In addition, the cinematographer Emmanuel Lubezki purposely fills the frame with the characters’ faces so the viewers could have a clear sense of the characters’ moods and emotions. The calming scenes of snow and sunlight attract the viewers, while the intense, dragging action scenes surround the viewers. In one scene, as Hugh Glass’s son was being murdered and dragged off by John Fitzgerald, the camera frame is filled with Hugh’s bloody, messy face and the sound of his groans fills the air. The viewers are instantly pulled in and feel the urgency to free Hugh from the ropes that held him down to wood logs. Scenes of distant trees and thinning snow fill the moments of Hugh’s journey while entertaining the
In addition, the cinematographer Emmanuel Lubezki purposely fills the frame with the characters’ faces so the viewers could have a clear sense of the characters’ moods and emotions. The calming scenes of snow and sunlight attract the viewers, while the intense, dragging action scenes surround the viewers. In one scene, as Hugh Glass’s son was being murdered and dragged off by John Fitzgerald, the camera frame is filled with Hugh’s bloody, messy face and the sound of his groans fills the air. The viewers are instantly pulled in and feel the urgency to free Hugh from the ropes that held him down to wood logs. Scenes of distant trees and thinning snow fill the moments of Hugh’s journey while entertaining the