The Parthenon was built to honor the goddess of wisdom, Athena. When structures are built using straight lines they tend to look slightly distorted due to the science of optics. The architects Iktos and Kallikretes were skilled architects of their time and they used illusory tactics to create an ideal aesthetic for The Parthenon. The architects compensated for these visual illusions by counteracting them in their design. The end result is a structure that is not composed of straight lines, but when viewed by the human eye, looks perfectly straight. Plato would have mentioned one of his famous dictums, "That which changes least is most real." He would have viewed Iktos and Kallikretes designs as less real than other designs that do not use illusory tactics to fool the eye. Changing the nature of contemporary construction standards would lead Plato to deem the design as a "change" in architecture of the times. Several elements of the Parthenon follow nature-based models. The rectangular shape of The Parthenon was derived from the Golden Ratio of 5:8, which can be seen in some flowers and nautilus seashells. The drums of The Parthenon's columns also have natural characteristics. Their diameter is similar to the height of man. Plato's view of
The Parthenon was built to honor the goddess of wisdom, Athena. When structures are built using straight lines they tend to look slightly distorted due to the science of optics. The architects Iktos and Kallikretes were skilled architects of their time and they used illusory tactics to create an ideal aesthetic for The Parthenon. The architects compensated for these visual illusions by counteracting them in their design. The end result is a structure that is not composed of straight lines, but when viewed by the human eye, looks perfectly straight. Plato would have mentioned one of his famous dictums, "That which changes least is most real." He would have viewed Iktos and Kallikretes designs as less real than other designs that do not use illusory tactics to fool the eye. Changing the nature of contemporary construction standards would lead Plato to deem the design as a "change" in architecture of the times. Several elements of the Parthenon follow nature-based models. The rectangular shape of The Parthenon was derived from the Golden Ratio of 5:8, which can be seen in some flowers and nautilus seashells. The drums of The Parthenon's columns also have natural characteristics. Their diameter is similar to the height of man. Plato's view of