she came across an advertising poster for Berg des Schicksals (Mountain of Destiny) a mountain film directed by Dr Arnold Fanck on her way to the doctor. Riefenstahl was very intrigued by the film and was so impressed that she returned each night for a week to see Fanck’s Mountain of Destiny. She was “spell bound” by the “vivid, lifelike images of majestic mountains” and as she watched, her own “mountain film destiny” was revealed. The themes of the struggle to survive and natural beauty featured in such mountain films would later appear as a major influence in Riefenstahl’s own work as a director both from the technical and artistic point of view.
Only 18 months after the day she became aware of mountain films and her new career, Riefenstahl appeared in her first film directed by Dr Arnold Fanck. Fanck was to become more than her lover and director, he was to become her mentor and one of the main influences on her directorial career which was to be the pinnacle of her success. Working on Fanck’s films as an actress allowed her to learn various aspects of filmmaking such as the roles of the director, cinematographer and technician. Furthermore, Fanck enjoyed experimenting with certain methods using the camera and editing techniques in new and innovative ways. From Riefenstahl’s film career we know that she

You May Also Find These Documents Helpful

  • Good Essays

    3. In what time period did your historical figure live in? Where did he/she live?…

    • 1458 Words
    • 6 Pages
    Good Essays
  • Good Essays

    On her way to the doctors after her knee injury, Riefenstahl happened to see a poster of the film "Mountain of Destiny", directed by Arnold Fanck. She was immediately interested and went to watch the film instead of repairing her knee. Her enthusiasm and strength of will led her to becoming an actress after seeing some of Fanck's films. She began her career as an actress during the late 1920s/early 1930s. Her dedication and determination led her to achieving her goal and she starred in her first film "The Holy Mountain". During these times "Berg Films" (Mountain Films) were very common and popular and thus, many of the films Leni starred in were Berg Films.…

    • 754 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Further evidence of Riefenstahl’s exploitation of people is shown with her clear intentions to succeed within the creative arts industry. After seeing the film,…

    • 1380 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Following her experience on the stage Riefenstahl began acting in 1926 and starred in many films exhibiting the mountain genre. Her first film ‘The Holy Mountain’, directed by Arnold Fanck premiered in 1926 and officially began her acting career, which in the coming years would see her star in 5 more Fanck films. Riefenstahl was commonly depicted as the heroine of the films as she demonstrates her determination and bravery, carrying out the climbing scenes herself. By 1933 Leni was a highly popular movie star in Germany.…

    • 668 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    Alma Leiva

    • 254 Words
    • 1 Page

    Alma Leiva came to SIU to create the next project in her art series, “Celdas” (Prison Cells). Leiva was born and raised in Honduras, which is home to the city, San Pedro Sula, the murder capital of the world. While Leiva was studying in America, she learned her uncle was shot and killed in front of his family in that very city while on their way home from a soccer game. Her art is inspired by the crimes that take place in Honduras. She uses the Celdas as memorials for victims of violence. Each Celda represents a specific tragedy and tells the story of the victims’ murders. They also represent how immigrants who move from Honduras to America still feel the same fear and isolation they felt at home. Leiva juxtaposes indoor and outdoor environments in her pieces. For example, in Celda #8, which was created after the military coup in Honduras in 2010, Leiva uses soil to represent the element of mourning. To honor her uncle’s death, Leiva placed a soccer field in Celda #2. She also began to include specific Mayan gods pertaining to the story she was telling in her works. By Celda #11, Leiva had begun to explore the coping mechanisms people use when restricted by their circumstances, such as expression through art. It was an eye-opening experience to see Leiva’s works and how they represent only a small portion of the tragedies that take place everyday in Honduras.…

    • 254 Words
    • 1 Page
    Satisfactory Essays
  • Better Essays

    Leni Reifenstahl

    • 1909 Words
    • 8 Pages

    When considering the above thesis statement, 2 differing perspectives arise. The first supports the thesis and is that Riefenstahl was so driven to be worldly famous and recognised that she didn’t care what the cost. The second objects the thesis and is that Riefenstahl could not have possibly predicted the purpose and effects of her films, or Hitler’s intentions for world domination.…

    • 1909 Words
    • 8 Pages
    Better Essays
  • Good Essays

    Leni Riefenstahl Essay

    • 799 Words
    • 4 Pages

    Leni had many changes within her career throughout her life time. Three of these events that have been the most significant in Riefenstahl's professional life have been her films which include "The Blue Light", "Triumph Of The Will" and "Olympia".…

    • 799 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    FILM 1F94

    • 1706 Words
    • 12 Pages

    Established narrative film as the dominant cinematic mode (not very often do documentaries etc. get shown in main stream cinemas)…

    • 1706 Words
    • 12 Pages
    Powerful Essays
  • Better Essays

    In the saturated world of entertainment today, it is vital to an actor's career to find the thing that sets them apart and causes them to be memorable. I have been noticing the work of Chelah Horsdal for some time, and in anticipation of her soon-to-be-released film CANDiLAND that I was privileged to screen, I was quite honored that in spite of her insanely busy schedule, she was willing to answer a few questions about how she got started in the business, her notable and beloved works, and what she aspires to do in the near and distant future.…

    • 1444 Words
    • 6 Pages
    Better Essays
  • Good Essays

    There were many things Nation did to prepare her for her role in today’s history. She…

    • 617 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    So in this view, there was a number of the new enterprising film firms in which just sprang up at the turn of the century featuring non-fiction titles, most specifically the travelogues. In the period prior to world travel has been actually widespread and every tourist had a camera. Therefore, the scenes of distant lands as well as the life were then having considerable foreign appeal for film patrons. As in most of whom until time were working class and definitely could not afford travel for such a reason. Citing some instances, for these two filmmakers Edwin S. Porter (1870–1941) and D. W. Griffith (1875–1948) had done perfecting the editing techniques for such a reason of advancing a story. That so happened, non-fiction films had been quickly obscured in attractiveness by narrative films in which had been exploited in editing as well as other cinematic techniques. Among those were framing and the movement of the camera in order to engage audiences expressively. In effect to that, non-fiction film had an assumption to a contributory position. (Kawin 2011)…

    • 2078 Words
    • 9 Pages
    Powerful Essays
  • Powerful Essays

    The term Auteur seems to bless a privileged group of filmmakers with an almost messiah-like legacy. Men such as Alfred Hitchcock, John Ford and Fritz Lange are believed to inhabit the ranks of the cinematic elite, and not surprisingly most critics are more than willing to bestow upon them the title of Auteur. By regarding filmmaking as yet another form of art, Auteur theory stipulates that a film is the direct result of its director's genius. With the emerging prominence of auteur based criticism in the 1950?s, the role of the director became increasingly integral to a film's success. However most would argue that this form of criticism didn't reach its apex until 1960s, when Andrew Sarris released his seminal works "Notes on the Auteur Theory" (1962) and "The American Cinema" (1968). With this book, Sarris further elaborated on Truffault's theory that "There are no good and bad movies, only good and bad directors"1. To abuse a cliché,Sarris assumed that films are a director's canvas, and only they have the ability to create a great work of art. As intriguing as this notion might seem, there is no doubt that auteur theory is an example of oversimplification at its finest. Unlike many other forms of art, Cinema is the direct result of the cooperative effort of hundreds of people, of which the director and cast are merely the most prominent. To subscribe to auteur theory is to ignore 95% of what makes the production of a film possible, while also adhering to a set of criteria which merely accepts a specific definition of greatness. Auteurism may quite possibly be as much a stigma as a blessing because it celebrates those who adhere to a consistent style, while ignoring those who constantly reinvent themselves.…

    • 2739 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    Ursula K Le Guin

    • 911 Words
    • 3 Pages

    Ursula K. Le Guin was born Ursula Kroeber in Berkeley, California, on October 21, 1929. Her mother, Theodora Krackaw Kroeber, had an advanced degree in psychology and was a well-known writer for her narratives: Ishi in Two Worlds in 1961 and Ishi, Last of His Tribe in 1964. Le Guin’s Father, Alfred Kroeber, was a distinguished anthropologist for his work with tribes of Native Americans indigenous to California (Carmean, Williams, and Rich). Her father also taught at the University of California at Berkeley. Le Guin and her three older brothers Karl, Theodore, and Clifford were encouraged to read at a young age (Boon and Heller).…

    • 911 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Maya Deren, an incredibly well-known and well-regarded avant-garde filmmaker, entered the scene in 1943, with the release of her first film, created in collaboration with her husband Hammid: Meshes of the Afternoon. Deren would go on to create a number of other films, most notably At Land, A Study in Choreography for the Camera, and Ritual in Transfigured Time. Deren’s work has been picked at and analyzed by a number of critics over the years, looking at the role of the individual, the flexibility of time and space through the medium of film, and the juxtaposition of dreams and reality. There are many lenses through which the movies of Deren can be viewed, but several threads run through each of her films, and to some extent follow the life…

    • 1566 Words
    • 7 Pages
    Good Essays
  • Good Essays

    The two major pioneers of early cinema in both Soviet Russia and America, they were D.W Griffith who developed continuity editing through practice, he enhanced film as if it were theatre as if it was in real space and time, whereas Sergei Eisenstein who initially developed montage further through the theory, he did this by breaking the confines of time and space in order to communicate new abstract ideas. In 1918 Eisenstein wrote a manifesto, The Montage of Attractions, this developed Lev Kuleshov ideas and theories about the construction of meaning through editing. Throughout his career, Eisenstein would return to his concept of an ‘intellectual montage’ this is where the counterpoint and juxtaposition produced not just a visual reaction…

    • 255 Words
    • 2 Pages
    Good Essays