Preview

The Arnolfini Portrait By Jan Van Eyck

Good Essays
Open Document
Open Document
1067 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
The Arnolfini Portrait By Jan Van Eyck
The Arnolfini Portrait by Jan Van Eyck is one of the most famous paintings shrouded in mystery. This picture depicts a wealthy couple holding hands in the bedchamber of their Flemish home. The couple is unidentified and many assume it is Giovanni di Nicolao Arnolfini a merchant from Bruges and his wife Costanza Trenta in 1426. The man is where is large black hat with a fur pull over with a black shit underneath and black shoes. The woman is where a white 14th-15th century styled headdress with a green and blue dress style dress which is holding up some extra fabric in her dress to simulate a pregnant belly. Behind the couple is a canopy bed draped in red cloth, a gold chandelier, mirror, table with three oranges, a detail rug, and outside the …show more content…
Jan Van Eyck laid many hidden symbols in this painting that has showed the success wealth and fertility of the two. Beginning with the wealth being shown through the fur worn by both, the oranges, the large elaborate, chandelier, the oriental rug, and the glass window that appears to be stained. These are all commodities that could only be owned by the wealthy during this time. It is also noticeable that Constanza plucked the hairs in the front of her head to make her forehead appear larger since this was also a sign of beauty during this time. The chandelier was gold with high details. What stuck out to me the most was the one lit candle above Giovanni Di Nicolao Arnolifi. I believe this was to represent the passing and memorial of his late wife which as no lit candle above …show more content…
The statue of St. Margaret could be an indication of pregnancy or wishful pregnancy during the marriage. I believe this is a symbolic way of suggesting fruitfulness in the marriage rather than an actual pregnancy. Considering, if the scholars guess is correct and it is Giovanni di Nicolao Arnolfini and his wife Costanza Trenta, I could be right since Constanza died without giving birth to any children. Also, as I stated before the stance she was in and the style of her clothes give the allure that she is pregnant but is just style that was popular since fertility was desirable during the time. But since this painting was done after Constanza pasted away, I believe that this could have been a memorial depicting what they wished could have happened. I cannot say if she was pregnant or died during pregnancy but I definitely believe this was supposed to symbolize wishful pregnancy before or after Constanta’s

You May Also Find These Documents Helpful

  • Satisfactory Essays

    The Annunciation with Saints Ansanus and Margherita is proclaimed to be one of the greatest if not the most magnificent art piece of the Gothic time period. This piece was originally created for the side alter in the Sienna Cathedral but after being passed on to many different Churches it is now located in the Uffizi Gallery in Florence, Italy. In this piece the artist has placed a large amount of iconography into it. The Easiest hidden icon to distinguish is the lilies in the vase in the middle of the picture showing the purity of Mary. Along with the Lilies the artist also has the Archangel Rafael holding an olive branch which is the symbol of peace showing he means no harm to Mary. Lastly, the author also has the Holy Ghost coming down from Heaven surrounded by eight angels representing the Holy Spirit or God is coming into her. Along with all of the iconography there are many other unique characteristics of this picture. For example, it as Mary looking as if she is afraid or startled by the Archangel Raphael coming into her house where as in the majority of the other annunciation pictures Mary is almost welcoming Raphael into the building. Another significant characteristic of this picture is the architecture and…

    • 794 Words
    • 4 Pages
    Satisfactory Essays
  • Better Essays

    Van Honthorst’s use of lines within this work of art, makes the girl seem to fade into the dark background of the image. The texture in this painting is characteristic of seventeenth century northern European art. The texture within this work of art is realistic as though what is in the painting could be touched and feel like silk on the sleeves of the dress and the feathers look like they feel soft and fluffy. There is a great range of value within this piece, the background of the painting is very dark while the girl in the painting has very pale skin making her stand out from the dark background. This image is asymmetrical, the way that the girl is seated and holding the oval portrait make the painting unbalanced, the image would be symmetrical if the girl was facing forward rather than a three-fourths view of her. The emphasis in this painting is her face and her smile, her pale face against the dark background really stand out, her rosy cheeks and big smile make it easy to spot across the room. This painting is realistic, she is proportionate and she looks like any other girl that one might see. Over all, this painting is pleasing to the eye and had a wonderful texture, and…

    • 1404 Words
    • 6 Pages
    Better Essays
  • Good Essays

    The painter, Jan Van Eyck was “first Netherlandish painter to achieve international fame” and he uses oil painting (Gardner 221). First of all, his family was into art also including his family members. According to the ArtHistory.net, “he was taught art by his older brother Hubert van Eyck; later, the two brothers would collaborate on The Ghent Altarpiece (1425-1432) which Jan would be obliged to complete alone after his brother’s death” (arthistory.net). His brother started teaching him about art. Jan Van Eyck was born on 1390 and died on 1441. He lived during the French Revolution which destroyed the church as he died. Also, he “entered the service of the powerful and influential Valois prince, Duke Philip the Good of Burgundy” during his…

    • 361 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    9/11 Monologue Script

    • 1614 Words
    • 7 Pages

    What? She was pregnant when she died. -…

    • 1614 Words
    • 7 Pages
    Satisfactory Essays
  • Good Essays

    To the right of the altar, is a statue of Jesus with the Sacred Heart. This statue is both iconic, in that it is an image of Jesus, and anionic with the Sacred Heart with the crown of thorns. The Sacred Heart is a representation of Jesus’ love for humanity. Along the wall is a painting of Saint Joseph, holding a Jesus as a child. There is also a statue of Saint Joseph as the patron saint of the Catholic Church. Below this painting is an altar where the wine and holy Eucharist are stored when not being used during mass. On the left side of the altar is an iconic painting of the Blessed Virgin Mary. She is the mother of Jesus and along with the painting of Saint Joseph holding the Child Jesus is a representation of the Holy Family.…

    • 843 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The first panel is the donors that commissioned the painting by Campin, the second panel is the same Annunciation scene of Mary and Gabriel but depicted quite differently, and the third panel is Saint Joseph. This painting pays close attention to clarity and detail, with varying colors and realism. The painting is in oil, and has a style that reflects the Northern Renaissance period. For example, the angel and Mary do not have halos, and it lacks linear perspective. The lack of halos, as well as Mary’s face (which doesn’t seem too happy about the fact that she is about to conceive Christ’s child) could relate to the religious separation that Northern Europe was experiencing during the Renaissance. Northern Renaissance art is very well known for its symbolism, and in this painting nearly every object is symbolic of spiritual ideas (Harris). For example, lilies represent Mary’s virginity, Joseph’s tools represent the Passion of the Christ, and the extinguished candle represents God taking human…

    • 804 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The Annunciation Analysis

    • 969 Words
    • 4 Pages

    Many of the objects depicted in High Renaissance paintings were there for a reason. In “The Annunciation,” Mary is the largest figure and the main focus. She is shown facing front, with her head tilted toward the floor and her eyes almost closed. In her left hand she is holding the Bible, representing her devoutness to God, her right hand is raised, all fingers pointing up. Archangel Gabriel is on the left side of the panel, shown smaller and wearing the ornate vestments of a priest. His clothes symbolize the similarity between him and the clergy of the Church: they both share the word of God. They are both wearing very loose fitting clothing that have many folds. The Holy Trinity is represented here by God, baby Jesus carrying his cross, and a dove, often a symbol of the Holy Spirit. They are all connected by seven rays of light, flowing directly from God’s mouth onto Mary. The seven rays represent the seven days it took God to create the universe. Gold is used as a symbol to represent divinity (Smith). White lilies in a vase between angel Gabriel and Mary often symbolized Mary’s purity. Written on the vase is “Ave Regina,” representing the Hail Mary prayer. The Latin words written in gold are archangel Gabriel telling Mary, “‘Behold, you will conceive in your womb and bear a son, and you shall name him Jesus’” (Luke 1:31). Symbolism can also be found in the frame of the painting. The three arches at the…

    • 969 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    The Arnolfini Portrait by Jan Van Eyk was painted during the Renaissance which was a period in Europe between the 14th and 17th century. It is highlighted by the development of highly realistic linear perspective which is included in the painting. The painting is a tempera and oil on wood and shows great detail that points out the Northern Renaissance. It includes thin layers of thin oil paint to make it very rich in color and detail. The detail makes every part of the painting stick out, an example being the light coming in from the window.…

    • 180 Words
    • 1 Page
    Satisfactory Essays
  • Better Essays

    For example, there is a small brownish-black dog at the feet of the couple. The dog symbolizes trust since the name for that type of dog means Fido from the Latin word fidere meaning trust. There are also other signs of marriage, such as the customary bridal clogs and one lit candle on the chandelier. On a more detailed level, there is a convex mirror located on the back wall. If a viewer looked closely enough, they could see small depictions of ‘Passions of Christ,’ as well as Jan Van Eyck’s signature around it.…

    • 1890 Words
    • 8 Pages
    Better Essays
  • Better Essays

    Two of the greatest artists of all time would have to be Leonardo da Vinci (1452 – 1519) and Vincent Van Gogh (1853 – 1890). Da Vinci was an artistic genius, as well as an ingenious inventor and scientist, while Van Gogh was an artistic savant whose mental instability cut short a career of wonder and enlightenment. Both artists presented works that made people look both outside at the artwork itself as well as inside the individual viewer in order to interpret the work.…

    • 1434 Words
    • 6 Pages
    Better Essays
  • Good Essays

    Not much is known about when the painting was painted, who the portrait is of, and the story behind it. What is known of it is that it was painted between 1503 and 1506 and is of a woman named Lisa Gherardini. The work was commissioned by the subjects’ husband, Francesco Del Giocondo, just after the turn of the century. Lisa was from a well-known and prominent family that was known throughout Tuscany and Florence and eventually married Francesco who was a very wealthy silk merchant. The work was to celebrate their estates completion, as well as the birth of their second son.…

    • 929 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Old Sacristy Analysis

    • 424 Words
    • 2 Pages

    In addition to the tombs, Michelangelo began to carve the Medici Madonna. The sculpture features the Christ as a child twisting around, showing us his back. The tombs, almost identical, are idealised representations of Giuliano Duke of Nemour and Lorenzo Duke of Urbino. Both are wedged into the niches above stone coffins, often referred to as the sarcophagi. The sarcophagi are at our eye level and feature pairs of figures, male and female. The sculpture of Lorenzo is located on the right side of the picture, left side of the chapel. The figure looks deep in thought, his left elbow on a money box carved with a grotesque head. On his sarcophagus are two sculptures, the Dawn and Dusk. The Dawn is located on the right, the Dusk is located on the left. The dawn (the female) seems like she just woke up, and because of the frowns on her forehead we can assume she is worried or remorseful. Giuliano’s sculpture is very detailed and because of the body language, we get the impression that he is ready for action. Lying on Giuliani’s sarcophagus is night, on the left, and on the right day. The Night has a crown of stars, and a moon and owl at her feet. Due to her facial expression we can assume she is in a deep sleep. The Day lies with his legs crossed and overlooks his shoulders. The male figures (Day and Dusk) are less smooth compared to the female figures and they also seem less…

    • 424 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Giovanni Bellini’s Madonna and Child is a Venetian oil on wood painting done in the late 1480’s and is considered to be one of his more mature works. Bellini was trained in the art of painting by his father but did not develop his own style until after his father’s death.…

    • 1091 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Art Paper

    • 494 Words
    • 2 Pages

    Cited: Sorabella, Jean. "Portraiture in Renaissance and Baroque Europe". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/port/hd_port.htm (August 2007)…

    • 494 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    A Portrait of Mona Lisa

    • 441 Words
    • 2 Pages

    This portrait was known as the greatest masterpiece ever to be painted. It was painted in the 1500’s. The way Leonardo Da Vinci used the lines in the painting was extraordinary. The lines is one of the most important elements of art that abstracted into a great piece of work. The lines did not illustrate any pattern of moving. The lines were mostly a combination of vertical, horizontal, diagonal, and contour lines. Many lines were cured and straight. The lines also varied in thickness. The painting had a variety of color, texture, and continuity. While viewing the picture, I did not notice any gesture lines in which would indicate action of movement of the woman. The artist did a good job of outlining and use contour lines to make the painting a more 3 dimensional. The lady in the portrait had a mystifying gaze. Da Vinci used a shadowing technique at the corners of her lips and eyes that made her look like a real human. This was a new trend in art at this time period. The landscape faded to create depth in the background. The landscape was uneven on both sides of the lady in the center of the portrait. The painting is meaningful because Leonardo Da Vinci created a new pose that still exist until this day. At that time period artist only used full length or side view portrait unlike the “Mona Lisa.” This emphasized evolution in art and inspired other great art forms to be created. Leonardo truly captured the beauty of the lady he painted. Her posture magnetize the viewer’s eyes to her face.…

    • 441 Words
    • 2 Pages
    Satisfactory Essays