Richard tried to end the war of the roses and placate the Lancastrians by honouring Henry VI through a ceremonious reburial, and by trying to build bridges with the Woodvilles by persuading Elizabeth out of protective sanctuary and to attend court whilst paying her an annuity (Elizabeth was born into a Lancastrian family and did marry a minor Lancastrian noble before marrying the Yorkist king). He tried to end the war of the roses because they were unpopular with the kingdom and the nobles. This is a clear demonstration of how he could have been a great king. This is because he is trying to win over defected supporters and gain trust, popularity and an affinity with as many people as possible. It also shows how he tried to gain affinity with the nobility by gaining trust and showing respect to the Lancastrian history.…
Shakespeare’s “Richard III” exists as a providential narrative in support of the Tudor Myth; that it was only through the divinely sanctioned rule of Henry VII that brought about peace after an era of turmoil under the reign of Richard III. As such, Shakespeare’s pro-Tudor bias highlights the politically and morally absolutist agenda of his time.…
By analysing the parallels and differences between King Richard III and Looking For Richard, the responder is positioned to appreciate the distinctive contexts from which each text emerged. Whilst an exploration of the moral vices and corruptive consequences of the relentless pursuit of power is explored in both texts, a closer examination of the way power is represented…
- The citizens have taken a day off to celebrate Caesar’s success & welcome Caesar to Rome…
In The Deposition of Richard II, it is obvious that the English king was disliked by all. A list of his grievances was drawn up, citing all of his poor choices as king and the reasons why he should be dethroned. The number one cause of the hatred of him was “his evil rule, that is, he has given the goods and possession…
I will show understanding of the plot, character and themes and Shakesperes use of language and dramatic devices within the play.…
In Shakespeare's play, it is easily seen that power is central as the whole situation that the characters find themselves in is due to a struggle for power, a fight for the throne. The civil war between the houses of York and Lancasters has been won ‘by this son of York’, King Edward, Richard’s brother. In the opening soliloquy Richard says ‘…since I cannot prove a lover/ To entertain these fair well-spoken days, / I am determined to prove a villain’. It is not only Richard who thirsts for power, but also Buckingham and the Woodvilles. Buckingham chooses to politically align himself with Richard for his gain, apparent when he asks Richard for the promised earldom of Hereford. He ignores Margaret’s warnings about Richard and continues to support him. He also enjoys acting almost as much as Richard, seen in Act 3 scene 5 when he tells Richard he can ‘counterfeit the deep tragedian’, and ‘I will play the orator’…
Explain why Edward IV’s death opened up such a bitter family feud in the weeks from 9th April to 26th June 1483 (12 marks)…
A deeper understanding of ambition and identity emerges from pursuing the connections between King Richard III and Looking for Richard.…
Context results in historical and topical info around a certain point in literary work. Every text promotes values import. For indiv. And groups.…
Richard the Lionheart and Saladin are known as some of the greatest leaders and warriors to fight in The Crusades. The book Warriors of God, by James Reston describes these two men throughout their battles in the Third Crusade. Many portrayals of these two men are either ones that make them look like the kindest of any of the Crusaders or some of the meanest, most gruesome men to fight. James Reston does a very good job of finding a medium between the two and gives the reader a good understanding of what these two great leaders were like without being biased.…
Shakespeare also gives great insight on Richard’s mind via diction. In Richard’s opening lines he specifically says, “Our dreadful marches to delightful measures” (1,1,8). Instead of fighting the Lancasters Richard (and his family) are in a time of harmony. He intentionally changes the negative word to a positive. Lines like these are all throughout the opening soliloquy. Richard allows the audience to see that he is at peace, that he is relaxed. By his big soliloquy in Act 5, Richard’s attitude is down. He’s worried about all the deeds he’s done. He directly states, “Is there a murderer here? No. Yes, I am:” (5,3,211). Not only does he leave the negative word of “murderer” in the sentence, but he…
Though still sick, King Edward IV brokers a reconciliation between Queen Elizabeth, Dorset, and Rivers and Hastings and Buckingham. Anon, Richard appears to reconcile with everyone else when Queen Elizabeth mentions her wish to have Clarence pardoned. To the shock of everyone, most especially to King Edward IV himself who claims that he had issued an order reversing Clarence’s condemnation, Richard informs the gathered assembly that Clarence is dead and buried, adding that the King’s countermand must have been too late to reverse the original edict and insinuating that the Queen is responsible; at this point, Stanley comes to beg the King to have a servant of his pardoned for killing a man. The request spurs the King to chide his subjects for their collective failure to plead on behalf of Clarence, arguing that it’s a crying shame that no one thought it his duty to stand up for a King’s brother when at this very moment a noble is standing up on behalf of a slave. Distressed, the King goes back to his room. The children of Clarence, question their grandmother, the Duchess, as to why she’s often so sad of late if not for the fact of their father‘s death. The Duchess replies that she’s sad because of her son’s Edward’s illness and that their father Clarence hasn’t died. The latter of the Duchess’ assertion, however, contradicts what the Boy knows to be truth as he has been told by his uncle, Richard, that the King has had their father killed and at the behest of the Queen. The Duchess assures the boy that his uncle has lied and wonders how she could have ever given birth to such a disgrace Richard. The Queen, accompanied by Rivers and Dorset, appears in a state of dishevelment. King Edward IV has died. She appears to be inconsolable, but Dorset and Rivers manage to calm her, arguing that she cannot begrudge God his payment and that she has yet her son, the Prince of Wales, from her marriage to King Edward IV, who will no doubt be King, on whom she may rely.…
The film depicts C19th castle of Elsinore, resplendent in its colourful pageantry, overpowering pristine white and extravagant costuming. Brannagh's implementation of secret hallways, mirrors and Hamlet's dark clothing is juxtaposed to this lavish world that metaphorically reveals the entrenched and pervasive corruption that underlie this facade. Shakespeare stresses this notion through use of recurring extended metaphor in the 'rank', 'vile' and 'un-weeded garden'.…
One key person of the Middle Ages that I have studied or know of is, King Henry II. He was born on March 5, 1133 in Le Mans, France and died on July 6, 1189. Throughout his lifetime, his was, Count of Anjou, Count of Maine, Duke of Normandy, Duke of Aquitaine, Lord of Ireland and King of England. King Henry was related to Eleanor of Aquitaine and King Richard I. Three of his achievements that were significant to the Middle Ages are; improving economics and legal system of England. Being the first ever Angevin king and having power over territories that stretched of Ireland to the Pyrenees.…