Clockwork Orange is written in 1961 by Anthony Burgess. It is a short‚ brilliant‚ dystopian polemic intended‚ he said‚ as “a sort of tract‚ even a sermon‚ on the importance of the power of choice”. (https://www.theguardian.com/books/2015/apr/13/100-best-novels-clockwork-orange-anthony-burgess ). The second‚ Stanley Kubrick’s A Clockwork Orange‚ is the brilliant cinematic adaptation; a controversial masterpiece‚ released in 1971.” A Clockwork Orange recounts the tale of Alex Beethoven-mad thug with
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Kate Moss. What comes to mind when you hear that name? Supermodel‚ Drug Taker‚ style-icon‚ mum‚ actor‚ singer or a walking billboard of what you will see every teenager around the world wearing the next week? As a matter of fact she comes under all those things. Katherine Moss born on the 16th of January‚ 1974 was the English teenager who was discovered at the age of 14 by the founder of an exclusive modeling agency in New York. Sarah Doukas as she is called spotted Moss at the JFK Airport in
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CHAPTER 1: IMAGE‚ POWER‚ AND POLITICS I. Content Summary Introduction “Looking is a social practice.” The authors begin Chapter 1 by reminding us that we do not “look” at anything without participating in a practice formed by a variety of factors‚ including the historical moment‚ social meaning‚ and intent of the creator. Practices of looking are also formed by power relationships; even the act of choosing to look or not to look is an act of power. We engage in the practices of looking every
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our problems’ (Das‚ 2002). Key words: Time-space‚ semiotics‚ culture‚ post-colonial literature‚ twentieth century India. INTRODUCTION Concept of time and space Semiotics is the science of signs. ‘We are always surrounded by signs. Everything is a sign’ (Guivand‚ 1975: 90). ‘A major thrust of semiotic research is the examination of codes (sign system) and the underlying rules that facilitate interpretability in the use of signs’ (Sharma‚ 2007). Semiotic analysis of any text has two meanings‚ denotative
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The notion that media content reflects changing dominant discourses with regards to masculinity and femininity appears to be an on going debate‚ although traditional representations of men and women are still very much evident in media content‚ for example domesticity‚ motherhood and women’s role in the home‚ it is notable that due to shifts in a cultured society‚ one that claims to be of fairness and equality‚ that there are still repetitious marginalisation’s which currently proliferate within
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branded naxals and those who are closely related to them. The paper would explore crisis of identity in Govind Nihalani’s Hazar Chauirasi ki Maa thus studying the life of Naxalism in contemporary Bollywood. The study would take up a paradigmatic semiotic analysis of the films and construct various codes bringing to light the hidden meanings in the analysis and thus deconstructing the complexities of identity of the naxals in Bollywood. Introduction Cinema has been an influencing factor across the
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anniversary of a 1995 sorority pledge which went very‚ very wrong‚ Wallace University campus is rattled by a series of murders. Kappa House is the most sought-after sorority for pledges and is ruled by a strong hand in a pink glove by Queen Bee‚ Chanel Oberlin‚ played by Nickelodeon star Emma Roberts. But when anti-Kappa Dean Cathy Munsch‚ played by Jamie Lee Curtis‚ decides that pledging must be open to all
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youth-appealing movies feature tobacco use. Among recent examples are Oceans 13‚ Lord of The Rings‚ Ghost Rider‚ Smoking Aces and Sin City. Similarly‚ actors who are admired by young people smoke regularly in movies. Some of these are Keanu Reeves‚ Nicole Kidman‚ Scarlett Johansson‚ Brad Pitt and Hugh Jackman. • Teenagers whose favourite stars smoke on screen are up to 16 times more likely to think favourably of smoking‚ and are more likely to smoke than those whose favourite stars don’t. • Smoking
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The Depressed Maid Once upon a time‚ there was a maid named Nicole. Everyone in the castle liked Nicole for her cheerfulness. One day the king’s son‚ Thomas‚ heard about Nicole. Thomas‚ interested in Nicole‚ went to see Nicole for himself. So‚ he asked around the castle to see if anyone knew about her whereabouts. One cook said that she saw her walk down the corridor to the dining room and turned right just a couple minutes ago. Thomas followed the instructions but when he got to the corridor
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which is more than double its nearest rival‚ Chanel (with total revenues of £ 651‚ 3). Retails revenues reached £ 962 million and wholesale achieved £ 441 million (Burberry’s a and Chanel financial report‚ 2012). As a result‚ Burberry has substantial surplus resources and is therefore able to withstand and compete in the hypercompetitive fashion market sector. Thus‚ Burberry achieved brand value up to more than £ 2‚ 5 billion in 2012. Gucci‚ Prada and Chanel gained approximately of £ 5.8‚ £ 4.95‚ and
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