Suenos de Una Tarde Dominical En La Alameda Central
SUENOS DE UNA TARDE DOMINICAL EN LA ALAMEDA CENTRAL
The author of this mural is Diego Rivera. He is one of the most important artists in Mexico. Also, he had the capacity to involve the people in his work. Diego Rivera always focused his work on politics and history of Mexico. We have the clear example in Sueños de una Tarde Dominical en la Alameda Central. It was painted for Diego Rivera in 1947. The original mural was established in one of the principal walls in the Prado Hotel, but after the earthquake in 1985 it was removed to Palacio Nacional in Mexico City. As had been noted, Diego Rivera a long of 74m2 painted the most important events from Mexican history, dedicated for all the people. For this reason, I chose to analyze this source, because I like the Mexican history and I am fan of Diego Rivera.
Sueños de una Tarde Dominical en la Alameda Central focused on the claim of Indigenas (native groups), that was a fundamental topic by Diego Rivera. Another important topic that is represented in the mural is the fight of the social classes. Besides this, the mural was designed in chronological order; it begins on the left side with the Conquest of Mexico. Diego Rivera in so many cases represented the figure of Hernan Cortez with a grotesque image but in this case, he represented Cortez with his hands bleeding. Also in the mural he painted the first New Spain Archbishop, Fray Juan de Saronga who in 1539 was ordered to burn alive one son of Nezahualcoyolt. This person was the first victim of the Holy Inquisition in New Spain. This terrifying institution was brought from Spain and burned alive all the people that were accused for heresy. In the mural this ritual is personified for Dona Mariana de Carbajal, who mounted on a donkey is driven to fire; she is followed by San Benito Verde, a symbol of the executioner. Likewise appearing in this section is Luis de Velasco who was the eighth viceroy in the New Spain, he opened the Alameda in 1592. In addition, an
The author of this mural is Diego Rivera. He is one of the most important artists in Mexico. Also, he had the capacity to involve the people in his work. Diego Rivera always focused his work on politics and history of Mexico. We have the clear example in Sueños de una Tarde Dominical en la Alameda Central. It was painted for Diego Rivera in 1947. The original mural was established in one of the principal walls in the Prado Hotel, but after the earthquake in 1985 it was removed to Palacio Nacional in Mexico City. As had been noted, Diego Rivera a long of 74m2 painted the most important events from Mexican history, dedicated for all the people. For this reason, I chose to analyze this source, because I like the Mexican history and I am fan of Diego Rivera.
Sueños de una Tarde Dominical en la Alameda Central focused on the claim of Indigenas (native groups), that was a fundamental topic by Diego Rivera. Another important topic that is represented in the mural is the fight of the social classes. Besides this, the mural was designed in chronological order; it begins on the left side with the Conquest of Mexico. Diego Rivera in so many cases represented the figure of Hernan Cortez with a grotesque image but in this case, he represented Cortez with his hands bleeding. Also in the mural he painted the first New Spain Archbishop, Fray Juan de Saronga who in 1539 was ordered to burn alive one son of Nezahualcoyolt. This person was the first victim of the Holy Inquisition in New Spain. This terrifying institution was brought from Spain and burned alive all the people that were accused for heresy. In the mural this ritual is personified for Dona Mariana de Carbajal, who mounted on a donkey is driven to fire; she is followed by San Benito Verde, a symbol of the executioner. Likewise appearing in this section is Luis de Velasco who was the eighth viceroy in the New Spain, he opened the Alameda in 1592. In addition, an