It’s easy to see that she is mourning the death of her mother and holds her stepfather accountable for her mothers suffering. Through the uses a vivid imagery Trethewey is able to show that the true enemy of those few days spent inside was her stepfather and not the ice storm. She also uses tone shift to clearly show who was responsible for the pain that she saw so clearly in the photograph. This photograph to Trethewey was more of a reminder of what her stepfather put her family through rather than the wonders of a freak ice storm that blew into town and she resents him for…
They are not normal lips; they are lips with a black hole through them, as if burned by a cigarette. The image is composed so that the viewer’s eyes are drawn right to the hole, a stain in perfection. The bright, cherry lipstick contrasted with the revolting, charcoal hole—placed right where a cigarette would sit—appalls the viewer. This placement was very effective in conveying a message about smoking. In the background of the picture there is a pore less, porcelain-like skin surrounding the lips. This, coupled with the red lips, only makes the woman appear even more perfect, despite the gaping, metaphorical hole in her lips. Light is used to brighten the picture, contrasting with the hole as well. Light is often utilized to symbolize hope and knowledge, ideas that smoking is not associated with. There are subtle shadows sitting in the corners of the woman’s mouth and below her lower lip, making the picture even more realistic. The viewer’s eyes move from the focal point (the burn hole) to the red lips, and then to the perfect skin, finally ending on the shadows in the teeth. The creator of this image was well versed in making an affective, persuasive…
In this piece, the colours black and red seem to represent love, passion, anger and aggressiveness. With these costumes, the women have red in their dresses so they have no way of getting rid of it. They are all dressed identically because it represents the way men used to see women; all the same as if they were only objects. The men are all dressed in different colours to show that they are all unique in some way, making them superior to the females.…
On page 56, “she got up suddenly and went to the window. I’m doing all right. Then she turned on her search light eyes, scanning my face. It’s just that… that….do you know what its like? It’s so….so…huge. She was biting her lips to stop it quivering.” Her behavioral actions, constant pausing in between words and the use of repetition of the same word, teaches us how vulnerable she is as a women.…
In the story “Who am I without him?, “ by Sharon Flake the author made this one scene realistic , where the main characters boyfriend slaps her in the face and after the fact she apologizes to him; I feel that this sets the mood for the story . The main character in this story is in an abusive relationship. I personally cannot relate but I know someone that has been in a relationship before. This character is afraid to defend herself when talking to Raheem her boyfriend but when she has a problem with anybody else she quickly defends her self. This is an example of how Raheem makes her weak.…
Later on she is often changing her opinion of the revolution and is not sure in what she shell belief. The frame on page 70 represents this problem. Previously in the story she has a strong connection to her imaginary friend god but is than changing because of occurrences which makes her changing her mind. In the fame you can see Marjane screaming to her imaginary friend. The graphic weight is on the speech bubble which is framed with a zigzag frame. It means that she is furious and really angry. She says that he should get out of her life and that she never wants to see him again. As you can see, she her opinion is unstable.…
A closer look at the couple in the cartoon shows some clever work on the artist’s part. The woman’s unkempt hair and sharp eyebrows make her look fierce. Coupled with her toothy mouth, opened wide to protest, she looks downright scary. Surprisingly, the man to her right looks much less threatening. His baggy suit and balding head make him look more silly than intimidating. This may lead the reader to wonder if the…
Alisa manipulates her readers in her intro using highly emotional charged words that consist of “We are stunned” and “Horrified” which exaggerates enough to make the reader more curious to see what is so “horrifying”. She also uses character-based appeal to seem more credible to her audience by mentioning an essay she wrote for a magazine back in 1993 dealing with violence against women. This helps her emotional appeal seem more factual to her readers by mentioning this along with a quote from her article saying “from increasingly common woman-hating pop music…
The story begins with a man ‘pushing’ his clothes in a suitcase; this shows that he is leaving the house. By using word ‘pushing’ instead of putting Carver shows the frustration that this man has. Then there is a lady, she is standing at the door. She says, “I’m glad you’re leaving! I’m glad you’re leaving!” which shows that she is happy that he is leaving the house. However in the next sentence she begins to cry after saying the same once more, now this shows that she is not happy about him leaving. She does not want their relation to break, but she is angry. The issue of their fight is not mentioned and also whether it is him or her who did something wrong. The reason could even be them not being compatible for each other; not successful in fulfilling each other’s needs and wants. Another reason could be either of them cheating on the other. But then she says, “Just get your things and get out.” Now this could mean that the man is at fault. Her telling him to leave and crying as he is leaving shows that she does not want to lose him but due to what he has done she does not want to stop…
This ad demonstrates how women are always viewed or associated as sex objects. This photo shows men surrounding and staring at her as a sexual object. All of the men have their eyes on her while her face is turn towards the audience. The look on her face seems as though she is forced into this scene against her will. Her face is turned away to avoid contact with the man who is pinning her down. This shows that she is discontent and trying to break out of the cultural norm. This body language is showing that she does not want to be submissive to him or be just another sex object. Ideally, men want to have power over women and will go to great lengths to attain it. In the photo, all of the men have most of their clothes off and have a stern focus on the woman. This example displays how males tend to be very sure of what they want and would take action to obtain it.…
Smirnov enters the play as being someone with complete disrespect for anyone of the opposite sex. He has absolutely no shame in speaking vulgar words such as “idiot” and “damn” or saying inappropriate phrases like “God damn it to hell” in front of a woman; Mrs. Popov in particular. Smirnov acts as if he is desensitized to love, compassion, emotion, and tenderness. It is obvious that Smirnov’s actions are merely an “act” and not his true nature because even from the point of introduction to Mrs. Popov, Smirnov cannot help but make hidden compliments about her “schoolgirl dimples,” or speak of “how charmante [she] looks in mourning” even through his supposed rage. The part in which Checkov expresses how men feel that women treat them comes to play after Mrs. Popov lectures Smirnov about his mannerisms. Smirnov absolutely cannot contain himself and comes back with an extensive remark. He says: "I’ve fought three duels on [women’s] account...I’ve played the fool in my time...burning eyes, dark eyelashes, ripe, red lips, dimpled cheeks, heaving bosoms, soft whisperings, the moon above, the lake below...I don’t give a…
Because she knows it has physically happened before, she is in constant fear of it happening again, at any moment. Therefore, she is in a seemingly chaotic and never-ending tale of abuse. Like a puppet, she feels as if she is helpless and completely controlled. He contorts her emotions, bends her self-worth, and isolates her away from the world.…
William Blake's "The Chimney Sweeper" offers a graphic portrayal of a particular cultural aspect of England in the 1790s. By examining my interactions with the poem, I will attempt to analyse and contrast my own belief system against that which is presented in the text.…
Something slightly ironic in the image is that the match's/women's usefulness starts at their heads. In the male-dominated society Jiles describes, women's heads--brains--wouldn't be very valued. That their heads are on fire in the end suggests that their anger at their position is borne out of the fact…
Looking at this painting, I can see the anguish in this mother’s eyes. She is…