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Barthes - Death of the Author
Criticism Revision: Roland Barthes: The Death of the Author

“The birth of the reader must be at the cost of the author.”

Barthes argues that-
Literature is studied through an understanding of authors not individual texts
Text and author should be studied independently from one another
Author should not be held solely responsible for the success or failure of a text as they are separate entities
The responsibility of a text lies with the reader
A text should be defined by the interpretation of its readers not the authors intended meaning
Considering an author alongside a text leads to the reader seeking the author’s motivations and influences rather than seeking their own understanding
The status of the reader should be elevated. It is the reader that brings meaning to a work through their individual experiences and knowledge
Giving responsibility to the reader leads to unlimited interpretations and add much more depth than studying the author’s meaning
A text is made when the author disconnects from a work
It is possible to respect the delivery of a narrative but the narrative is still separate from the author so it cannot be considered his “genius”
A text with an author is closed by its limitations

“It is language which speaks, not the author”1

Barthes believes:
Mallarme – argues to suppress the author in the in the interests of writing
Valery – argues ego dilutes Mallarme’s theory but he continues to question the difficulty of the author’s link to rhetoric and linguistics
Proust- blurs the relation between the writer and the characters. The narrator is now who is being written but who he is going to write

The removal of the author transforms the text. When the author is considered he is seen as the past and the text as the present. When the author is removed nothing exists before the here and now of the text.
Scripters have no author – “the hand, cut off from any voice.” The same can be argued for unbiased non-fiction. Language

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