Both text reject realist model of writing and both are sort of romances. The romance is not a realistic genre. In Wuthering Heights and in the Heart of Darkness authors reject realist conventions, namely third person omniscient narration, feeling of objectivity, scientific language and the setting. In the Wuthering Heights we can observe first person narration and a Chinese box technique. There are more than one narrator, namely Nelly, Lockwood, Cathy’s letters and diaries, even Catherine and Heathcliff are narrators. Thanks to a Chinese box technique we have got stories within a story. During the story-telling narrators change and it is possible to go into one story and then another and another, as long as somebody else is
Both text reject realist model of writing and both are sort of romances. The romance is not a realistic genre. In Wuthering Heights and in the Heart of Darkness authors reject realist conventions, namely third person omniscient narration, feeling of objectivity, scientific language and the setting. In the Wuthering Heights we can observe first person narration and a Chinese box technique. There are more than one narrator, namely Nelly, Lockwood, Cathy’s letters and diaries, even Catherine and Heathcliff are narrators. Thanks to a Chinese box technique we have got stories within a story. During the story-telling narrators change and it is possible to go into one story and then another and another, as long as somebody else is