UNIVERSITY OF CALCUTTA SYLLABI FOR THREE-YEAR B.A. HONOURS & GENERAL COURSES OF STUDIES ENGLISH 2010 1 W.E.F. 2010-2011 SYLLABI FOR THREE-YEAR B.A( HONOURS & GENERAL) COURSES OF STUDIES IN ENGLISH‚2010 HONOURS Word-limit for the answers for the honours papers Full marks of the questions → 16 7 12 8 14 4 9 5 18 10 15 35 20 Word-limit of the answers → 600 250 450 300 500 150 350 200 700 400 550 1000
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What Defines Us “I have tons of regrets‚ but I think that’s one of the reasons that push people to create things. Out of their angst‚ their regret comes the best from artists‚ painters‚ and writers” (Sylvester Stallone). Regret is a feeling of sorrow or unhappiness‚ often mixed with (Longman Dictionary of Contemporary English). Many of us have been through difficult times and went through experiences that we wish we could re do. Should we stress over the experiences or take it as a learning experience
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Content Introduction 1. Theoretical part gives general notes on Jane Austen’s works 1.1 English novelist - Jane Austen 1.2 Artistic and genre peculiarities of J. Austen ’s works 2. Practical part II. J. Austen’s literary art and its role in English realism 2.1 The "Defense of the Novel" 2.2 Jane Austen ’s Limitations 2.3 Jane Austen ’s literary reputation Conclusion Bibliography Introduction Topicality: English writer‚ who first gave the novel its modern character through the treatment
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By Savanna Gaskell By Savanna Gaskell READ TO SUCCEED #3 My Sister Lives on the Mantelpiece written by Annabel Pitcher is a captivating story which is narrated through the perspective of a young boy‚ James Matthews as he tells the enthralling and emotional story of his struggle to comprehend the tragedy that tore his family apart. Jamie’s older sister Rose was killed in a terrorist bombing and following this event the relationships within his family begin to exhibit extensive strain. James’
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This novel is split into 4 parts‚ the first focuses exclusively on Mariam‚ the second and fourth parts focuses on Laila‚ and the third part switches focus between Mariam and Laila with each other chapter. This book is spanning from the 1960s to2003. Mariam who lives in the outskirts with her mother‚ Jalil who is her father who is wealthy with 3 wives and nine children. Mariam is an illegitimate daughter; she cannot live with her father. Her father visits her every Thursday and usually giving her
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the texts I have studied together was the theme of being trapped. The texts that have links and connections are; The Shawshank Redemption directed by Frank Darabont‚ Lord of the Flies by William Golding‚ Birthday Party by Katherine Brush and The Dolls House by Katherine Mansfield. These four texts all have the connection of trapped in common as well as other connections such as character and method of narration. The connection of trapped is a good example that in today’s society there are so many
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ELIZABETH BELLE A BLACK GIRL AT KENWOOD An account of a protegée of the 1st Lord Mansfield by Gene Adams It is fascinating but little known that during the later eighteenth century Kenwood was the home‚ for perhaps the first 30 years of her life‚ of a young black girl called Dido Elizabeth Belle (or Lindsay)‚ born c 1763. She was a member of the family and household of William Murray‚ 1st Earl of Mansfield (1705—93) and Lord Chief Justice of the King’s Bench. According to family tradition
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regards to his treatment of people of Mexican descent (NEW ARTICLE CIATION). Mansfield mentions that to Trump‚ winning dishonorably is more important to him than winning honorably (CITATION). To a Machiavellian Prince this would prove to be accurate as well‚ as Machiavelli would not place much value on something honors‚ but rather more value would be placed on what a leader values (Machiavelli citation). Though‚ Mansfield mentions that Trump goes against one Machiavellian principle: insulting his
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Extra material for chapter 4 Van Leuven-Zwart’s comparative–descriptive model of translation shifts1 The most detailed attempt to produce and apply a model of shift analysis has been carried out by Kitty van Leuven-Zwart of Amsterdam. Van Leuven-Zwart’s model takes as its point of departure some of the categories proposed by Vinay and Darbelnet and Levý and applies them to the descriptive analysis of a translation‚ attempting both to systematize comparison and to build in a discourse framework
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