Both presentations are done with the same props and costumes as a women dance company would use; full ballet costumes for Trockadero and high heels in Yanis’ case. But in my opinion that is where the similarities end. Trockadero dance a well known choreography for one of the most popular classical ballets‚ while Yanis Marshall
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Ratmansky‚ 2016.). He started dancing at the young age of four to the sound of music‚ Alexei moved very amicably to the musical beats. At the age of ten he was enrolled in what was known as the Bolshoi Ballet but is now the Moscow State Academy of Choreography (Alexei Ratmansky‚ 2016). He and his classmates had grown to have tremendous respect for their teacher‚ Pyotr Pestov. He can recall how classes were like‚ he compared it to wartime. He explained the brutal teachings when Pestov would demand that
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Brain fart. I practiced that small thirty-second choreography over and over until it became muscle memory. I could have sworn I knew it so well I could perform in my sleep‚ but as soon as I met the intimidating gaze of my judge‚ I froze. When they taught the choreography during class a few hours prior‚ I felt no pressure and memorized every move with utmost precision. Any possible mistake I made would have been concealed by the other fifty dancers in the room. But right at a crucial moment during
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Dance Concert Critique When I thought of dance for the first time‚ I believed it was just simplistic movement and structured choreography. However‚ dance can be interpreted as a story versus just following a beat through its unique body language‚ musical composition‚ and set of props. The Fall Dance Theatre demonstrates these traits extensively within its performances specifically the pieces “In Sleep‚ We Dream” and “I’m Still with You”. The performance “In Sleep‚ We Dream” has two different
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Night Journey (1947): Choreography and Costumes by Martha Graham‚ Music by William Schuman‚ Set by Isamu Noguchi‚ Original Lighting by Jean Rosenthal‚ Adapted by Beverly Emmons‚ Performed by Christine Dakin‚ Kenneth Topping‚ Gary Galbraith‚ Alessandra Prosperi‚ and the Company. With angular lines and sweeping movements‚ with stone sculpted sets‚ a ladder‚ tiny branches‚ held by the Chorus‚ and completely figurative choreography‚ representational of ancient Greek drawings and hieroglyphics‚ the audience
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this day made him the king of Broadway today. Through his deepest anxiety and not fitting in the American dream‚ his compassion made it big in ballet and Broadway. With his passion and determination‚ he was known for his unique and imaginative choreography. Through sweat and tears‚ he was a choreographer at New York City of Ballet‚ Ballet U.S.A‚ American Ballet Theatre‚ and many other international companies. Robbins was born in New York on October 11‚ 1918‚ but was raised in Weehawken‚ New Jersey
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7. Criteria for Judging are as follows: Choreography 30% Musicality 20% Preparedness and Execution 25% Showmanship and Appearance 10% Audience Impact 15 % TOTAL 100% 8. Prizes are as follows: 1st - Php6000 2nd - Php4000 3rd - Php2000 9. The decision of the judges is final and irrevocable. Criteria for Judging 1. Choreography 30% 2. Musicality
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On Saturday‚ April 15‚ I participated in an audition for Peregrine Theatre Ensemble’s summer 2017 production of CHICAGO‚ at Ripley-Grier Studios in Manhattan NY. Kyle Pleasant‚ Derictor/Choreographer; Adam Berry‚ Executive Director (who can be seen in NBC’s Ghost Hunters); Ben Berry‚ Artistic Director. Auditionees were required to wear black attires that show line and appropriate dance shoes. I wore my ballet slippers‚ a pair of stretchy gym pants and a black turtleneck‚ which turned out to be one
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TWINKLE TOES Supervisor: Mrs. Conrad Mentor: Lisa Driscoll Name: Jame Fuerte TABLE OF CONTENTS INTRODUCTION 3 PLANNING 5 INVESTIGATION 7 DESIGNING & THE CREATION 9 EVALUATION 10 PICTURES 12 Bibliography 14 INTRODUCTION Have you ever experienced something so incomprehensible that the only words that your mind could stumble upon were “There are just no words to describe”? The moments that take your breath away? There are dictionaries that provide
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reproduction is a good simple for my Petrushka. It is a retro-modern reimagining of The Nutcracker. The story based on E.T.A. Hoffmann’s original story and the comic book art of Charles Burns. Combine with beauty featuring Mark Morris’ modern dance choreography. In Act 1 of Mark Morris dance group’s The Nutcracker‚ they also use the robot instead of Puppets. The photo above shows those two robots in the play. Although the dance style of those two robots not same with what I imagine for the Petrushka
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