There is clear reference to the energy and intensity associated with Van Gogh’s expressive brushstrokes and brilliant colour contrasts which create a powerful and explosive effect. Bennett has replicated Van Gogh’s unique painting style and use of texture throughout much of the painting. The texture is prevalent throughout the whole painting, and especially noticeable in the night sky section, although it is lacking in the area of the bed and especially in the depiction of the statue heads.…
Van Honthorst’s use of lines within this work of art, makes the girl seem to fade into the dark background of the image. The texture in this painting is characteristic of seventeenth century northern European art. The texture within this work of art is realistic as though what is in the painting could be touched and feel like silk on the sleeves of the dress and the feathers look like they feel soft and fluffy. There is a great range of value within this piece, the background of the painting is very dark while the girl in the painting has very pale skin making her stand out from the dark background. This image is asymmetrical, the way that the girl is seated and holding the oval portrait make the painting unbalanced, the image would be symmetrical if the girl was facing forward rather than a three-fourths view of her. The emphasis in this painting is her face and her smile, her pale face against the dark background really stand out, her rosy cheeks and big smile make it easy to spot across the room. This painting is realistic, she is proportionate and she looks like any other girl that one might see. Over all, this painting is pleasing to the eye and had a wonderful texture, and…
• Jan van Eyck, Arnolfini Portrait, 1434, oil on wood panel, 33 x 22 ½”…
The color palette of the painting is diverse, while red and warm earth tones dominate the painting. The light source seems to be in front of the left section of the picture while dispersing towards the right. The use of light gives the illusions of volume. The gradation of the sky is very exaggerated. The top is a dark blue and as it reaches the middle the sky is very light. The painting has a smooth finish and is very detailed. The flowers on the bottom are very intricate as well as the patterns of the people’s garments. Each face has a distinguished and unique appearance; no two faces are…
Also, if you look very closely at the painting, you can see some brush strokes that the painter made. I like that because the viewer can see how thick the paint is and how you move onto the canvas. Lastly, I like how there is light around the top of the painting. I love how the artist used different colors and shades. This art piece goes very well in my family's dining room, in my opinion.…
Although Northern Renaissance studied under Italian Renaissance, the theme of Northern Renaissance art works are not only about religious, but also included portraits. As for architectural development, the northern artists focused on the decoration of buildings, especially the details of the surface. They promoted naturalism, compared to the elegant Italian style, the northern artists paid attention on their artworks are whether in fresh and natural style. As for painting, the northern artists painted oil on panels and canvas, they are different with the Italian artists, the northern artists promoted realism, their paintings are more realistic. Jan van Eyck, Arnolfini Wedding Portrait, as one of the most famous Northern Renaissance artwork. In the painting, the realistic depiction of the interior decoration of the room, has become the biggest highlight of the painting, which represents that the northern artists striving for perfection when they are…
Then there’s the convex mirror surrounded by a wood frame showing scenes from the Passion of Christ. The mirror not only reflects the couple, but also two other people. One is believed to be the painter himself. The figure is believed to be Van Eyck due to the inscription on the wall above the mirror which reads, “Jan Van Eyck was here 1434” (Sibley). This can represent achievement because of his brilliant artistry and may also be the first use of the “blank was here” fad which was prominent in the early…
Jan Van Eyck laid many hidden symbols in this painting that has showed the success wealth and fertility of the two. Beginning with the wealth being shown through the fur worn by both, the oranges, the large elaborate, chandelier, the oriental rug, and the glass window that appears to be stained. These are all commodities that could only be owned by the wealthy during this time. It is also noticeable that Constanza plucked the hairs in the front of her head to make her forehead appear larger since this was also a sign of beauty during this time. The chandelier was gold with high details.…
Each one wrinkle of the material, each one crease, every delicate gleam of light over the delicate weave, is painted with the heavenly accuracy,we almost can feel the texture of sagging skin, under eyes bags and his gaze look at us. This particular Flemish painting became known only in the XVII century, so it is impossible to determine who was presented on it. Historians often say that this is a self portrait of the artist . Was it him?I would like to think so.…
The Arnolfini Double Portrait is an oil painting that was done on an oak panel that was dated by Van Eyck in 1434. This particular painting has been known by a couple of titles such as The Arnolfini Wedding, The Arnolfini Marriage and the Portrait of Giovanni Arnolfini and his Wife. This painting is not very large in size it measures 33 X 221/2” but it does have a large story to tell which is not exactly obvious in the painting itself. The painting is thought to be a portrait of Giovanni Arnolfini and his wife, in their home in the Flemish city of Bruges. This painting was bought by the National Gallery in London in 1842. Today the painting is in really good condition considering how old it is, the paint loss is minimal and has been touched up. Van Eyck used vertical and horizontal lines to show the depth of the room as well as the objects in the room.…
The two paintings show that, during the Renaissance, a man’s view of man was changing by painting more realistic and being more colorful.…
I chose for my Italian Renaissance painting the Birth of Venus. It was painted by Sandro Botticelli, who lived from 1445 to 1510, with Tempera on canvas around 1484-86 and is currently located at the Galleria degli Uffizi, Florence. I chose for my Northern Renaissance painting the Arnolfini Wedding by Jan van Eyck, who lived from 1395 to 1441, Oil on oak panel of 3 vertical boards in 1434 and is currently located in the National Gallery, London.…
Five Early Renaissance Portraits Author(s): Rab Hatfield Source: The Art Bulletin, Vol. 47, No. 3 (Sep., 1965), pp. 315-334 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3048279 . Accessed: 19/05/2013 05:42…
Art is one aspect of the past that has carried on for decades. Art in any form may it be poetry, novels, and playwright, sculpting as well as painting, has been an outlet for generations and continues to be an outlet and a means for expression. This paper will discuss “ The Mona Lisa” one of Da Vinci’s most famous paintings, as well as another great painting, Antonio Veneziano’s “Virgin and Child”(c. 1380). Both paintings focus on the human form and exhibit many variations of styles from lines, shading, color and possible meanings behind the work.…
[ 1 ]. Bruce Cole, "The Renaissance Portrait," Renaissance Images and Ideals, (Boulder, Colorado: Icon Editions/Westview Press, 1987), 107-112.…