present? Classical orchestras were typically large, but came in all sizes. Within them were violins, violas, cellos, double basses, flutes, oboes, clarinets, bassoons, horns, trumpets, kettledrums, and a harpsichord or piano.…
The in class concert with three performances that I attended on 15th of February was an very interesting experience for me as I have not been to a classical music concerts that often. The first piece, Oxycotton, was performed by Tim Sanchez using the marimba. The second one, Acht Stucke, was performed by Samantha Post using the flute. Nicholas Gledhill using the horn performed the third piece, Blues and Variations for Monk. The last piece, Misty, was performed by CSU Graduate Brass Quintet. In this paper, I am going to write about the performances that I heard and about the different music elements that they used in each performance.…
The performers did attempt to authenticate the performance the size of the orchestra was the same as the original, the original performance consisted of instruments that are still widely used today such as, flutes, oboes, trumpets, and violins (etc.) this was a characteristic of classical music. There was a standard group of four sections, strings woodwinds, brass, and percussion.…
The first piece I am going to discuss is the overture to King Stephen, Op. 117. It was composed by Ludwig van Beethoven(1770-1827), one of the greatest German composer in the Western musical tradition. The genre of this composition is overture that is the instrumental introduction to the work King Stephen. The whole work has ten movements which are typical of the Classical style and the genre is oratorio. This overture movement is duple meter, and it is in the andante con moto form. In my opinion, this overture is a program music that shows the scene when the first king of Hungary enthroned and it also draw a picture of the beautiful scenery of Hungary. The overturn begins with a stirring call to attention, then develops and recapitulates two different themes, both with a folksy Hungarian character. The length of this overturn is about eight minutes and played by two flutes, two oboes, two clarinets, two bassoons, contrabassoon, four horns, two trumpets, timpani, and strings.…
The orchestras played this piece to create a great closing to the concert. The conductor made a great decision to arrange this song to be at the end giving almost a sense of closure. The addition of the percussionist again helped give the piece the nice lifted feeling, as well as help the orchestra stay together; however the dynamic contrast between the four sections was rather light.The use of a snare drum drastically changed this piece, it feels more like a slow waltz. The little use of dynamics, however, kept the melody from popping out as much as it should have. In the beginning of the piece everybody played the notes with space between then; however towards the end, a few of orchestra members played the notes smoothly and connected whereas the rest of the orchestra played the notes spaced. The intonation and a steady tempo was retained throughout the performance which gave this piece a focused tone. The violins and violas did an excellent job using full bows, but the cellos needed to use long bows so they can create a deep, rich, and crisp sound. This piece made the audience feel excited and eager to hear more because many of the audience members recognized this…
I was recently given the privilege of playing in the pit orchestra for the musical at my high school. I loved the experience of meeting other members of the music department, sharing many cookies. Challenging myself by playing music that I didn’t usually played exposed me to different music that went from five sharps to one flat. Because of my orchestral experience, I will audition for the Wellesley-Brandeis Orchestra. Having experienced a kind of merging between groups, I was able to meet different people (the band as well as the conductor for band), learning how to play a different style as well as learning how to communicate differently than that I was used to. Through the Wellesley-Brandeis Orchestra, I will have the opportunity to meet…
Music rings out from the center stage and bounces around the auditorium elegantly as if it were a metaphysical dancer. The symphonic grace entices all of those who are in range to hear it which is why Rod Hoffman sits in the second row of the middle aisle three seats deep from the left side of the orchestra. Completely submerged in the melody he is enveloped by a sort of transcending feeling. Words are rarely able to describe the joy that he feels by attending the concerts of the Colorado Symphony Orchestra. It takes him many weeks to find a means to culminate all of his emotions that he felt from the performance into a review that can properly display not only his reaction but still give an oversight that convinces others to give the orchestra…
2 from the twentieth century period and it has only one movement. At the beginning of the piece for the first time the conductor gives a speech the music players how the are very busy this period, then he thanks the audience and appreciate them because they were very good listener. After that, he gives a little of background about the piece. Furthermore, this piece begin with a unique combination which are the oboe with has the main melody, piano, and glockenspiel. The oboe player was very professional I can see how he engaged with instrument while he playing the oboe. However, the guiro is the first time I see it astonished me it has very unique sound I can recognize it between many instruments and it gives amazing tone to the rhythm. The rhythm of this piece is predictable. This piece is consonant even you can dance with the rhythm, after I listen to the piece I understand what the conductor mean when he says jokes in his speech about dancing in the aisle. Additionally, there was a solo piccolo it was very nice. However, I notice that at the end of every piece the conductor will make some players to stand up I think it mean that play very good then will let all the group to stands up.…
The St. Catharines Chamber Music Society was held at the Sean O’Sullivan Theatre of Brock University in Saint Catharines at 7:30 p.m., on Friday, 18th January, 2013. The four performers mostly showing on the stage, Xiaoling Li, Andrée Simard, Gordon Cleland, Karin Di Bella are violinist, violist, violoncellist, pianist respectively. Then, the soprano Charlotte Knight joined the performance to present us a wonderful and colorful music. The stage in the Sean O’Sullivan Theatre is surrounded by cambered audience seats with five parts separated by four aisles. At the center of the stage, a piano for the concert stands there quietly. When spotlight falls on the piano, the grace of classical music arises in the audience’s hearts, which makes them relaxed and expectant.…
On October 19, 2013 I sought out to listen to some classical music for my review for class. It was a pleasure to have found the Orlando Philharmonic Orchestra at the St. Luke’s Lutheran Church in Oviedo, FL, a part of St. Luke’s concert series of 2013-14 that has been held in the last nineteen years here in Oviedo, FL. This free event that’s held each year at St. Luke church holds about three hundred people in there sanctuary, everything in the décor speak to your imagination Lutheran church. It was very nice it reminded me of a small concert hall. The orchestra fill the whole area were the choir usually sit. Christopher Wilkins, he conductor along within a full orchestra and Rimma Bergeron–Langlois the violinist, who all played four great suites from the genius of Georges Bizet, the piece from L’Arlesienne, Carmen suite, and Carmen fantasies, and Symphony in C’ that took you back in time. This classical music from the romantic era was breath taking.…
The performer of this concert was a solo act that played the music on the piano. The music in this performance was typically music that was used for orchestral concerts and the opera. The musical texture of this performance was monophonic and four different movements were performed. Leopold performed Of Foreign Lands and People, Curious Story, Important Event, and Dreaming. The textures of these pieces were monophonic but the melody of the…
A concerto is an extended piece for an instrumental soloist and orchestra. It contains typically the same format of movement first fast, second slow and third fast. Concertos joins the soloist’s delicately and elucidative skills with an orchestra. A concerto offers a great challenge to the composer and a splendid delicacy to the listeners. The concerto balances the soloist and the orchestra so one does not over power the other, acting as partners (Sporre, 2010).…
This exciting piece of music is being played by a large Romantic orchestra that includes piccolo, 2 flutes, 2 oboes, 7 clarinets, 2 bassoons, 4 saxophones, 4 horns, 3 trombones, baritone horn, tuba, timpani, percussion and strings. Between all the instruments being played, the dynamic is loud, but closest to the end the loudness increases. I really like how the composer uses all of these instruments for this stunning…
The relationship between a core and periphery can be described like the relationship between a conductor and an orchestra. The core is like the main source or power and the periphery is what feeds off of the core. In the case between the conductor and an orchestra, the conductor would be the core and the orchestra would be the periphery. The orchestra is the periphery because it is gaining information or instructions on when each instrument should be playing. The conductor is controlling the sound of the orchestra and determines when certain instruments play. There are many examples of core and peripheries in the world and only a handful of examples will be discussed.…
Despite dance being the primary subject, it is necessary to note the orchestra’s performance of Tchaikovsky’s compositions. The orchestra consisted…