Their paintings were competing with the extremely popular and realistic paintings of the Romantic artists‚ who were able to show a more sublime side of nature. Many of the Romantic paintings‚ have rolling fields of vibrant greens or a golden sun illuminating the entire compositions. An extremely significant line from “Where I lived and What I lived for” is “It is something to be able to paint a particular picture‚ or to carve a statue‚ and so to make a few objects beautiful; but it is far more glorious
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Sarah Kent “The Art of the Steal” arguments. The Art of the Steal is a documentary film from 2009 about the scandalous battle between the city of Philadelphia and the Barnes Foundation over the impressive and extensive collection of post impression and early modernists paintings. Dr. Albert Barnes created his foundation as a school of art and that housed his private collection of art with paintings from the likes of Cezanne‚ Matisse‚ Degas‚ Renoir and Van Gogh‚ African sculptures‚ prints from
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In The Turning Road‚ L’Estaque‚ named for the road that curves through the painting‚ Andre Detain uses intensely saturated colors‚ shape‚ and line to capture the energy and exuberance of the scene and provide an evocative and sensational interpretation of the location he chose to paint. The piece’s present location is the Museum of Fine Arts in Houston‚ Texas‚ and was originally from L’Estaque‚ France. The piece is oil on canvas‚ painted in 1906. The work is a colorful representation of a landscape
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An Analysis of Form and Style Introduction I have chosen to do an analysis of form and style based on The Bathers‚ 1884-87 by Pierre Auguste Renoir and The Large Bathers‚ 1898-1906 by Paul Cézanne. These paintings are from the impressionist and post-impressionist period. Though similar in subject matter‚ the way the artists demonstrate form and style is unique to each and I will compare and contrast them separately under the headings form and style with reference to the theories of art critics
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Pierre Auguste Renoir Renoir has so many eye pleasing works of art!! It would definitely be considered impressionism since he was one of the leaders of the impressionism movement in 1841. Renoir uses a kind of paint that stands out and shows how the lighting is highlighting the people or the other images in the painting. I would say that his work is kind of in between. The paintings have a lot of meaning but they represent what he wanted to see not just what he saw. He used friends‚ family‚ and
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The term Post-impressionism is used to describe late 19th century art that rejects the “capture-the-fleeting-moment” attitude of Impressionism and is characterized by bright colors and defined brushstrokes as opposed to the impasto approach of impressionists. Impasto is a technique in which paint is applied so thick onto the canvas that it stands out from the surface‚ creating a 3-D texture effect. The paint can be mixed on the canvas to achieve a desired color. One distinguishing factor of a post-impressionist
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Sunday Afternoon on the Island of La Grande Jatte was painted by a French Impressionist painter called George-Pierre Seurat. He is known for his innovative painting techniques known as chromoluminarism and pointillism. The painting Sunday Afternoon on the Island of La Grande Jatte altered the direction of modern art by initiating Neo impressionism‚ and is one of the icons in the 19th century. George-Pierre Seurat painted Sunday Afternoon on the Island of La Grande Jatte through the summer of 1884-1886
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JEAN PAUL GAULTIER Born in Acueil‚ a self-contained‚ working class suburb of Paris in 1952‚ of a bookkeeper farther and secretary mother John Paul Gaultier was an only child. In the 1960 as a teenager John Paul was obsessed with fashion especially the costumes from Moulin Rouge and often pretended to be ill to stay off school‚ draw and have gay fantasies of men wearing feminine clothes. During this time Jean Paul Gaultier began detailed drawings of whole collections including accessories taking
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Water Jousting In France “La joute des mariniers‚ entre le pont Notre-Dame et le Pont-au-Change‚” by the french artist Nicolas-Jean-Baptiste Raguenet‚ was created in 1751. The name of the painting‚ when translated from French to English‚ says‚ “The jousting of the sailors‚ between the Pont Notre-Dame and the Pont-au-Change.” Nicolas-Jean-Baptiste Raguenet uses certain shades of colors with counterclockwise eye movement‚ many little details to give a different perspective in the painting about water
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On the summer of 1939 aged about nine years old lived in París. That summer came aunt’s Ester‚ my mother‚ older sister to visit us from Switzerland‚ with her husband‚ Uncle Samuel and my cousins‚ Aaron and Issac. Lived with my grandparents‚ my mother’s parents‚ my grandfather’s Elijah‚ who all called The Patriarch. My grandmother’s Miriam and we called her Nanou. In the 4th district of Paris‚ one block from the Rue du rosier in the Jewish quarter of Paris; Rue Francs Bourgeois it’s located our
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