simultaneously. Interestingly it gets when it comes to the intertextual factors that could bring the receiver on the trail of the unreliable narrators. We are dealing with three characters, conventionally seen should arouse our suspicion: a criminal, a sleepless and a man with brain damage. These characters are able however to get the recipient's sympathy and identification, which dulls the mistrust and ultimately makes it difficult for the receiver to get rid of the narrator of reality, even if it turns out to be an untrue or distorted jet. So that the tone of the narrator and the protagonist's unreliability in the majority of the film is essential for the film structure and the impact it will have on its recipient.
simultaneously. Interestingly it gets when it comes to the intertextual factors that could bring the receiver on the trail of the unreliable narrators. We are dealing with three characters, conventionally seen should arouse our suspicion: a criminal, a sleepless and a man with brain damage. These characters are able however to get the recipient's sympathy and identification, which dulls the mistrust and ultimately makes it difficult for the receiver to get rid of the narrator of reality, even if it turns out to be an untrue or distorted jet. So that the tone of the narrator and the protagonist's unreliability in the majority of the film is essential for the film structure and the impact it will have on its recipient.