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In Slaughterhouse­Five, the reader experiences a sense of pleasure and disquietude conveyed by Kurt Vonnegut’s efficiently utilization of diverse characters, vivid imagery, and his descriptive flashbacks. Any work of literature should produce healthy confusion within its reader. Vonnegut’s characters in Slaughterhouse­Five leave a tad bit of wonder in his audience. His characters differ from a senile veteran, to toilet plunger looking aliens. Vonnegut continuously introduces a variety of characters throughout his jumps through time. This technique makes his audience wonder why he writes his novel the way he does. Vonnegut keeps his readers attentive by producing a feel of internal confusion concerning his intentions with characterization while writing. Slaughterhouse­Five is a fascinating novel which includes loads of vivid imagery. The reader can easily visualize the night that Billy Pilgrim, Vonnegut’s main character, got abducted and was held at the zoo on Tralfamadore with Montana Wildhack. Vonnegut’s strong use of imagery really lets the reader in on how he wanted to portray his story. This shows how intact
Vonnegut was with Billy’s life rather than his own possibly displaying that
Slaughterhouse­Five is only mainly written about Billy Pilgrim and his adventures for the fact that Billy’s life was entirely more interesting than Vonnegut’s. Vonnegut is scarcely mentioned in his own novel though he could easily have shown himself throughout his strong ability to illustrate an image in his reader’s mind. Descriptive flashbacks played a huge role in making Vonnegut’s audience involving
Slaughterhouse­Five experience feelings of pleasure and disquietude. “The terrific acceleration of the saucer as if left Earth twisted Billy’s slumbering body, distorted his face, dislodged him in time, sent him back to the war.” This scene demonstrates that any harsh interaction can send Billy into flashback mode. Anything that mentally or physically

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