A Comparison of the Great Gatsby and the Virgin Suicides
16th and 17th century performance conditions
h The form of Elizabethan theatre derived from the innyards and animal baiting rings in which actors had been accustomed to perform in in the past. They were circular wooden buildings with a paved courtyard in the middle. Such a theatre would hold around 3,000 spectators. The yards were about 80 feet in diameter and the rectangular stage 40ft by 30ft in height
h Groundling only paid a penny to get in, but for wealthier spectators there were seats in the three covered tiers or galleries between the inner and outer walls of the buildings extending round most of the auditorium and stage. It depended on your status as to where you viewed it from
h The stage was partially covered by a roof or canopy, which projected from the wall of the theatre and was supported by two posts at the front. This protected the stage and performers from the changeable weather. It also used to secure winches and other stage machinery used for stage effects. On either side at the back was the stage door that lead to dressing rooms or tiring house and the actors entered and exited through here.
h In 1608 the king¡¦s men acquired a second playhouse, indoors in Blackfriars. It held 700 people with seats for all, facilities for elaborate stage effects and artificial lighting. The price of admission was higher that at public playhouses thus leading to a more selective audience.
h There was little room for scenery and props and nowhere to store them. Performances had to be transferable from the playhouse to court to private noble houses. Due to lack of scenery and props actors had to explain where they were.
h Setting was used to suggest dramatic mood or situation. Staging was consistent with many short scenes in quick succession. Because of continuous staging and lack of scenery actors had to tell audience what locality the stage represented.
h It was impossible to pretend that the audience was not watching a contrived
h The form of Elizabethan theatre derived from the innyards and animal baiting rings in which actors had been accustomed to perform in in the past. They were circular wooden buildings with a paved courtyard in the middle. Such a theatre would hold around 3,000 spectators. The yards were about 80 feet in diameter and the rectangular stage 40ft by 30ft in height
h Groundling only paid a penny to get in, but for wealthier spectators there were seats in the three covered tiers or galleries between the inner and outer walls of the buildings extending round most of the auditorium and stage. It depended on your status as to where you viewed it from
h The stage was partially covered by a roof or canopy, which projected from the wall of the theatre and was supported by two posts at the front. This protected the stage and performers from the changeable weather. It also used to secure winches and other stage machinery used for stage effects. On either side at the back was the stage door that lead to dressing rooms or tiring house and the actors entered and exited through here.
h In 1608 the king¡¦s men acquired a second playhouse, indoors in Blackfriars. It held 700 people with seats for all, facilities for elaborate stage effects and artificial lighting. The price of admission was higher that at public playhouses thus leading to a more selective audience.
h There was little room for scenery and props and nowhere to store them. Performances had to be transferable from the playhouse to court to private noble houses. Due to lack of scenery and props actors had to explain where they were.
h Setting was used to suggest dramatic mood or situation. Staging was consistent with many short scenes in quick succession. Because of continuous staging and lack of scenery actors had to tell audience what locality the stage represented.
h It was impossible to pretend that the audience was not watching a contrived