In 1923 Mark
Rothko found work in and moved to New York City. While he visited a friend at the Art Students League of New York, he realized his calling was to be an artist. He then began to study under the artist Max Weber, he was primarily self-taught. He was encouraged to see art as a tool for expression and this idea translated to his paintings. In his early works, such as Subway and Street Scene, Mark used abstract composition to convey representational portrayal rather than realistic. After experimenting with other art styles, Mark Rothko came to the conclusion that his future lay in abstract expressionism. During this time, paintings such as Orange and Yellow and Saffron featured bright and vibrant, but also hazy colors, which added a sense of drama and light to the works.
By the 1960s, the popularity of abstract expressionism began to fade. This made Mark Rothko even more uncertain and critical about his ability as an artist. In 1964, he received a commission to create a series of paintings for the chapel at St. Thomas University. His works were rectangular fields of color and light which were inspired by mythology and books read by Rothko. On February 25, 1940, before his art works were installed into the chapel, Mark Rothko was found dead in his kitchen. He sliced open his arms with a razor blade and bled to death. Rothko’s works influenced many artists and he is regarded as one of the 20th century abstract painters.
This film did succeed in transporting me back to the time of early 20th century abstract art. I was able to gain a sense of what obstacles artists had to overcome when pioneering the field of abstract expressionism.