Not all artists use characters or gods which symbolize beauty and fertility in their masterpieces, although Botticelli certainly did in his piece La Primavera. Botticelli, an artist during the early piece of the Renaissance, was an artist unlike any seen before. Botticelli was trained under the apprenticeship of Filippo Lippi, who was a famous Medici, or a member of a political dynasty or family with much power during the Renaissance. Individualism, classical naturalism, and scientific naturalism were all important aspects of the Renaissance time period, which helped it to differ from the previous Medieval times. Botticelli’s artwork, especially La Primavera, was very individualistic, which set him apart from the other artists that came before…
The Birth of Venus was the first big painting done on a canvas during the Renaissance in Florence. Botticelli made his own pigments which added a lot of brightness and to his paintings. This made his canvas painting have the freshness of frescoes. The proportions of the figures show exaggeration which makes the painting look mythical (“Birth of Venus”)…
These are Greek people who were until the Renaissance largely forgotten in the Europe. With the Renaissance, interest in Greek culture lead to this painting. The painting is a perfect example how interest in Greek art leads to classicism. In document 4, the document is a painting of Venus, a roman goddess of love, and along with…
The placement suggested that she was born of the ocean. To her left was the male angel, Zephyr, god of west winds hovering midair holding a female figure, Chloris a nymph of spring and blossoming flowers in an embrace. Blown by the west wind towards the shore and greeted by a graceful female figure, Horae, goddesses of the seasons, gifted her with a cape to clothes the newborn deity. Like other art of the Renaissances period, this piece sought to glorify feminine grace and beauty. Like “Akhenaten, Nefertiti and three daughters,” “The Birth of Venus” the artist central placement of the anchor, seashell and Venus were balanced by the figures to either side which complimented each other allowing for an equal distribution of visual weight. As you have seen, the asymmetrical balance allowed for a more visually pleasing presentation. The wings of the male angel, Zephyr were dark and looming and balanced out by the equally dense canopy of leaves from the tree on…
1. Botticelli: One of the leading painters of the Florentine renaissance, developed a highly personal style. The Birth of Venus…
Archaeologist Josef Szombathy found a unique masterpiece in 1908, The Venus of Willendorf. Joesef found the sculpture near the town of Willendorf in Austria. The incredible sculpture must have been created somewhere else due to the fact that the Venus of Willendorf was created from a type of oolitic limestone that is not found in the region (L. C. E. Witcombe).The interesting sculpture’s characteristics are remarkable. The approximate measurement of the statuette is eleven centimeters in height and four centimeters in width. The masterpiece was created out of yellow limestone as well as tinted red by traces of ochre. When someone looks at the statuette, they see a short female as well as features you would see on a female, drooping breasts, a large belly, as well as a pronounced buttock. The sculpture…
The most famous early image of a human, a woman, is the so-called "Venus" of Willendorf, is a 11.1 cm (4 3/8 inches) high statuette of a female figure, discovered at a Paleolithic site in 1908 at a Aurignacian loess deposit near the town of Willendorf in Austria. It is now in the Naturhistorisches Museum in Vienna. The statue was carved from oolitic limestone, and was colored with red orche. It is dated 30,000 and 25,000 BC.…
What is the difference between two figures that both represent the same basic idea? Give up? Well don 't worry, by the time you are done reading this paper you will be fully versed in the answer to this interesting and quite debated question.…
Venus, Claudio Bravo. Venus is an oil on canvas painting done by Claudio Bravo in 1979.…
Firstly, the most visible difference of all between the two paintings is the artist's colour palette which in “Venus with a Mirror”, Titian's usage of colour is quite dull and he uses largely a grey/black tone making the painting look quite mysterious and somehow, sacred. Furthermore, the earth toned background makes “Venus” the emphasis of the painting, which correspond with the movement Titian is in because it is largely centered with the gods, goddesses and myths. Notice that all the colours used in this painting are very realistic, such that painting what the artist is really seeing without any exaggeration.…
In 1908, archaeologist Josef Szombathy’s workman Josef Veram uncovered the figure that has come to be known as the Venus of Willendorf. Found at a Paleolithic dig site in Willendorf, Austria, the Venus of Willendorf is a small limestone figure of a women. 53 years later, in Çatalhöyük, Turkey James Mellaart dug up the Seated Mother Goddess, or Seated Woman of Çatalhöyük. This figure was also clearly a women, but it was larger, and made out of clay as compared to the Venus of Willendorf. Though they came from very different parts of the world, historians soon recognized the striking similarities between the two figures. Despite the differences between where they were found, and the time periods they came from, the two figures had undeniable similarities. Both had largely defined…
Most of the information about the Venus of Willendorf is based on scientific research and theory because there is no actual documentation that dates back as far as the sculpture. The Venus of Willendorf was sculpted long before any type of written language was discovered. There are a few different dates as to when art historians believe she was sculpted depending on the source, but typically it is believed that the Venus was sculpted between 28,000-25,000 BCE. The artist is unknown because artists did not start signing their work until approximately 350 BCE, but the general location of where the sculpture was found gives certain information about the artists background. Art historians believe this sculpture was created by hunter-gatherers who lived on the Danube River in Austria, which is the location where the sculpture was discovered. The artist who sculpted this is believed to have lived in a harsh ice-age environment where fatness and fertility would have been highly desirable features; hence the Venus’ full figured body.…
The art that I found the most interesting in the book “Gardner Art through Ages: The Western Perspective” was a painting named Birth of the Virgin. This painting is on chapter 14 page 415 and is figure 14-14. It is a large triptych meaning three part panel. The panel is separated by two white piers and includes arches at the top of each section. It was painted with Tempera on wood. It was created by Pietro Lorenzetti, an Italian Gothic painter of the Sienese school. Pietro Lorenzetti was a student of Duccio di Buonisegna. This painting has a dimension of 6’1’’ x 5’11’. It was originally located and created for the altar of Saint Savinus in the Siena Cathedral, Siena, Italy, in 1342. It is now housed in Museo dell’Opera del Duomo, Siena, Italy. This painting appears to be a boxlike scene. It is three dimensional and gives a…
Sandro Botticelli’s, The Birth of Venus, and Titian’s, Venus of Urbino are two paintings featuring the female nude, Venus as the main figure of the paintings. She is a classical representation of beauty and sensuality. Although these paintings have similar attributes such as the use of linear perspective, chiaroscuro, and their similar period style they have different hidden meanings. The Birth of Venus shows the story of how Venus came to be and portrays different gods and goddesses while in The Venus of Urbino, it is more of an allegory for marriage.…
Mars and Venus are mythological gods depicted as ideal figures. Despite this idyllic representation, they are pleasant and without the exaggerated features that would be illustrated today. Completely relaxed Mars and Venus purely exist in their currently peaceful nature: no harsh light, strong edges, or prominent attributes. Everything is subtle in both shape, line, and color. Although the oil paints are rich, jewel-tones, they are muted and subtle, without strong focus on the coloring. Even the morning light, the most prominent instrument of the artwork which guides the eyes and develops the entire atmosphere of this portrait is subtle, soft, and…