It is one of the most remarkable ‘impressions’ in the whole collection. What is a special in this piece is its structure. To put it differently, the number is structured as a series of three alternations between a dance-like principal theme and a freer, copla-style secondary melody. That is to say, it is built on two alternating or contradicting themes a dance-like principal theme. The dance section recalls the rhythm of the flamenco bulerias, while the distribution of the notes simulates a guitar technique alternating thumb and index finger. Additionally, it has more melancholy than any other piece in Iberia. Albeniz gives us one of the most exquisite coplas with a dense compositional texture. At a matter of fact, when I compared this piece with its three versions, I have found that, the guitar version is very close to the original in terms of tone, illusion, voice and in addition to the emotion both of them are full of emotion. The only difference between them is the color; the former is full of color. Whereas, the latter, it has no color. Considering the orchestra version, I would say it is the best because of the strong music affects as well as the heavy illusion. It has a musical movie. When I listened to it, I feel as if I watched a movie. All in all, from my perspective, I believe that El Albaicin with orchestra version appeals to me the most…
It uses old ballad tradition structures and as the book states it was quite popular when it was written leading me to believe it was written at that point because that’s when ballads were popular. C. Slavery was still occurring in the U.S., industrialization was also occurring in the north. Form: A. The song follows an AABA structure.…
Unlike this song, the previous piece definitely brought me back to the 21st century immediately. Also, instrumentally, they were very different since there were more soloists in the last piece, and they added vibraphone into it as well. Matt Holman’s compositions are more contemporary and are…
This song is a soulful jazz performance because of the tight rhythms…
The intense dance between the two leads was so heartbreaking yet beautiful. The piece told the story of a man and a women who cared deeply, supporting each other yet now being good enough. The man and the women had dragging movements, carrying and dropping each other showing that they couldn’t survive. At the end, there was a spotlight on the women as she collapsed to the floor with the man standing over her and others gathering around. The male lead sprinkled rose petals over her body, making the story so powerful.…
When I first heard “New Britain” I felt like I was back at my hometown church in Fort Worth. The song was full of joy and you could tell that the author wanted to praise God for his amazing grace. It gave me a sense of peace that was very uplifting. When it came to the musical piece “Florida”, I felt that there was a lot going on in one piece of music. One side of the room was singing different tones then the other side of the room, and there was a constant chiming in from the center of the room. The best way I could describe this song is by calling it a Feud, there was…
One minute it’s upbeat “Spanish” rhythms and the next is slow and steady romantic pieces for the lovers within the drama. By the use of such musical connotations, the overall impact of the ballet is enhanced; so I would venture to say that this is utility music. I can also see the overall ballet as ternary form due to its three major sections. The first section in act one states the thematic material of a conjunct melody yet vivacious rhythmic patterns, connecting me with the carefree and in love feeling evoked. It carried a more elated structure. The second section, on the other hand, relays the contrasting theme of a darker more ambiguous tone. Then returning to the light in the final section restating that thematic material. However during act three, I also felt it had its own quick three part form. When the unwanted finance’s entrance is accompanied with the loud chromatic music and the cuts at the end of pieces causing disjunct melody are acknowledged, a contrast to the thematic material occurs. Though it does quickly returns to the blissful and contented connotation that began this section and all is well in the end. I was unsure of whether or not that was real or if at this point in time I was just searching for something to write in my notes for my…
The orchestras played this piece to create a great closing to the concert. The conductor made a great decision to arrange this song to be at the end giving almost a sense of closure. The addition of the percussionist again helped give the piece the nice lifted feeling, as well as help the orchestra stay together; however the dynamic contrast between the four sections was rather light.The use of a snare drum drastically changed this piece, it feels more like a slow waltz. The little use of dynamics, however, kept the melody from popping out as much as it should have. In the beginning of the piece everybody played the notes with space between then; however towards the end, a few of orchestra members played the notes smoothly and connected whereas the rest of the orchestra played the notes spaced. The intonation and a steady tempo was retained throughout the performance which gave this piece a focused tone. The violins and violas did an excellent job using full bows, but the cellos needed to use long bows so they can create a deep, rich, and crisp sound. This piece made the audience feel excited and eager to hear more because many of the audience members recognized this…
The emotional journey of this great masterpiece continues within the second and third movement by bringing the listener back to feelings of calmness and sweet flowing melodic lines. This significant contrast from the first movement creates within an individual a sense of peace and tranquility that allows for the listener the opportunity to further enwrap themselves in the musical emotion of the piece. As the piece continues, this dolce expression crescendos with a melodic playfulness throughout the rest of the second movement and into the third movement taking the listener.…
band sang are a personal view of a Native American or Cherokee tribe. The lyrics…
This is an amazing energetic piece by the presented of these instruments: piano, cowbell, timpani, maracas, voices (soprano, alto, tenor, and bass). The tempo throughout the piece are rallentando and fast tempos. The piece sounded strong, powerful, harmonizing in between the instrument, but also chilling at the sacred movement where it got slow and a bit softer. Overall, the dynamics where mezzo forte, forte, tenuto, crescendo, and sforzando. The word that have been repeated the most throughout the piece was “silliza” with a loud (forte) by the voices singing. I have enjoyed this piece and love it because it sounds really energetic, strong, happy, fun, and exciting. In my opinion, this is an good ending song where all the choirs get to sing together before the concert…
It has a simple and catchy melody, featuring a prominent extended eight-note arpeggio. The piece is form of Rondo, the piano play three loud and powerful chords, and then the clarinet quickly comes in play the first theme, with bright tone. Repeat the first theme once, and then become the second theme. The melody does not have a big difference, but using triplets make the piece more active. The third theme compares to the first one has a strong lyricism. I like it because the whole piece is lively, fun and humorous, very smooth and cheerful.…
In this performance she sings of a life with no material possessions, no family, and no love. The song starts out somber and it makes me feel sad and I wonder if I picked the right song to write this paper on. I feel myself relating to her woes, even though I have everything I need in life. I pay close attention to the people in the audience and notice that all of them are fixated on Ms. Simone. They know they are in the presence of an amazing performance and are hanging off of every word that is coming out of her mouth. I also notice the pain in her face and in her voice. She is literally putting all of her being behind every word and making the audience feel those emotions with her. As time goes by she moves on from singing about all that she doesn’t have to all that she does, which is her body and mind. The tempo changes and becomes more lively and joyous. I find myself bursting with happiness because these lyrics are making me feel grateful for being healthy and able bodied. Ms. Simone sings of having her nose, arms, legs, mouth, brain, liver, and life. She makes the listener become grateful for the little things in life. I can tell the audience is happy with the change in lyrics as well and I feel that the audience wants to get up and dance with joy. Towards the end of the song Ms. Simone is smiling, which causes me to smile as well.…
It’s frequent to identify shades of Coltrane, Ayler, and Monk amidst his provocative patterns and rhythmic motifs. Here, he also suggests typical Brazilian melodies and incurs in a trippy dance that transports us to the heart of the Amazon rainforest.…
The reason I liked this song was because of how upbeat it was from the start. The song highlighted the trumpet, like the original. The tempo was fast and had a very happy vibe to the piece. I thought putting it in the middle of the concert was a good idea to get peoples energy level up again after some of the slower songs. This was a great song that featured the brass section and got peoples…