"Storge" Art History Essay (Dream Art Exhibition)
“Storge”
Art History Essay
Jessica Boucher
AWM4UO Carozza
13/01/18
Storge, the Greek word for familial love, is the title of the art exhibition. Consisting of six works of art, of varying mediums, all but one from the modern era, this art show is meant to project love of family, and the feelings it may bring, whether they are joy or anguish. All the pieces in the show are meant to evoke maternal or paternal feelings in the viewers, and when combined, the pieces are meant to show the journey of parenthood. The duality of the show should be clear with the contrast between some of the happier pieces, such as The Bath, by Cassat, or The Cradle, by Morisot, and some of the darker works, like Migrant Mother, by Lange, and the very famous Pietà, by Michelangelo. The exhibition is also supposed to demonstrate the timelessness of storge, that no matter what century it is, feelings of parenthood are always powerful. Each piece will be placed on its own in a large plain room, and the viewers will walk from one room the next in a sort of chronological order, illustrating the journey of a child’s growth, and how it may affect their parents.
The first work shown is The Cradle, and was painted in 1872 using oil on canvas, by Impressionist artist, Berthe Morisot. The piece is of Morisot’s sister Edma gazing at her sleeping baby daughter, and is a beautiful depiction of true motherly love. Morisot used her sister Edma as a model in several other works, like Young Woman Seated at a Window, however, the most powerful works, I found, were the depictions of motherhood, of Edma with her children, such as Hide-and-Seek or On the Grass. The Cradle instills a maternal sense in most viewers, which, after closer inspection seems to be due to the way Morisot had positioned her sister. Edma’s hand drawing the curtain over the cradle, partially obscuring the baby from view creates a feeling of intimacy, and shows the traditional protectiveness a mother has for her child. While the
Art History Essay
Jessica Boucher
AWM4UO Carozza
13/01/18
Storge, the Greek word for familial love, is the title of the art exhibition. Consisting of six works of art, of varying mediums, all but one from the modern era, this art show is meant to project love of family, and the feelings it may bring, whether they are joy or anguish. All the pieces in the show are meant to evoke maternal or paternal feelings in the viewers, and when combined, the pieces are meant to show the journey of parenthood. The duality of the show should be clear with the contrast between some of the happier pieces, such as The Bath, by Cassat, or The Cradle, by Morisot, and some of the darker works, like Migrant Mother, by Lange, and the very famous Pietà, by Michelangelo. The exhibition is also supposed to demonstrate the timelessness of storge, that no matter what century it is, feelings of parenthood are always powerful. Each piece will be placed on its own in a large plain room, and the viewers will walk from one room the next in a sort of chronological order, illustrating the journey of a child’s growth, and how it may affect their parents.
The first work shown is The Cradle, and was painted in 1872 using oil on canvas, by Impressionist artist, Berthe Morisot. The piece is of Morisot’s sister Edma gazing at her sleeping baby daughter, and is a beautiful depiction of true motherly love. Morisot used her sister Edma as a model in several other works, like Young Woman Seated at a Window, however, the most powerful works, I found, were the depictions of motherhood, of Edma with her children, such as Hide-and-Seek or On the Grass. The Cradle instills a maternal sense in most viewers, which, after closer inspection seems to be due to the way Morisot had positioned her sister. Edma’s hand drawing the curtain over the cradle, partially obscuring the baby from view creates a feeling of intimacy, and shows the traditional protectiveness a mother has for her child. While the