Relatedly, performing the feature action, makes the young, gothic teenager, who is featured throughout the video (“See the Pass,” n.d.), the agent of the message. Third, the boy runs to the woman when she exits the bus at the next stop and physically hands the bag back to her (“See the Pass,” n.d., 0:35 – 0:49), which suggests that he uses physical action to carry out the act, making his physical actions the agency of the message. Fourth, the video opens to an urban city, and specifically to a bus stop, (“See the Pass,” n.d., 0:00 – 0:05), which is the scene of the message. Lastly, as evidenced by the end of the video, the boy returns the purse to the woman (“See the Pass,” n.d., 0:40 – 0:44), which was his purpose in committing the
Relatedly, performing the feature action, makes the young, gothic teenager, who is featured throughout the video (“See the Pass,” n.d.), the agent of the message. Third, the boy runs to the woman when she exits the bus at the next stop and physically hands the bag back to her (“See the Pass,” n.d., 0:35 – 0:49), which suggests that he uses physical action to carry out the act, making his physical actions the agency of the message. Fourth, the video opens to an urban city, and specifically to a bus stop, (“See the Pass,” n.d., 0:00 – 0:05), which is the scene of the message. Lastly, as evidenced by the end of the video, the boy returns the purse to the woman (“See the Pass,” n.d., 0:40 – 0:44), which was his purpose in committing the