Abstract
In this research paper I might endeavor to build up that both Nayantara Sahgal's women's rights and patriotism are set apart by weakening ovals, which make her complicit with those exceptionally talks—of male controlled society and government—that she obviously looks to uncover and study in Rich Like Us. Born into modern India's chief political family, the Nehrus, and raised in a household in which female children did not feel the pressures of being female, Sahgal subordinates the lady question to the national question in the narrative. Amusingly, however as anyone might expect, her patriot fealty is, thus, confounded by her Western-style childhood and education …show more content…
As the critic Makarand Paranjpe remarks, "To me Nayantara Sahgal's books are significant accounts of a bigger account, in reality as most Indian English fiction seems to be."( Paranjpe, Makarand, 159) The narrative of the development of India has certain key topics, which can be characterized as imperialism, patriotism, segment, autonomy, regionalism communalism, urbanization, women's liberation, free enterprise, socialism and so on which frame the pith and foundation of our lives and additionally fiction. In Sahgal's writings these issues are reasonably mixed in her …show more content…
Shyamla A. Narayan remarks that as opposed to Sahgal's before books, it is in "... Rich Like Us and ensuing books that she makes ornament imaginative use of political occasions by observing them in the point of view of India's history" (17). Here Sahgal effectively dovetails the private and people in general issues by copious references to the segment of India, Nehru's discourse (in Chapter Thirteen), Gandhi's peacefulness and his emphasis on Truth in guide difference to the ignoble and agonizing improvements amid the Emergency. With such verifiable allusions, Sahgal consolidates the narrative of Rose and Sonali - both of whom are the casualties of Emergency. Rose is an English wife of Indian husband Ram, while Sonali is an I.A.S. officer in New Delhi. In Rich Like Us, Sahgal has intentionally picked English characters, for her motivation is to demonstrate that history is never an uneven issue, however involves a blended story of various individuals. Sonali leaves from her position all together not to adjust to the degenerate arrangement of political apparatus. In the wake of disjoining her associations with her authority past, Sonali feels significantly more human in organization with Rose. On the off chance that Sonali experiences