In the opening of the movie, the men in black prepare the stage set as if they were conducting
In the opening of the movie, the men in black prepare the stage set as if they were conducting
The dancers have bare feet in each section of the dance, I believe this adds a sense of vulnerability to the hard faced characters and shows that no matter…
black hats. Of course, film directors did not invent this connection between black and evil,…
The act eventually gave an amateur appearance as Fosse would have it. In order to address this issue “glamorous pretty gowns” were used that gave the characters a much more professional outlook and strengthened each of their identity in the film. Once again it hints at the theatrical changes that were made in the film gradually. The courthouse scene was perfectly shot, in Osgoode Hall. Other few scenes were well-filmed at prominent halls related popular musical performance that captures the hearts of audience with a lot of clarity and elegance. All coaching related to vocals for the movie was successful led by Elaine Overholt who is Toronto-based, whom actually Richard Gere personally thanked during his acceptance speech ay Golden…
[Some parts of the movie are choreographed (e.g. Rosie and her friends sitting down in the cinema) to add dramatic aspects-movement]…
The set starts out with every member of the band coming out on stage one at a time. Some of the instruments I recognized and was familiar with, such as the saxophone, clarinet, bass, and drums. They introduced a variety of instruments that looked either homemade or sounded strange to me, like the electric banjo, drumitar, and synthesizers. There was a bit of scat vocals done by Victor Wooten as well. One thing I noticed in this song was the repetition. I think the bass line was constant throughout the entire four minute long song. The set looked very non-Western to me, especially the rugs that were laid down in the middle of the stage. Almost the entire song had a mixed meter and…
The instruments are being combined together as an ensemble but are panned to different sides. Drums mainly Left keys a little right. Bass also a little left and vox in the centre to give that overhead message to make it the main thing. Which gives it the warm…
Walking into the theater, I was quite shocked at how the stage was set up. There…
The story of Joe Schmitt is a perfect example of how servant leadership benefits others and help build character. The story explains Joe's struggle with his child’s health and how he returned the kindness he received to benefit others (Schmitt, 2014). Getting an awareness of Joe Schmitt’s situation after listening to him, the commander assisted Joe. Using his conceptualization, this officer proved his empathy and commitment to Joe and his son. The commander executed his plans to help Joe’s son get better, serving his team member and helped others build character. The commander demonstrated the important characteristics of a servant leader. These characteristics include listening capability, integrity, awareness, conceptualization, commitment…
As proved in Emile Durkheim’s sociological research project, Suicide, people who end their lives tend to be categorized in three types of suicides: egoistic, altruistic, and anomic (Zulke 19). Egoistic suicide relates to individuals who feel they are isolated from society and detached from others, inevitably leading one to believe that suicide is the appropriate solution to avoid becoming a burden. Alternatively, however, altruistic suicide correlates with people who view their life as less valuable than those belonging in a group and are willing to sacrifice their lives for the benefit of others. Dissimilar to the idea of egoistic and altruistic suicide pertaining to an individual’s extent of social integration within society, anomic suicide pertains to those who feel they lack normalness in their lives when society experiences drastic changes. Individuals who usually feel fulfilled with their day-to-day behavior but encounter a sense of emptiness and meaninglessness in their goals demonstrate a lose in motivation to want to keep living.…
Racism is a major issue that takes place in the film, it is viewed negatively and the director Alan Parker attempts to show to the audience the downsides and how devastating it is, how unfair it can be. The constant, terrorizing attacks against black people by the KKK in are horrific and cruel. Innocent people are killed and homes are put in flames or destroyed for no other reason than the fact that a group of people are racist against others. Film codes used help to place a negative feel in some of these scenes like the use of fire, symbolising evil towards the racist acts. The music performed as well by the black community show the great amount of sadness the people have to suffer. Many various camera shots/angles and lighting for separate scenes change the feeling and the mood. This use of film convections affect the views and opinions of the viewer’s towards the subject of racism, helping people understand the negative of it.…
Additionally, it exhibits the interdependency between both through the dramatic clouds, which epitomizes the constructed and forced bind that keeps them connected even, at times, to the chagrin of both. The white cloud is representative of the system of oppression that whites created through colonialism and the fanatical need to maintain a system of capitalism at the expense of black bodies. Contrastingly, the black cloud signifies the resistance and constant struggles that people of color have endured historically in their attempts to be identified as humans in a place that they built. The complexities of this particular scene in this final stage are what makes Kara Walker’s work brilliant. Her ability to contextualize the past and juxtapose it into a contemporary moment makes it old enough to be considered a historical moment worthy of reflection as well as a modern enough moment to reflect upon honestly by way of experience. This visual rejects ideologies that disconnect white people from their past; one that they do not have to engage with simply because they did not enslave blacks or the refusal to believe that they benefit from the system that created the “no world” that black bodies belong…
“The Night of a Thousand Suicides” by Teruhiko Asada is a fiction that shows the pressure and expectations of the Japanese society placed on its soldiers forcing them to commit acts of suicide then to come home as coward. Because of the peoples dedication to the Emperor and their belief in him as a living God they fallowed him blindly.…
The ego should not be faulted, it is merely designed semantically, to make rhetoric out of sense; sense created from the metaphoric episodically etched in memory. The feeling of hurt, the thought of harming oneself, comes from the pain the self endures the further that its alterity does not separate, but differentiate itself. This is why this phrase may be understood universally: ‘I don’t know why I feel like this’. Such questions are deemed threats by the ego, cause anxiety in feeling, and are confused as servile feelings, malignant thoughts, malicious interlopers of rhythm and reason, when they are the matter-of-fact, the actual questions that are meant to steer the ego toward a centre, are perceived as questions directed towards death. ‘Why do you not kill yourself? Why do you matter? Why will you…
Rome is an empire that stretched from the Atlantic Ocean to the Black Sea, and with an abundance of reasons as to what made it great, Cicero believed that the perfect location chosen by Romulus, that truly made Rome great. When building the Capital of an empire there are several factors to take in. Defence, distance from the sea, and more defence. The Rutuli people, were of concern to the Romans as they had comparable wealth and power. Building the city just north of Rutuli territory, over the hills and not by the coast made it “easy..to take with forces at his command, either by invading the territory of the Rutuli or of the Aborigines, or by... founding a city at the mouth of the Tiber.” The Tiber river runs through Rome into the north of the country. The basin of the river was inhabited by aboriginals, whom the Romans avoided battle with by settling away from the mouth of the river. The thought of an attack on the Rutuli's was proven true, as they took over the Rutulis in 6th century BC. A trend that Cicero noticed was that city’s built close to sea “ was not the most advantageous for cities to enjoy provenance and imperial sway, chiefly because the maritime cities are exposed to dangers both numerous and impossible to foresee.” Being closer to sea gave Rome many more unexpected dangers. Distance from the coast protected Rome from simple natural disasters such as storms, high tide, floods etc. But also gave them more foreseeable attack against enemies. As appose to being able to dock and invade, enemies of the empire would have to trench through kilometres of rough mountainous terrain in order to attack. Giving the Romans plenty of time to plan and react to the situation. He was saying how being close to the coast made it so much harder to enjoy being the most powerful, and to listen to what the state says because they would be in so much more fear due to the unforeseeable dangers. “A city surrounded on all sides by land…
As the performance commences, an immense yellow sun captures the audience, whilst the rest of the stage remains unlit, revealing the silhouettes of the still dancers, together in the formation of a V shape. As the performance gradually unravels, the dancers rapidly shoot up directly into space, standing with straight arms reaching above their heads, whilst dust is thrown and released into the air. The bodies begin to move in a dramatic however sudden and sharp manner across the stage. They have separated into two groups dancing in opposition and are somewhat symmetrical to each other. Assembled again, the dancers perform direct and strong hand and arm gestures to assist them across the stage, whilst the continuity of what sounds like a ‘pulsating heartbeat’ flows in the background. The movement becomes in more intensity, angular and linear suggesting that this is a dramatic, contemporary/lyrical styled piece. We can potentially recognise a few of Laban’s effort actions throughout the performance, as there are several slashing, gliding and thrusting body…