THE PHILIPPINES
Rondalla IV: Bacaoat, Jupiter S. Abad, Betriz C. Belen, Ace B. Esteron, Roselle Dogaong, Shan S. Frizaneza, Grazel Tampoa, Van T. Mones, Rosana M. Sison, Jomar A. Santos, Kristine B.
Submitted to:
Ms. Riona Copiling in the partial fulfillment of the requirements for the subject
English IV
March 2012
TABLE OF CONTENTS
Chapter Page I. Introduction…………………………………………………………………….. 1 II. History of Rondalla……………………………………………………………. 2 History……………………………………………………………. 2 Timeline (Evolution of Rondalla)………………………………… 3
III. Instruments of Rondalla……………………………………………………… 5 Main Instruments of Rondalla……………………………………… 5 Secondary Instruments……………………………………………… 7
IV: Importance of Rondalla………………………………………………………. 9 Role of Rondalla in the Philippine Culture………………………….. 9 Importance of Rondalla in People or Personalities in Music……………… 11 Importance of Rondalla in Music Itself……………………………………. 12 V. Conclusion……………………………………………………………………………… . 13
VI. Reference Paper………………………………………………………………………. 14
ABSTRACT
This research paper widens the knowledge of people, especially for the younger generations, about the existence and importance of Filipino Folk Music through exploring the world of
Rondalla. It shows the importance Rondalla to the Filipino society through exploring its roots,
(where it originated)and through showcasing the methods of revival of the art at present. This research pushes one to explore its pathway of development until it bloomed and became an important factor for the Philippine culture. Rondalla is more than just a group of stringed instruments, it is a group showcasing the beauty of our own music with the unity and uniqueness of its