This painting is called Madame Grand (Noël Catherine Vorlée‚ 1761–1835) and it is oil on canvas. The artists name is Élisabeth Louise Vigée Le Brun (French‚ Paris 1755–1842 Paris). It is a representational painting of a lady is sitting on what looks like a chair and is looking off and up to her right. She has a giant blue ribbon on the top of her hair that matches the bow on the front of her dress. She looks as if she is thinking of something that will make her happy or as if she was looking out
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black history pieces of artwork is the painting of “The Street To Mbari”. This masterpiece was painted by Jacob Lawerence‚ a profound African American born in Atlantic City‚ New Jersey in 1917. Lawerence was notorious for his paintings using the tempera method‚ in which he enjoyed the most out of all of his many crafts and talents. This painting in particular is 56.5 X 78.4cm. it is of course tempera style based over graphite on wove paper. This painting is currently located in the National Gallery
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When you look at Richter’s Abstract Painting‚ you see the resemblance of a landscape that is portrayed within Altdorfer’s painting as well. I believe that Richter mimics the type of painting that Altdorfer created because not only are the same colors used‚ but the idea of the specific landscapes had to have been similar to create these paintings. I like to think that just because Richter’s painting does not seem realistic and natural; his painting is still the idea of a landscape
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Blowing Rocks VII by John E. Moscowitz is a painting of a portion of the Blowing Rocks Preserve in Jupiter Florida. It shows the rocks forming somewhat of a U shape with some smaller rocks scattered in front of it in the brown sand. The middle section of the formation is on the shore but still close enough to the ocean that some of the water from the waves are able to advance past the larger rocks and surround the smaller rocks while the sides of the formation jet out into the water. The dark blue-green
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of Painting Modern art was a reaction to the rigid style set by traditional French institutions. Modern styles emerged starting in the 1860s and continued through the 1970s. This type of art refers to styles of painting that eschewed realism and past traditions. Instead‚ its focus is on experimentation with various materials and styles. The following are some of the popular styles that reflect the spirit of the modern art movement. 1. Abstract Art Abstract art refers to a style of painting that
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difficulties Florence encountered by this time explain the heavy influence of gothic style in architecture and the elegance found in every artwork created in this era. Florence was one of the top European cities when it came to painting‚ because it had the greatest school of painting where many important artists assisted. Florence‚ throughout the years‚ has always been an important influence in history and art. Even though many artists have a vast aspiration for art‚ each artist possesses his own criteria
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a) Theoretical under pinning’s of formal communication and informal communication Formal Communication There are different forms of formal communication in business includes functions in department activities taking place between employee and employer in a formal way‚ meeting and conference‚ verbal communication through phone or texting and written communication through memos‚ letters and bulletins‚ are all definition of formal communication. The formal communication is in the form of letters
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Cave paintings were the first forms of art. These paintings first appeared around 31‚000 years ago. The oldest one known is in the El Castillo cave in Spain. This is not a very well-known cave‚ even though I think it should be. The Chauvet‚ Altamira‚ and Lascaux are the most common caves. Cave art is very interesting and has created multiple theories. The first theory of the purpose of this new outburst was just a way to be decorative. I don’t think that is the sole reason for
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Formal Analysis on Anthony van Dyck’s Rachel de Ruvigny‚ Countess of Southampton Titania Andiani Rosari Student ID: 24570745 MCD1280 Art Theory A Essay January 9‚ 2013 Formal Analysis on Anthony van Dyck’s Rachel de Ruvigny‚ Countess of Southampton There are actually two versions of Anthony van Dyck’s painting of the countess of Southampton; Anthony van Dyck‚ Rachel de Ruvigny‚ Countess of Southampton‚ ca. 1640‚ National Gallery of Victoria‚ Melbourne (see fig. 1) and Anthony van Dyck
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across there were multiple reasons as to why I believed I disliked the piece or was indifferent to it. Up until I came across this oil painting is when I decided that this will be the piece to write about. I have chosen the work of Barnett Newman‚ entitled; “Vir Heroicus Sublimis” also known as‚ “Man Heroic and Sublime”. This is a large oil on canvas painting that stands 7ft. 11in.wide and 17ft 9in. Long. The reason I have chosen this specific piece is because of its simplicity. As I’ve come
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