The ramification of fear are exhibited in “The Tell-Tale Heart” through the old man’s fear of robbers: “His room was as black as pitch with the thick darkness (for the shutters were close fastened, through fear of robbers)” (75). The old man is so scared that people will break into his house to rob him, he locks himself in. This is of no use though, for the real danger is within. His paranoia of the outside drew his attention away from the other possibility, that harm could already be lurking in his home. If you let your fear of something totally occupy your attention, you ignore the prospect that the thing that terrifies you can be where you least expect it. Like the old man, Prince Prospero also isolates himself from the outside: ¨The courtiers, having entered, brought furnaces and massy hammers and welded the bolts. They resolved to leave no means neither of ingress or egress to the sudden of despair or of frenzy from within”(57). The prince is so dogged on evading death he decides to destroy any way of entering or leaving his castle, certain it would be enough to halt the Red Death. His worst fear becomes reality though, as he effectively creates his own prison, trapping himself in his castle with the Red Death. His terror misled him into thinking he could lock out death, when he really just locked himself in with it. Fear can make you think you can hide from death, but in reality being behind closed doors can be just as precarious as being out in the
The ramification of fear are exhibited in “The Tell-Tale Heart” through the old man’s fear of robbers: “His room was as black as pitch with the thick darkness (for the shutters were close fastened, through fear of robbers)” (75). The old man is so scared that people will break into his house to rob him, he locks himself in. This is of no use though, for the real danger is within. His paranoia of the outside drew his attention away from the other possibility, that harm could already be lurking in his home. If you let your fear of something totally occupy your attention, you ignore the prospect that the thing that terrifies you can be where you least expect it. Like the old man, Prince Prospero also isolates himself from the outside: ¨The courtiers, having entered, brought furnaces and massy hammers and welded the bolts. They resolved to leave no means neither of ingress or egress to the sudden of despair or of frenzy from within”(57). The prince is so dogged on evading death he decides to destroy any way of entering or leaving his castle, certain it would be enough to halt the Red Death. His worst fear becomes reality though, as he effectively creates his own prison, trapping himself in his castle with the Red Death. His terror misled him into thinking he could lock out death, when he really just locked himself in with it. Fear can make you think you can hide from death, but in reality being behind closed doors can be just as precarious as being out in the