The Misunderstood Literary Works Of Stephen King

What holds a lot of the determination of what stands for the written word seams lost or buried in a revisionists mind. A strong sentiment that argues that painters are masters until they have died, and that having prevailed the test have time the book must truly be great. The greatness of art seems buried in consensus, getting into this hallowed hierarchy is a lot tougher than many writers wanted to admit. Though not every writer can say that they have been given awards for a bestselling book, otherwise there would be no reason for the pronouncement of “literature”. Membership has no great benefits; the connection creates no classification or certification. So if it is easy to point to what isn’t literature, it seems difficult if not impossible to prove what is. So what is literature, and how dose certain genres shaped our society?
Stephen king has published 200 short stories and over 54 novels. He has dozens of bestsellers, and a large group of fans spanning three generations and has an “inseparable” identification with horror. More so than any writer, or of previous generations, King has redefined horror, turning terror and its appeal into an expectation when you pick up his books. King dabbles in classical and post-modern form of macabre, and has even scattered his stories with political and personal ideology. “More than just a scare doctor” says Bill Gibron’s article on Stephen King “King is a sly old wizard of untold wonders, forging his legends out of imagination and madness to enflame the fears of anyone who comes in contact with his spells.” King’s books carry a literary nimbleness that many writers can’t muster from there muse’s, and a reality that he shares with the